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Gesucht wurde Post-Digital, Medienart , Sortierung ID, absteigend. Alle Suchbegriffe sind in allen Ergebnissen enthalten: 12 Treffer

Verfasser
Titel
  • Techno-somatics and physical experience - Memory on the Internet - Our ears open a whole world to us: about the experiment to program an exhibition on a vinyl record
Ort LandHamburg (Deutschland)
Verlag Jahr
Medium Heft
Techn. Angaben
  • 12 unpag. S., 29,5x21 cm, Keine weiteren Angaben vorhanden
    Drahtheftung
ZusatzInfos
  • Curated by Weekly is a digital art project. It aims to raise questions regarding online formats, web-based distribution and the acceleration of digital platforms in contemporary art. The project is made up of a website and a magazine, which will be released in irregular intervals. The latter will include essays and interventions about digital exhibition formats, the experiences of digital curation and the questions about media and matter in the post-analogue space. Every week, an artwork will be curated and published on the website. In cooperation with different individuals, institutions and independent projects from the art field, artistic positions and works will be displayed. They can function as pieces of art in the digital sphere as well as be critical about it, or to contrast itself with the functions of the web. The projects pace and composition orientates itself around the relevant visual environment of the present day.
    The format of the website is consciously purely visual, while complementary content will be published in the magazine. This content will consist of essays and contributions around certain questions. For example: How new formats will be established in contemporary art, which technological tools are required or how curation is practiced in a digital space. What should particularly be highlighted is determining which artistic media, surfaces and materialities provide an adequate digital environment.
    'Curated by Weekly' aims for an experimental format, which uses the speed and the possibilities of the digital space, but instead of reproductions and documentations we want to show artistic work itself, to address availability in the digital space and to use catchy visual surfaces. At the same time, the discourse and the self-reflection of the format is discussed in the appearing magazines/readers online and offline.
    Text von der Webseite
Beteil. Personen
Sprache
Geschenk von Xenia Fumbarev
TitelNummer
024057658
Einzeltitel =


Verfasser
Titel
  • Soundsystem Pastoral
Ort LandBerlin (Deutschland)
Verlag Jahr
Medium CD, DVD
Techn. Angaben
  • 13x13 cm, Keine weiteren Angaben vorhanden
    naivsuper Nr 007, Musik-CD in gefalteter Papphlle mit Beiblatt in transparenter Kunststoffhlle, cover art: Stephane Leonard
ZusatzInfos
  • music by Daniel Lopatin aka Dania Shapes.
    Soundsystem Pastoral was recorded by Daniel Lopatin aka Dania Shapes during the winter of 2004 using synthesizers, a first generation digital sequencer, and a freeware sound editor. It was remixed in 2006 for the release on naivsuper.
    Celebrating the potential of amateurishness, decadence and romance in the realm of digital audio arts, Lopatin looks to marry the aesthetic sensibilities of experimental electronics with his allegiance to the classic 'beauty' in music. 'Glitch' is less a process for Lopatin -- rather it is an aesthetic impression which Lopatin emulates by hand. Pairing the residual effects of romantic, heart string melodies with steroidal, detailed, maximalist noise, Dania Shapes' audible bricolage is a tribute to both the beautiful and the broken all at once.
    Working with simple tools such as handheld tape recorders, retro synthesizers, and a personal computer, Lopatin creates conceptual systems and processes to create a solo music that's beautiful and inventive, with interesting textures and unexpected sonic interventions. The music has a lush, ambient quality, but an edge as well. Throughout the CD, one finds a subtle use of repetition. The pieces are formally well-conceived and never contrived. The music is clearly indebted to heroes of electronica such as Christian Fennesz, William Basinski, and Brian Eno. and it has links to classic experimentalists such as David Tudor and David Behrman. Yet Lopatin maintains a more song-based musical position that results in an accessible product that will attract fans of ambient, post-rock, and experimental music
Beteil. Personen
WEB Link
TitelNummer
008576267
Einzeltitel =


Verfasser
Titel
  • Unshelfmarked - Reconceiving the artist's book
Ort LandDevon (Grobritannien)
Verlag Jahr
Medium Buch
Techn. Angaben
  • 180 S., 23,3x14,1 cm, , ISBN/ISSN 9781910010068
    Klappbroschur,
ZusatzInfos
  • Post-Deweyed, these works form an entirely new corpus, showcasing the artists book not as a by-product of the book per se, but both its antecedent and post-digital flowering, many salient twentieth-century features proleptically flickering here and there through time, its epigenetic influence finally come to permeate mainstream book design everywhere, the manifold traits and studio processes inherent to the artists book bursting from their stitched sheath, cheerfully pollinating the whole gamut of reading impedimenta and spaces.
    Text von der Webseite
Sprache
TitelNummer
016535599
Einzeltitel =


