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Burn after reading
Darlington, Co. Durham (Großbritannien): Carpet Bombing Culture, 2012
(Buch) 14,7x20,8 cm, ISBN/ISSN 978-1-908211-06-4
Techn. Angaben Hardcover,
ZusatzInformation Legal or illegal graffiti It's sometimes beautiful, sometimes ugly, but given time it can be breathtaking in it's skill of execution. 'Burn After Reading' is the end result of a unique meeting of styles. When high end professional photography meets cutting edge graffiti
Sprache Englisch
Geschenk von Christoph Mauler
Stichwort Fotografie / Graffiti / Sprayer / Stadt / Street Art / Wandmalerei
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Daligand Daniel
End of Art
Levallois (Frankreich): Selbstverlag, 1983
(Stamp, Briefmarke) 29,7x21 cm, signiert,
Techn. Angaben Ein Bogen mit sechs Künstlerbriefmarken, handkoloriert, mit handschriftlicher Notiz
ZusatzInformation Anlässlich der Ausstellung Künstlerinnen und Künstler entwerfen Briefmarken, 1983 im Micro Hall Center in Edewecht. Angefertigt wurden sechser Blöcke, 10 x 12 cm, je Marke 3,5 x 4cm.
Sprache Englisch
Geschenk von Klaus Groh
Stichwort 1980er / Artist Stamp / Ausstellung / Künstlerbriefmarke / Mail Art
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Fulton Hamish
walking journey
London (Großbritannien): Tate Publishing, 2002
(Buch) 146 S., 29,7x23,5 cm, ISBN/ISSN 1854374117
Techn. Angaben Broschur, Softcover
ZusatzInformation Publikation anlässlich der Ausstellung vom 14.03-04.06.2002 Tate Britain, London. Since the early 1970s Hamish Fulton (born 1946) has been labelled as a sculptor, photographer, Conceptual artist and Land artist. Fulton, however, characterises himself as a 'walking artist'. In 1973, having walked 1,022 miles in 47 days from Duncansby Head (near John O'Groats) to Lands End, Fulton decided to 'only make art resulting from the experience of individual walks.' Since then the act of walking has remained central to Fulton's practice. He has stated 'If I do not walk, I cannot make a work of art' and has summed up this way of thinking in the simple statement of intent: 'no walk, no work'. Although only Fulton experiences the walk itself, the texts and photographs he presents in exhibitions and books allow us to engage with his experience.
Text von der Website.
Sprache Englisch
Stichwort 1970er / 1980er / Baum / Berg / England / Fotografie / Gehen / Grenze / Holz / Meer / Natur / Stein / Typografie / Wanderung
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Gillick Liam / Weiner Lawrence
A Syntax of Dependency:
Mailand (Italien): Mousse Publishing, 2011
(Buch) 56 S., 30,5x21,5 cm, ISBN/ISSN 978-88-965016-1-0
Techn. Angaben mit Kunststoffumschlag, geklammert
ZusatzInformation This publication documents the monumental collaborative work which Liam Gillick and Lawrence Weiner produced for the Antwerp museum of contemporary art MuHKA in the spring of 2011. Tellingly titled A Syntax of Dependency:, the project could be viewed as the outcome of a twenty-year dialogue between artists, artistic practices, generations. This giant floor piece, consisting of an abstract linoleum pattern containing an array of phrases, took up the museum's entire first floor - its site-specifity meaning that the end of the exhibition also entailed the work's irreversible destruction. This photo novella - complete with fragments of a conversation between both artists and a short text by exhibition curator Dieter Roelstraete - captures the work in its unique desolate splendor
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Das Ende von Amerika
Berlin (Deutschland): naivsuper, 2007
(CD, DVD) 13x13 cm,
Techn. Angaben naivsuper Nr 010, Musik-CD in Papphülle und transparenter Kunststoffhülle, cover art: Stephane Leonard & Martin Eichhorn
ZusatzInformation recorded in 2006, mastered at ICEM in 2007.
We are very proud to announce our 10th release !!! and what makes it even better is that it´s a new dis.playce album!
The EP is called ´Das Ende von Amerika´ (The End of America) and it´s dis.playce´s second release on naivsuper. The title refers to the book ´Amerika´ by Franz Kafka and should not be interpretated in the wrong way)
´Amerika´, also known as ´Der Verschollene´ or ´The Man Who Disappeared´, was the incomplete first novel by Franz Kafka, published posthumously in 1927.
