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 Hinweis zum CopyrightAAP Archive Artist Publications - Munich - www.artistbooks.de
zabel_frauke_gender2018_2

Verfasser
Titel
  • Gender Studies in Architecture - Performativity – The relationship of public and protected space
Ort Land

Technische
Angaben
  • 20x40 cm cm, 10 Teile. keine weiteren Angaben vorhanden
    Konvolut mit Heften/Zines unterschiedlicher Formate A6-A5 in Plastiktüte des Lenbachhaus mit Applikationen aus farbigem, geschnittenem Tape und Geschenkband. Teils Collage von ausgedruckten Fotos auf Transparentpapier, Fold-outs, gezeichnete u. geklebte Karten, übereinandergedruckter e-mail-Verkehr zum Seminar, Ausdruck des Seminarprogramms, als Binde um das Konvolut. Handschriftlicher Begleitbrief
ZusatzInfos
  • Produziert zum Seminar von Frauke Zabel an der TU München, Oktober/November 2018. In diesem Rahmen auch Besuch im AAP am 03.11.2018.
    Based on an observation of public, semi-public and commercial spaces in which we move in Munich today, the seminar takes a look at the regulation of the public space (gender construction and repression of political opinions) in different times and cultures. We will consider various counter cultural movements in their emergence in relation to the public space of the respective time. Why do counter cultural movements withdraw from the public space into protected spaces and imitate a form of reality in them? We will look at the development of Brazilian theater under military dictatorship in the 1960s in Brazil by examining two architectural examples. The imaginative space of the theater, in which the reality is put into negotiation, will be regarded in relation to the imitation of the public space in the Ballroom culture of the 1980s in New York. There people were able to perform and to imitate (gender) roles, which the society did not provide for them. These historical references are complemented by a consideration of the current LGBTQ+ movement in different locations worldwide and their relationship to the public space. What are the moments that engage counter cultural movements to move in public space to gain visibility? We will look at examples like invisible theater, artistic processions, performances, parades and manifestations.
    Text von der Webseite
Sprache
Geschenk von
TitelNummer

edwards-lost-public-notices
edwards-lost-public-notices
edwards-lost-public-notices

Edwards Phil / Dellafiora David, Hrsg.: The Museum of Lost Public Notices, 2017

Verfasser
Titel
  • The Museum of Lost Public Notices
Ort Land
Verlag Jahr
Medium

Technische
Angaben
  • 16 S., 29,7x21 cm, 3 Teile. keine weiteren Angaben vorhanden
    Zwei lose Blätter, eine Telnehmerliste, geklammert
ZusatzInfos
  • The Museum of Lost Public Notices (24.05.-02.06.2017) is a community noticeboard installation consisting of posters which explore the role of art in relation to the individual and society. Contributions from local and international artists from all stages of their careers are invited. The Museum of Lost Public Notices is anopen exhibition that both celebrates and critiques the role of conventional gallery spaces and public noticeboards as sites which use a community space to promote, herald and advertise personal and group concerns.
    Text von der Website.
Sprache
Stichwort / Schlagwort
Geschenk von
TitelNummer

Art-Public-Charleroi-invitation

Verfasser
Titel
  • Art Public Charleroi Invitation
Ort Land
Medium

Technische
Angaben
  • 4 S., 22x16 cm, signiert, 2 Stück. keine weiteren Angaben vorhanden
    Aufklappbarer Flyer mit handschriftlichem Gruß von Thierry Tillier, beigelegtes Blatt mit handschriftlichem Gruß
ZusatzInfos
  • Einladung zum 3. Art Public in Charleroi, 02.09.-05.11.2017. 15 artists and collectives are invited to make a work that blends in with the environment. There is no specific theme, besides the city and the architectural, urbanist, natural and human space.
    Text von der Website
Sprache
Stichwort / Schlagwort
Geschenk von
TitelNummer

Art-Public-Charleroi-Leporello

Verfasser
Titel
  • Art Public Charleroi Guide de visiteur
Ort Land
Medium

Technische
Angaben
  • 8 S., 22x16 cm, 2 Stück. keine weiteren Angaben vorhanden
    Leporello
ZusatzInfos
  • Ausstellungsführer zur 3. Art Public in Charleroi, 02.09.-05.11.2017. 15 artists and collectives are invited to make a work that blends in with the environment. There is no specific theme, besides the city and the architectural, urbanist, natural and human space.
    Text von der Website
Sprache
Stichwort / Schlagwort
Geschenk von
TitelNummer

