De Vries Herman
ich bin was ich bin - flora incorporata / natural relations, 2
Piesport (Deutschland) / -): Ottenhausen Verlag, 1988
(Buch) 480 S., 18,5x14,5 cm, Auflage: 300, Nr. 99 / 123, signiert, 2 Stück.
alle Pflanzennamen, die Herman de Vries bis zum Winter 1987 gegessen, getrunken, inhaliert hat, grüner Leineneinband, mit Lesebändchen
Stichwort: 80er Jahre, 1980er Jahre
De Vries Herman
mimas atlas Nr. 18 - ali baba visits marrakech
Berlin (Deutschland) / -): Hybriden-Verlag, 2015
(Buch mit Schallplatte o. CD) 28 unpag. S., 21,5x16,2 cm, Auflage: 100, Nr. 78 / 95, signiert, 2 Stück.
FarbLaserdrucke, Fadenheftung, mit zwei Originalcollagen von Herman de Vries und eingelegter MP3-CD, Hartpappeeinband mit Collage und Prägungen, www.hybriden-verlag.de
ZusatzInformation: Der Sound der Stadt.
De Vries Herman
Brest (Frankreich) / -): Zédélé éditions, 2012
(Buch) 352 S., 21x15 cm,
Broschur mit Banderole, eingelegt ein Informationsblatt
ZusatzInformation: Originalausgabe erschienen bei Artists Press, Bern, 1980.
This book is the third and final version of the first artist’s book published in 1960 by herman de vries, who is currently the author of more than one hundred publications.
The story of this book dates back to 1960. Closely associated with the Zero Group, but also drawn to the buddhist concept of emptiness, herman de vries had just produced a series of white monochromes when he self-published a twenty-page booklet in Arnhem. It had no title, its cover was blank and its pages were unprinted. It contained nothing but a short final poem celebrating, in four languages, the superabundance of white: “wit is overdaad”. In 1962, this manifesto appeared in another version, now entitled wit: two hundred blank pages, four white collages by the artist and an introduction, itself completely blank, by the poet J. C. van Schagen, published in arnhem in only five copies by M. J. Israel. It was followed in 1967 by a second “revised” edition, wit weiss: two hundred and fifty blank pages, pocket-sized, in five hundred copies, published by Hansjörg Mayer in Stuttgart. The only printed elements were the artist’s name, the title and the publisher’s name on the cover, the word “introduction” and the name of its author on the very first page and a colophon on the final page. In 1980 the Artists Press in Berne published the “third revised edition”, in a larger format and with more pages. The original title wit was translated into english and japanese and into sanskrit with a word that means “white” in the sense of bright, pure, immaculate. The title itself does not appear on the book, which remains completely blank. It is printed with the paratext on a broad strip of paper in the form of a detachable publicity strip. The inside flap contains a brief statement initially dating back to the 1962 edition, stating that this book incorporates all aspects of reality. Of the five thousand copies advertised, only a hundred were published. It is this last edition, the most radical, which is republished here, the only addition being the french translation of the statement.
On 1 april 2012, herman de vries wrote of his book, insisting on the importance of the final comma:
white is white
0 = 0
not even emptiness,
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