The story describes the bizarre wanderings of a sixteen-year-old European emigrant named Karl Rossmann in the United States, who was forced to go to New York to escape the scandal of his seduction by a housemaid.
Hope originates when something else is absent and holes need to be filled again. The purpose of hope is to make itself vanish again and to reach a state of mind where Utopia or the promised land of North America won´t be needed anymore.
Kafka puts his hero Karl Rossmann over and over again in situations where he is lacking something only to discover that he is lacking even more. The spiral of hope, disappointment and reproaches seems to be endless. With ´Amerika´ Kafka finishes a series of America-fiction from the 19. Century which glorified the United States as the land of boundless possibilities. For Kafka America is not the solution of our problems anymore, it is almost like a second Europe - a land where the problems stay the same.
´Das Ende von Amerika´ is one 24 minute piece published on high quality CDRs
Stichwort Nullerjahre
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Shrigley David
Kill your pets
Frankfurt am Main (Deutschland): Revolver Publishing, 2004
(Buch) 72 S., 12,5x12,5 cm, Auflage: 500, ISBN/ISSN 978-3-937577-21-0
Techn. Angaben Broschur
ZusatzInformation Aus der Reihe Revolverle for all ages.
Hungry dogs eat dirty pudding … no beginning or end … neither useful nor thought provoking … the unmanned craft … make art not friends! It will happen.
Text von der Webseite
Stichwort Haustier / Kinderbuch / Nullerjahre / Textarbeit / Zeichnung
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Hjuler Detlev, Hrsg.
Psych.KG 143 - FLUXUS
Flensburg (Deutschland): Kommissar Hjuler, 2014
(Schallplatte) 33,0x33,0 cm, Auflage: 100,
Techn. Angaben LP, vorderseitig bedruckter Karton in transparenter Hülle fest vernietet, schwarze one-side LP
ZusatzInformation Beiträge von:
Brandstifter - I Don't Mind If You Call Me Fluxus But I Don't!
Reed Altemus - Falchspielens
Tooth Kink (Mikhail Salnikov/Alexei Borisov) & Kommissar Hjuler und Frau - to end all life
Wataru Kasahara - Yume eno Nenbutsu (fuer Otto Muehl)
Eel d. Retke - Grund Opa's Dust In Denial
Kollektiver VII/Tibo Leone/Wolfgang Sterneck - XrcE
Claus Sterneck - mathe ohne müller
Geschenk von Kommissar Hjuler
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De Nicola Yara, Hrsg.
Alla Carta No.4 - Dissertations Around a Table
Mailand (Italien): Alla Carta Associazione Culturale, 2014
(Zeitschrift, Magazin) 140 S., 31x22,3 cm, ISBN/ISSN 2280-9309
Techn. Angaben Broschur, mit eingefügtem Heft
ZusatzInformation Alla Carta is a bi-annual international publication that approaches high-end fashion, art and design in a unique Italian way. We truly believe in paper, carta in Italian.
At a time when the web may appear to be the only valid avenue of communication, Alla Carta is an ode to the most precious of mediums and to the most precious moment of the day: our interviews always take place around a table, to celebrate one of the oldest Italian habits, conviviality. Text von Website
Namen Albert Moya / Alejandro Jodorowsky / Antonio Marras / Christophe Lemaire / Cristiano Toraldo di Francia / Pietro Leemann / Sarah-Lin Tran / Segno Italiano
Sprache Englisch
Stichwort Design / Essen / Fotografie / Kunst / Lifestyle / Mode
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Redl Thomas / Thiel Wolf Guenter, Hrsg.
fair CEE - Zeitung für Kunst & Aesthetik, Wien/Berlin - Nr. 02
Wien (Österreich): fairarts, 2009
(Zeitschrift, Magazin) 32 S., 45x30 cm,
Techn. Angaben unterteilt in 4 Bücher (8 Seiten), lose ineinander gelegt, mittig gefalzt,
ZusatzInformation Schwerpunkt über Zentral- und Osteuropa: Polen / Ungarn / Rumänien
Themen / Künstler, 1989. End of History or Beginning of the Future? / The studio and archiv Edward Krasinski's / Art of ms2 - Muzeum Sztuki Lodz u. a.
Autoren: Slavoj Zizek / Svetlana Boym / Erzsebet Tatai / Erzsebet Pilinger u. a.
Autoren: Sven Alkalaj / Predrag Finci / Juliane Debeusscher u. a.