Titel
  • A Space Called Public - Hoffentlich Öffentlich. Ein Kunstprojekt von Elmgreen & Dragset im öffentlichen Raum der Stadt München
Ort Land
Medium

Technische
Angaben
  • 2 S., 29,7x21 cm, keine weiteren Angaben vorhanden
    Jury-Entscheidung zum Kunstwettbewerb vom 12.3.2013 / 4th Plinth Munich von Stephen Hall & Li Li Ren. geklammert
ZusatzInfos
  • Auf Einladung der Stadt München kuratiert das Künstlerduo Elmgreen & Dragset ein umfangreiches temporäres Kunstprojekt, das sich zwischen Januar und September 2013 im Innenstadtraum Münchens präsentiert. Unter dem Titel A Space Called Public, Hoffentlich Öffentlich stellen sie die Frage „Was ist öffentlicher Raum heute?”. Sie haben international tätige Künstlerinnen und Künstler eingeladen, die sich mit dieser Frage auf unterschiedlichste Art und Weise und an verschiedenen Orten in der Stadt auseinandersetzen.
    Text von der Webseite
Erworben bei Rathausgalerie
TitelNummer

pichler-new-york-garbage-flag-profile

Verfasser
Titel
  • stars & stripes - new york garbage flag profile
Verlag Jahr
Medium

Technische
Angaben
  • 292 S., 21,4x15,2 cm, Auflage: 550, ISBN/ISSN 3865880940
    Fadenheftung mit flexiblem Plastikeinband
ZusatzInfos
  • First this was was a series of ephemeral situations in public space in New York 2002–2003. They become comprehensible through the publication of a book. The New York Garbage Flag Profile presents Berlin-based artist Michalis Pichler’s six month long project in which he collected and documented discarded paper cups, plastic bags, pizza boxes, newspapers and other mass-produced materials emblazoned with the American Flag.
    Photographed in the public waste baskets, gutters and snow drifts of New York where he found them, the individual items are catalogued on a facing page with uniformly formatted information about their location, the date of their collection, number of flags depicted, number of stars, number of stripes, etc. Each record also includes a full transcription of the text found on the item. The nearly three hundred color photographs in the book are organized into forensic pairs showing the collection site before and after the artist’s intervention. This clinical presentation however belies the artist’s gentle, almost reverent approach to his material-garbage, after all. (Rachel Bers)
    Text von der Webseite
TitelNummer

das-treffen-dreier-punkte-kapitel1

Titel
  • DAS TREFFEN DREIER PUNKTE - Kapitel 1
Ort Land
Verlag Jahr
Medium

Technische
Angaben
  • [48] S., 19x12,3 cm, keine weiteren Angaben vorhanden
    Gefaltete Einzelblätter, mit Gummiband gebunden.
ZusatzInfos
  • Katalog zur Ausstellung DAS TREFFEN DREIER PUNKTE, 01.-31.07.2019, Berlin, im Rahmen von INTERIORS TO BEING.
    INTERIORS TO BEING takes visitors and invited artists into an intimate encounter within the homes, gardens and streets of Berlin as well as the lives of strangers.
    Text von der Webseite.
    INTERIORS TO BEING spans time and space as a collective happening through the cityscape of Berlin. Six curators from Berlin have developed formats around the specifics of the work of a total of 51 artists and curators. The chosen formats range from traditional exhibitions, walks, salons and discussions to gatherings and performances.
    The project unfolds over the course of the month of July in six chapters that flow into one another, occasionally overlapping. INTERIORS TO BEING expands radically outwards, realizing half of its projects in Berlin’s public space.
    The city of Berlin is a partner of INTERIORS TO BEING as any curator or participating artists in the program would be. The cityscape functions anthropomorphically–with the city’s growth and continual change impacting the way artists move within it. INTERIORS TO BEING internalizes these changes through the framework of its community. All contributors to INTERIORS TO BEING are part of the extensive creative network of PICTURE BERLIN (founded in 2009, a not-for-profit artist initiated hybrid residency/art academy), which is a community made up of more than two hundred international artists and curators, two-thirds of whom are based in Berlin.
    The red thread running through all events is the dérive, a term devised by Situationist Guy Debord to describe an aimless wandering through different urban environments that leads to the development of a psycho-geographical awareness. This concept beautifully sums up the way INTERIORS TO BEING works as a project in the city of Berlin.
    Text von der Webseite.
Sprache
Geschenk von
TitelNummer