Verfasser
Titel
  • Possible Content for 18 Pages - Volume II - A Set of Lines, A Stack of Paper
Ort LandBerlin (Deutschland)
Verlag Jahr
Medium Buch
Techn. Angaben
  • 80 unpag. S., 29,7x21 cm, Auflage: 500, , ISBN/ISSN 9783957632746
    Broschur, mit zahlreichen Abbildungen, drei Bnde in Banderole,
ZusatzInfos
  • "A Set of Lines, A Stack of Paper" is the second in a series of exhibitions and publication based on a wide-reaching research about writing with the title 'Possible Content for 18 Pages'. The original typewritten manuscript of Vilm Flusser's essay 'The Gesture of Writing' provides the thematic and formal-aesthetic foundation for reflecting the act of writing at the intersection of linguistic, visual, physical and spatial communication. 'To write,' says the philosopher about the basic requirements that should lead to a complete piece of writing, we need 'a blank surface, for instance a white leaf of paper, an instrument which contains a matter that contrasts with the whiteness of the paper, the letters of the alphabet, the convention which gives a meaning to the letters, 'orthography' = correct writing, the rules which order that language, what is called 'grammar', an idea to be expressed in a language, and a motive to express that idea'. Understanding the act of writing as a culturally embedded gesture, 'A Set of Lines, A Stack of Paper' covers artistic, literary, as well as curatorial and editorial fields of action and combines them. The book is published on the occasion of the correspondent exhibition at KARST, Plymouth (June 5 - July 5, 2015). The publication comprises an exhibition documentation with installation views and a curatorial statement. Furthermore, the author Maria Fusco situates the concept of the exhibition in an actual context of literature.
    The participating visual artists expand the topic of the exhibition with artistic contributions especially made for the book.
    Text von der Webseite
Sprache
Geschenk von Franz Thalmair
TitelNummer
016715579
Einzeltitel =


thalmair--This-Page-Intentionally-Left-Blank
thalmair--This-Page-Intentionally-Left-Blank
thalmair--This-Page-Intentionally-Left-Blank

Thalmair Franz, Hrsg.: Possible Content for 18 Pages - Volume I - This Page Intentionally Left Blank , 2014

Verfasser
Titel
  • Possible Content for 18 Pages - Volume I - This Page Intentionally Left Blank
Ort LandBerlin (Deutschland)
Verlag Jahr
Medium Buch
Techn. Angaben
  • 168 unpag. S., 29,7x21 cm, Auflage: 500, , ISBN/ISSN 9783957631015
    Broschur, mit zahlreichen Abbildungen, drei Bnde in Banderole,
ZusatzInfos
  • Publikation zur Ausstellung: This Page Intentionally Left Blank im Akbank Art Centre, Istanbul, 19.03-17.05.2014
    This Page Intentionally Left Blank ist das erste einer Reihe von Ausstellungs- und Publikationsprojekten, die dem Akt des Schreibens an der Schnittstelle von sprachlicher, visueller, krperlicher und rumlicher Kommunikation nachgehen. Als Grundlage fr das breit angelegte Rechercheprojekt mit dem Titel Possible Content for 18 Pages dient Vilm Flussers Essay Die Geste des Schreibens, dessen mit Schreibmaschine getipptes Manuskript sich nicht nur als fotografische Reproduktion im Buch befindet, sondern das ebenso die Struktur der Recherche bestimmt.
    Text von der Webseite
Sprache
Geschenk von Franz Thalmair
TitelNummer
016716579
Einzeltitel =