hidden-treasures-kapitel2

Titel
  • HIDDEN TREASURES - Katipel 2
Ort Land
Verlag Jahr
Medium

Technische
Angaben
  • [40] S., 19x12,3 cm, keine weiteren Angaben vorhanden
    Gefaltete Einzelblätter, mit Gummiband gebunden, Wendeheft.
ZusatzInfos
  • Katalog zur Ausstellung HIDDEN TREASURES, 03.,07.,13.07.2019, Berlin, im Rahmen von INTERIORS TO BEING.
    INTERIORS TO BEING takes visitors and invited artists into an intimate encounter within the homes, gardens and streets of Berlin as well as the lives of strangers.
    INTERIORS TO BEING spans time and space as a collective happening through the cityscape of Berlin. Six curators from Berlin have developed formats around the specifics of the work of a total of 51 artists and curators. The chosen formats range from traditional exhibitions, walks, salons and discussions to gatherings and performances.
    The project unfolds over the course of the month of July in six chapters that flow into one another, occasionally overlapping. INTERIORS TO BEING expands radically outwards, realizing half of its projects in Berlin’s public space.
    The city of Berlin is a partner of INTERIORS TO BEING as any curator or participating artists in the program would be. The cityscape functions anthropomorphically–with the city’s growth and continual change impacting the way artists move within it. INTERIORS TO BEING internalizes these changes through the framework of its community. All contributors to INTERIORS TO BEING are part of the extensive creative network of PICTURE BERLIN (founded in 2009, a not-for-profit artist initiated hybrid residency/art academy), which is a community made up of more than two hundred international artists and curators, two-thirds of whom are based in Berlin.
    The red thread running through all events is the dérive, a term devised by Situationist Guy Debord to describe an aimless wandering through different urban environments that leads to the development of a psycho-geographical awareness. This concept beautifully sums up the way INTERIORS TO BEING works as a project in the city of Berlin.
    Text von Der Webseite.
Sprache
Geschenk von
TitelNummer

the-middle-stuff-kapitel4

Titel
  • THE MIDDLE STUFF - Kapitel 4
Ort Land
Verlag Jahr
Medium

Technische
Angaben
  • [36] S., 19x12,3 cm, keine weiteren Angaben vorhanden
    Gefaltete Einzelblätter, mit Gummiband zusammengehalten, Wendeheft.
ZusatzInfos
  • Katalog zur Ausstellung THE MIDDLE STUFF, 05.-12.07.2019, Berlin, im Rahmen von INTERIORS TO BEING.
    INTERIORS TO BEING takes visitors and invited artists into an intimate encounter within the homes, gardens and streets of Berlin as well as the lives of strangers.
    INTERIORS TO BEING spans time and space as a collective happening through the cityscape of Berlin. Six curators from Berlin have developed formats around the specifics of the work of a total of 51 artists and curators. The chosen formats range from traditional exhibitions, walks, salons and discussions to gatherings and performances.
    The project unfolds over the course of the month of July in six chapters that flow into one another, occasionally overlapping. INTERIORS TO BEING expands radically outwards, realizing half of its projects in Berlin’s public space.
    The city of Berlin is a partner of INTERIORS TO BEING as any curator or participating artists in the program would be. The cityscape functions anthropomorphically–with the city’s growth and continual change impacting the way artists move within it. INTERIORS TO BEING internalizes these changes through the framework of its community. All contributors to INTERIORS TO BEING are part of the extensive creative network of PICTURE BERLIN (founded in 2009, a not-for-profit artist initiated hybrid residency/art academy), which is a community made up of more than two hundred international artists and curators, two-thirds of whom are based in Berlin.
    The red thread running through all events is the dérive, a term devised by Situationist Guy Debord to describe an aimless wandering through different urban environments that leads to the development of a psycho-geographical awareness. This concept beautifully sums up the way INTERIORS TO BEING works as a project in the city of Berlin.
    Text von der Webseite.
Sprache
Geschenk von
TitelNummer

hosting-kapitel5

Titel
  • HOSTING - Kapitel 5
Ort Land
Verlag Jahr
Medium

Technische
Angaben
  • [64] S., 19x12,3 cm, keine weiteren Angaben vorhanden
    Gefaltete Einzelblätter, mit Gummiband zusammengehalten, Wendeheft.
ZusatzInfos
  • Katalog zur Ausstellung HOSTING, 02.-31.07.2019, Berlin, im Rahmen von INTERIORS TO BEING.
    INTERIORS TO BEING takes visitors and invited artists into an intimate encounter within the homes, gardens and streets of Berlin as well as the lives of strangers.
    INTERIORS TO BEING spans time and space as a collective happening through the cityscape of Berlin. Six curators from Berlin have developed formats around the specifics of the work of a total of 51 artists and curators. The chosen formats range from traditional exhibitions, walks, salons and discussions to gatherings and performances.
    The project unfolds over the course of the month of July in six chapters that flow into one another, occasionally overlapping. INTERIORS TO BEING expands radically outwards, realizing half of its projects in Berlin’s public space.
    The city of Berlin is a partner of INTERIORS TO BEING as any curator or participating artists in the program would be. The cityscape functions anthropomorphically–with the city’s growth and continual change impacting the way artists move within it. INTERIORS TO BEING internalizes these changes through the framework of its community. All contributors to INTERIORS TO BEING are part of the extensive creative network of PICTURE BERLIN (founded in 2009, a not-for-profit artist initiated hybrid residency/art academy), which is a community made up of more than two hundred international artists and curators, two-thirds of whom are based in Berlin.
    The red thread running through all events is the dérive, a term devised by Situationist Guy Debord to describe an aimless wandering through different urban environments that leads to the development of a psycho-geographical awareness. This concept beautifully sums up the way INTERIORS TO BEING works as a project in the city of Berlin.
    Text von der Webseite.
Sprache
Geschenk von
TitelNummer

raumaneignung-kapitel6

Titel
  • RAUMANEIGNUNG - Kapitel 6
Ort Land
Verlag Jahr
Medium

Technische
Angaben
  • [64] S., 19x12,3 cm, keine weiteren Angaben vorhanden
    Gefaltete Einzelblätter, mit Gummiband zusammengehalten, Wendeheft.
ZusatzInfos
  • Katalog zur Ausstellung RAUMANEIGNUNG, 19.-31.07.2019, Berlin, im Rahmen von INTERIORS TO BEING.
    INTERIORS TO BEING takes visitors and invited artists into an intimate encounter within the homes, gardens and streets of Berlin as well as the lives of strangers.
    INTERIORS TO BEING spans time and space as a collective happening through the cityscape of Berlin. Six curators from Berlin have developed formats around the specifics of the work of a total of 51 artists and curators. The chosen formats range from traditional exhibitions, walks, salons and discussions to gatherings and performances.
    The project unfolds over the course of the month of July in six chapters that flow into one another, occasionally overlapping. INTERIORS TO BEING expands radically outwards, realizing half of its projects in Berlin’s public space.
    The city of Berlin is a partner of INTERIORS TO BEING as any curator or participating artists in the program would be. The cityscape functions anthropomorphically–with the city’s growth and continual change impacting the way artists move within it. INTERIORS TO BEING internalizes these changes through the framework of its community. All contributors to INTERIORS TO BEING are part of the extensive creative network of PICTURE BERLIN (founded in 2009, a not-for-profit artist initiated hybrid residency/art academy), which is a community made up of more than two hundred international artists and curators, two-thirds of whom are based in Berlin.
    The red thread running through all events is the dérive, a term devised by Situationist Guy Debord to describe an aimless wandering through different urban environments that leads to the development of a psycho-geographical awareness. This concept beautifully sums up the way INTERIORS TO BEING works as a project in the city of Berlin.
    Text von der Webseite.
Sprache
Geschenk von
TitelNummer