Verfasser
Titel
  • Possible Content for 18 Pages - Volume III - Lorem Ipsum Dolor Sit Amet
Ort LandBerlin (Deutschland)
Verlag Jahr
Medium Buch
Techn. Angaben
  • 200 unpag. S., 29,7x21 cm, Auflage: 500, , ISBN/ISSN 9783957633453
    Fadenheftung, mit zahlreichen Abbildungen, drei Bnde in Banderole, Anschreiben liegt bei,
ZusatzInfos
  • Lorem Ipsum Dolor Sit Amet is the third in a series of exhibitions and publication based on a wide-reaching research about writing with the title Possible Content for 18 Pages. The original typewritten manuscript of Vilm Flussers essay The Gesture of Writing provides the thematic and formal-aesthetic foundation for reflecting the act of writing at the intersection of linguistic, visual, physical and spatial communication.
    To write, says the philosopher about the basic requirements that should lead to a complete piece of writing, we need a blank surface, for instance a white leaf of paper, an instrument which contains a matter that contrasts with the whiteness of the paper, the letters of the alphabet, the convention which gives a meaning to the letters, orthography = correct writing, the rules which order that language, what is called grammar, an idea to be expressed in a language, and a motive to express that idea.
    Understanding the act of writing as a culturally embedded gesture, Lorem Ipsum Dolor Sit Amet covers artistic, literary, as well as curatorial and editorial fields of action and combines them. The book is published on the occasion of the eponymous performance by Lois Bartel at the Akademie der Knste in Berlin (June 11, 2016) and contains a curatorial-editorial statement by Franz Thalmair. Furthermore, the artist Michalis Pichler and the professor for media theory and aesthetics Oliver Ruf situate the publication in an actual context of literature and criticism. The participating visual artists expand the topic of the research with artistic contributions especially made for Lorem Ipsum Dolor Sit Amet.
    Text von der Webseite
Sprache
Geschenk von Franz Thalmair
TitelNummer
016717579
Einzeltitel =


Verfasser
Titel
  • Against Translation
Ort LandParis (Frankreich)
Verlag Jahr
Medium Sammeltuete, Schachtel, Kassette
Techn. Angaben
  • 256 S., 16,7x10,3x3,3 cm, 8 Teile. , ISBN/ISSN 9782365680127
    8 Bchlein in Schuber, Fadenheftung, Beiblatt
ZusatzInfos
  • 1. Auflage
    The author discusses the impasses and shortcomings of translation, this approximation of discourse that produces a new discourse and he opposes the notion of displacement, a phenomenon born of globalization: if people and objects are moved, so it will for language. Using the example of the inffuence of advertising, information flow and the effects of networking, Kenneth Goldsmith shows the obsolescence of the act of translation and reflects on the idea of movement. Movement is the new reality which tends to impose its standard upsets linguistic structures, social and political worlds, and profoundly changes our cultural practices.
    Following Theory a sum of 500 texts printed and assembled in the form of a ream of paper , Against Translation is the second book of Kenneth Goldsmith published by Jean Boite ditions.
    Text von der Webseite
Beteil. Personen
TitelNummer
024603674
Einzeltitel =


Verfasser
Titel
  • Publishing as an Artistic Toolbox: 1989-2017
Ort LandWien (sterreich)
Verlag Jahr
Medium Heft
Techn. Angaben
  • [28] S., 22x15 cm, Keine weiteren Angaben vorhanden
    Drahtheftung, mit handschriftlicher Nummerierung von Marlene Obermayer
ZusatzInfos
  • Infoheft zur gleichnamigen Ausstellung, Kunsthalle Wien, 08.11.2017-28.01.2018. Mit Informationen zum Rahmenprogramm und den einzelnen Kapiteln der Ausstellung: Artists' Library, Artist-run Magazines (The Magazine as Medium), The Message as Medium, Autoretrospective, The Bookshop as Medium, In Between The Library as Medium, Expanded Publishing, Post Digital Publishing Archive, Design as Medium, The Artist & The Publishers, Magazines as Publishers
Beteil. Personen
Sprache
Geschenk von Marlene Obermayer
TitelNummer
024844667
Einzeltitel =


Verfasser
Titel
  • Publishing as an Artistic Toolbox: 1989-2017
Ort LandWien (sterreich)
Verlag Jahr
Medium Flyer, Prospekt
Techn. Angaben
  • 12 S., 21x9,7 cm, 2 Stück. Keine weiteren Angaben vorhanden
    Mehrfach gefalteter Flyer
ZusatzInfos
  • Infoblatt zur gleichnamigen Ausstellung, Kunsthalle Wien, 08.11.2017-28.01.2018. Mit Informationen zum Rahmenprogramm und den einzelnen Kapiteln der Ausstellung: Artists' Library, Artist-run Magazines (The Magazine as Medium), The Message as Medium, Autoretrospective, The Bookshop as Medium, In Between The Library as Medium, Expanded Publishing, Post Digital Publishing Archive, Design as Medium, The Artist & The Publishers, Magazines as Publishers
Beteil. Personen
Sprache
TitelNummer
024845667
Einzeltitel =