Tonnard Elisabeth: Indirections #1-#10, 2018 ab

tonnard-indirections-1-10
tonnard-indirections-1-10
tonnard-indirections-1-10

Tonnard Elisabeth: Indirections #1-#10, 2018 ab

Verfasser
Titel
  • Indirections #1-#10
Ort Land
Verlag Jahr

Technische
Angaben
  • [2] S., 29,7x14 cm, Auflage: 90, 10 Teile. keine weiteren Angaben vorhanden
    zweifach gefalteter Bogen
ZusatzInfos
  • Indirections is a series of image-text pamphlets that focus on the manoeuvring involved when ideas are presented to the public eye with the aim of persuasion. Whether we look at Soviet propaganda or at minor deceits in the local newspaper: things are bent, spun and twisted.
    The series presents found image-and-caption combinations from books, leaflets and newspapers. Each item in the series is a folded sheet containing a single found image with its caption. The caption is on the front, the image is hidden inside. By uncoupling them, the two elements are each given their own stage – as a result a new space opens up between them. In that space a small tragicomedy is played out. It appears that at times images can be a bit stubborn and reveal slightly different truths from the ones implied by the words coupled to them. ...
    Text von der Webseite
Sprache
Stichwort / Schlagwort
Erworben bei Elisabeth Tonnard
TitelNummer

delatorre_books_bridges_2021
delatorre_books_bridges_2021
delatorre_books_bridges_2021

de la Torre Claudia: Books are Bridges, 2021

Titel
  • Books are Bridges
Ort Land
Verlag Jahr
Medium

Technische
Angaben
  • 10,5x14,8 cm, keine weiteren Angaben vorhanden
    Karte
ZusatzInfos
  • Postkarte, von Teilnehmern auszufüllen, zum Projekt Books are Bridges, 11.03.-11.05.2021 bei A-Z, Berlin, Torstr.
    How can we still find ways to connect with each other? Can books play a role in this connection? And from where to where can they take us? For the show in A — Z presents, I’ve come up with a strategy to bring people and ideas together. A participative, open, non-ending work that could exist in the space, but that couldn’t exist without a form of contact. A book that will construct itself throughout the duration of the show. The thickness, amount of pages, and content won’t depend on me but on the public. A book that functions as a bridge that connects people, ideas, ways of distribution and collaboration. The answers that are sent back to us before the end of the show, will be arranged into a growing bookwork inside of the exhibition space. Books are Bridges. Always under construction.
    Text von der Webseite
Sprache
Geschenk von
TitelNummer

pichler-hearts

Verfasser
Titel
  • hearts
Verlag Jahr
Medium

Technische
Angaben
  • 212 S., 21,4x15,2 cm, Auflage: 600, ISBN/ISSN 978-3-865884640
    mit flexiblem Plastikeinband
ZusatzInfos
  • A collection and archival documentation of discarded commodities, carrying depictions of hearts, found in public space mostly in Berlin, but also in Greece and New York City. The photo documentation is accompanied by ranscriptions of every text carried by the found objects.
    Text von der Webseite
Stichwort / Schlagwort
TitelNummer

Titel
  • Münchner Zeitkapsel
Ort Land
Medium

Technische
Angaben
  • 11x21,9 cm, keine weiteren Angaben vorhanden
    Briefumschlag, bedruckt, mit Aufforderung zur Teilnahme
ZusatzInfos
  • Innerhalb eines Kunstprojekts von Elmgreen & Dragset im Rahmen der Freien Kunst im öffentlichen Raum: A Space Called Public, Hoffentlich Öffentlich. 01. bis September 2013
Weitere
Personen
Sprache
TitelNummer

biennale bielefeld plakartive 2014
biennale bielefeld plakartive 2014
biennale bielefeld plakartive 2014

Göbel Uwe, Hrsg.: 02. Plakartive 2014 - Kunst im öffentlichen Raum - Art in the Public Space, 2013

Verfasser
Titel
  • 02. Plakartive 2014 - Kunst im öffentlichen Raum - Art in the Public Space
Ort Land
Medium

Technische
Angaben
  • 8 S., 29,7x21 cm, keine weiteren Angaben vorhanden
    Drahtheftung, WerbeFlyer zur Ausstellung in Bielefeld, gefaltet
ZusatzInfos
  • Im Rahmen der Biennale Bielefeld
TitelNummer

friedrich-im-reich-der-zeichen

Verfasser
Titel
  • Im Reich der Zeichen
Ort Land
Verlag Jahr
Medium

Technische
Angaben
  • 80 S., 20,3x12,7 cm, 2 Stück. keine weiteren Angaben vorhanden
    Broschur
ZusatzInfos
  • Im Reich der Zeichen (In the Empire of Signs) presents a selection of the author’s photographs of graffiti, posters, and stickers left on walls in cities around the world. Here, even the walls have opinions, symbolizing the fightback for personal expression in a public space dominated by corporate and governmental signs.
    Text von der Webseite
TitelNummer