Verfasser
Titel
  • Intern
Ort LandBuffalo, NY (Vereinigte Staaten von Amerika)
Verlag Jahr
Medium Buch
Techn. Angaben
  • [304] S., 27,9x21,6 cm, Auflage: Print on Demand, Keine weiteren Angaben vorhanden
    Broschur, Digitaldruck, Schwarz-Wei, Umschlag glnzend laminiert
ZusatzInfos
  • Timesheets, Tasks (Aufgaben), Emails, Dokumente, Berichte ber Aktivitten, die ein Praktikant bei Troll Thread Press, New York, sonst College-Student einer Poetry class verschickt und bearbeitet. Adressatin u.a Holly Melgard.
Beteil. Personen
Sprache
TitelNummer
026108729
Einzeltitel =


Verfasser
Titel
  • Wasting Time on the Internet
Ort LandNew York, NY (Vereinigte Staaten von Amerika)
Verlag Jahr
Medium Buch
Techn. Angaben
  • 256 S., 18,1x12,4 cm, , ISBN/ISSN 9780062416476
    Broschur
ZusatzInfos
  • Kenneth Goldsmith wants you to rethink the internet. Many people feel guilty after spending hours watching cat videos or clicking link after link after link. But Goldsmith sees that wasted time differently. Unlike old media, the internet demands active engagementand its actually making us more social, more creative, even more productive. When Goldsmith, a renowned conceptual artist and poet, introduced a class at the University of Pennsylvania called Wasting Time on the Internet, he nearly broke the internet. The New Yorker, the Atlantic, the Washington Post, Slate, Vice, Time, CNN, the Telegraph, and many more, ran articles expressing their shock, dismay, and, ultimately, their curiosity. Goldsmiths ideas struck a nerve, because they are brilliantly subversiveand endlessly shareable. In Wasting Time on the Internet, Goldsmith expands upon his provocative insights, contending that our digital lives are remaking human experience. When were wasting time, were actually creating a culture of collaboration. Were reading and writing moreand quite differently. And were turning concepts of authority and authenticity upside-down. The internet puts us in a state between deep focus and subconscious flow, a state that Goldsmith argues is ideal for creativity. Where that creativity takes us will be one of the stories of the twenty-first century. Wide-ranging, counterintuitive, engrossing, unpredictablelike the internet itselfWasting Time on the Internet is the manifesto you didnt know you needed.
    Text von der Webseite
Sprache
TitelNummer
026240717
Einzeltitel =


032c_quarantine-2020
032c_quarantine-2020
032c_quarantine-2020

Koch Joerg, Hrsg.: 032c Fanzine - Quarantne!, 2020

Verfasser
Titel
  • 032c Fanzine - Quarantne!
Ort LandBerlin (Deutschland)
Verlag Jahr
Medium Zine
Techn. Angaben
  • [40] S., 29,7x21 cm, Keine weiteren Angaben vorhanden
    Farblaserdruck, gefaltete Einzelbltter, mit Gummiband zusammengehalten. PDF-Download von der Webseite
ZusatzInfos
  • We want you to GO INSIDE your house, and your self. Everything is about interiors now: the interior of your home, your mind, your archive, your hard drive. Mine it all for insight and purpose.
    Once thats done, show off what you find just because youre alone doesnt mean you cant share from within. There is no such thing as too much information now; COVID-19 took out TMI. In fact, there is no more enough enough data, enough circulation, enough fodder. Binge on it. Burn out on it. Document it. Post it. Build a website for it. Get turned on by it. Get freaked out by it. Open up your screens, talk about your dreams, slide into those DMs. Get dressed up to go absolutely nowhere. Never go out, but leave nothing behind the scenes there is no behind, and no in front of either. There is only now, and it is Big and Flat. Closeness happens at a distance here, but dialogue has never been this intimate. Your private hygiene is a matter of public health, your personal cloister backdrops community debate. Dualities east and west, north and south, us and them, out and in melt into each other and coat the old world like lava, like an act of god. In the New Interior isolation is a commons, the self that inhabits it is a collective. Historical moments stack vertically and occur simultaneously, around the globe. Welcome to the novel sanctum sanctorum, the single-occupant House of We.
    Text von der Webseite
Beteil. Personen
Sprache
TitelNummer
029230802
Einzeltitel =