tillmans-the-cars

Verfasser
Titel
  • The Cars
Ort Land
Medium

Technische
Angaben
  • 128 S., 24x16,2 cm, ISBN/ISSN 978-3-863357528
    Broschur mit Klappumschlag
ZusatzInfos
  • I wanted to show how cars appear in typical street view, which is rarely the subject of photographs. Cars are usually avoided in photography - one waits until a car has exited a view. The ordinary presence of cars is rarely worthy of representation. It's always the special car, or the extreme traffic jam or, of course, the exciting crash that is being pictured. The Cars pays tribute to the shapes and forms we look at every day. How much time we spend with them, sitting inside them, the endless hours we stare at a dashboard. Even if we don't own a car ourselves, their presence is unavoidable. Cars are everywhere. Their sheer number is the most crazy thing about them. They appear in our lives with excessive omnipresence. In their volume cars intrude upon public space, and the way they occupy streets and open areas is rarely challenged.
    Text von der Webseite
TitelNummer

klein-keep-going-west

Verfasser
Titel
  • Keep Going West Until You Can See The Sun Set In The East
Ort Land
Verlag Jahr
Medium

Technische
Angaben
  • [8] S., 46,5x31,5 cm, Auflage: 1.000, keine weiteren Angaben vorhanden
    Broschur, teils spiegelverkehrt
ZusatzInfos
  • A newspaper was distributed at selected points during the Kunst Fest in the city of Weimar. Both in newspaper stores and on the street by various performers.
    It contained propositions for small interventions in public space in Weimar. These propositions function as a written proposal: in relation to Lawrence Weiner's “Declaration of Intent“ the interventions do not need to be executed but can be read as a manual and performed by anybody. Each format is equal. Every written intervention is formulated in a more or less abstract way opening the possibilities of interpretation for the viewer. Poetic connotation is intended.
    Text von Website
Sprache
WEB Link
TitelNummer

Dan-Perjovschi-Your-Public-Space

Verfasser
Titel
  • Your Public Space - drawings from 2001-2015
Ort Land
Medium

Technische
Angaben
  • [16] S., 35x27,5 cm, 2 Stück. keine weiteren Angaben vorhanden
    Blätter lose ineinander gelegt, Schwarz-Weiße Zeichnungen, Druck auf Zeitungspapier
ZusatzInfos
  • Herausgebracht im Rahmen der Ausstellung Im Inneren der Stadt/Inside the City 19.07.-11.10.2015
Stichwort / Schlagwort
TitelNummer

your-public-space-sti

Verfasser
Titel
  • Your Public Space
Ort Land

Technische
Angaben
  • 1 S., 7,8x9,5 cm, 5 Teile. keine weiteren Angaben vorhanden
    Fünf Aufkleber mit zwei Motiven
ZusatzInfos
  • Zur Ausstellung Im Inneren der Stadt/Inside the City 19.07.-11.10.2015
Stichwort / Schlagwort
WEB Link
TitelNummer

weserburg-2017-Postkarte-Neujahrsgruesse

Verfasser
Titel
  • Alles Gute für das Neue Jahr! 2017
Ort Land
Medium

Technische
Angaben
  • 2 S., 14,8x10,5 cm, signiert, keine weiteren Angaben vorhanden
    Neujahrskarte mit handschriftlichem Gruß
ZusatzInfos
  • Motiv aus dem Projekt Your Public Space, Bremen 2015
TitelNummer

hesse-nucleo

Verfasser
Titel
  • #nucleo
Ort Land
Verlag Jahr
Medium

Technische
Angaben
  • [48] S., 21x14,7 cm, Auflage: 500, keine weiteren Angaben vorhanden
    Drahtheftung, Druck auf zwei Sorten Papier
ZusatzInfos
  • Onze eerste partner is PLATFORM3 uit München. In de winter van 2011 was NUCLEO kunstenaar Juan Duque hun gast. Op haar beurt ontvangt NUCLEO Fabian Hesse sinds september tot eind november. De resultaten van zijn residentie worden getoond in de expositie "a||”blur”==e “focus”==a)d=!0" tijdens Museumnacht en de Gente Kunstweek van 29/11 tot 4/12 op de Lindenlei in de voormalige 'Bibliothèque'.
    Text von der Webseite
Weitere
Personen
Sponsoren
WEB Link
TitelNummer

hesse-visual-noise

Verfasser
Titel
  • Visual Noise
Ort Land
Verlag Jahr
Medium

Technische
Angaben
  • [16] S., 29,7x21 cm, keine weiteren Angaben vorhanden
    Ein Bogen mehrfach gefaltet zu DIN A4
Weitere
Personen
Sprache
WEB Link
TitelNummer

papernews-11-vorne

Titel
  • Paper News #11 - August, September, Oktober 2018
Ort Land
Verlag Jahr
Medium

Technische
Angaben
  • 4 S., 29,7x21 cm, keine weiteren Angaben vorhanden
    Ein Blatt, gefaltet
ZusatzInfos
  • The independent publisher's quarterly by Drucken Heften Laden. Drucken Heften Laden discusses and analyses the conditions and possi­bili­ties for independent publishing in the context of art and city (politics). Drucken Heften Laden derives from an eponymous exhibition, workshop and series of events at neue Gesellschaft für bildende Kunst (nGbK) in Berlin which took place in January 2015. Since then a small group of Berlin-based producers and publishers gathers regularly: “We share experiences and resources, and build a discourse around production methods and values as well as the distribution of books and booklets.Publishing is always set in distinct time and space. Today’s diversity of media fosters hybrid formats between the analogue and the digital. We are interested to negotiate and sharpen our idea of what „independent“ and „self“ publishing means today.Drucken Heften Laden filters and disseminates information, and creates a public platform for exchange and discussion, accessible to everyone interested in such practice.”
    Text von der Website.
Weitere
Personen
Sprache
Geschenk von
TitelNummer

Koval Oleksiy, Hrsg.: The Beautiful Formula Collective, 2022, 2022

koval-beautiful-formula-collective-2022
koval-beautiful-formula-collective-2022
koval-beautiful-formula-collective-2022

Koval Oleksiy, Hrsg.: The Beautiful Formula Collective, 2022, 2022

Verfasser
Titel
  • The Beautiful Formula Collective, 2022
Ort Land
Verlag Jahr
Medium

Technische
Angaben
  • 104 S., 21x14,8 cm, ISBN/ISSN 9783945296998
    Broschur, ungestrichenes Papier, Umschlag Karton
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  • Enthält Projekte der Künstlergruppe 2012-2022, u.a. bei Ep.contemporary, Berlin 2022, kuratiert von Albert Coers, Galerie der Künstler, München, 2021, kuratiert von Ezgi Bakçay, und Baris Seyitvan, Karşi Sanat Çalişmalari, Istanbul 2020, kuratiert von Sophie-Charlotte Bombeck und Ezgi Bakçay, Digital Art Space, München, 2019, kuratiert von Karin Wimmer.
    The Beautiful Formula Collective is about painting and creating collective works based on The Beautiful Formula Language. We use the combination of spontaneity, improvisation and logic of rhythm, which gives us structures and rules while painting. The Beautiful Formula Collective produces and stages group works not only in the studio, but also as a live painting performance in front of the public.
    Text S. 3 und von der Webseite
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revista-la-plic-02-martie-2010
revista-la-plic-02-martie-2010
revista-la-plic-02-martie-2010

Crudu Dumitru / Us Vladimir, Hrsg.: Revista la Plic #02, 2010

Verfasser
Titel
  • Revista la Plic #02
Verlag Jahr
Medium

Technische
Angaben
  • 24,5x34 cm, Auflage: 500, 17 Teile. keine weiteren Angaben vorhanden
    Brauner Briefumschlag, bedruckt, gefüllt mit diversen Materialien
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  • geklammerte Hefte, Postkarten, Flyer, DVD, 14 seitiges Skript, Duftsäckchen. POSTBOX supplements: CURAJ, HUMAN ZONE, OBERLIHT, TIUK, POSTBOX student, Atlas of Public Space in Chisinau, Bucharest or Paris post-restate
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Titel
  • Titelliste zum Besuch am 03.11.2018
Ort Land
Verlag Jahr
Medium

Technische
Angaben
  • 2 S., 29,7x21 cm, keine weiteren Angaben vorhanden
    2 lose Blätter
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  • Anfrage zum Besuch mit Studenten der TU München im Modul Genderstudies in Architecture, zum Seminar "Performativity - The relationship of public and protected space".
    Titelliste der angefragten Exponaten zum Thema Feminismus, Mädchenkultur, Zine, Subkultur
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