Architektur: Romanian Civil Center / Angelo Roventas Wohnmaschine / Avantgarde-Architektur aus Moskau
Sprache Deutsch / Englisch
Geschenk von Thomas Redl
Stichwort Architektur / Bildende Kunst / Design / Experimentalfilm / Gesellschaft / Malerei / Philosophie
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Bokoros Christos Th.
Odos Eleftherias - Freedom Street
Nikosia (Republik Zypern): the Office Gallery, 2012
(Plakat) 59x42 cm,
Techn. Angaben Plakat
ZusatzInformation In the context of a continuous and persistent spiritual quest in the field of Greek art and its history, the artist Christos Bokoros appears —through simple themes and earthy, warm materials— to win an important battle. He has silently found a subtle and significant way of stripping bare certain symbols—his own ‘signs’: a way of isolating those symbols from anything unnecessary and superfluous, and of drawing the community’s attention to them by revealing them to be purified, resurrectional and full of fire.
Through the presentation of a series of paintings entitled ‘ODOS ELEFTHERIAS’, Bokoros ventures a direct discourse of these ‘signs’ with buildings and streets that are adjacent to, or end up at, Lefkosia’s Green Line. Many of these buildings have suffered damages and decay. One could say that in their own way they constitute a second crevice near the Green Line that divides the state. It is in these fissures that the artist sets up - plants - his ‘ODOS ELEFTHERIAS’, in the hope of giving the city’s centre new fruits and joyous vibrations—in a silent and honest alliance with all the indigenous revitalizing forces
Geschenk von the Office Gallery
Stichwort Ausstellung / Malerei
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Aballi Ignasi
sin principio / sin final - whitout beginning / whitout end
Madrid (Spanien): Museo Nacional Centro de Arte Reina Sofía, 2015
(Buch) 492 S., 32x24x4 cm, ISBN/ISSN 978-84-8026-529-4
Techn. Angaben Sofctover, fadengeheftet, Rücken geklebt, Schutzumschlag zum Aufklappen, teilweise gedruckt auf farbigen Papier,
ZusatzInformation A book that accompanies an exhibition, but that it's in itself another work. The artist Ignacio Aballí (Barcelona, 1958) talks with curator João Fernandes about the creative process of his work, exploring the ways in which he classifies the world, questioning the conventions of art and the museum. On the other hand the images that accompany the text underline this idea and challenge readers to test their powers of observation. A compilation of photographs of works, books and listings scale 1: 1 where the time is revealed as an essential tool for understanding the artistic discourse.
Text von der Website
Sprache Englisch / Spanisch
Geschenk von Museo Reina Sofia
Stichwort Ausstellung / Fotografie / Textarbeiten / Zeitung
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Malone Anthony (Marafioti Martin): For Everard Vol. 1-11, 2013 ab


Malone Anthony (Marafioti Martin): For Everard Vol. 1-11, 2013 ab

Malone Anthony (Marafioti Martin)
For Everard Vol. 1-11
New York, NY (Vereinigte Staaten von Amerika): Selbstverlag, 2013 ab
(Zine / Sticker, Button) [12-16] S., 20,6x13,5 cm, Auflage: 100, signiert, 12 Teile.
Techn. Angaben 11 Hefte, Schwarz-Weiß-Laserkopien, Drahtheftung, Aufkleber
ZusatzInformation About the series:
The For Everard zine series chronicles the 1977 fire at New York's Everard Baths, combining archival research with imagined narratives to re-focus attention to obscured histories. The series explores the media coverage of the subsequent investigation of the fire, and the lives of the nine men who perished. The zines bring together photographic images with primary news sources, as well as personal anecdotes collected from eyewitness testimonials.
About the individual zines:
For Everard, Vol. 1, 2013, ed. 100 (nr. 65)
This zine chronicles the May 25, 1977 fire at New York's Everard Baths and the media coverage of the subsequent investigation.
For Everard, Vol. 2 (Bloodbrothers), 2013, ed. 100 (Nr. 81)
In the second volume of his series chronicling the 1977 fire at New York’s Everard Baths, Anthony Malone focuses on Bellevue Hospital’s blood drive for the victims of the great bathhouse tragedy. Malone draws parallels between the 1977 restrictions placed on gay men for donating blood to their “brothers” and current FDA guidelines that indefinitely defer donations from men who have had sex with men since 1977. This black and white photocopied zine (ed 100) juxtaposes archival images, news clippings, and just a touch of fantasy.
For Everard, Vol. 3 (Remembering Jimmy), 2015, ed. 100 (Nr. 94)
Volume 3 of the series, For Everard is dedicated to the memory of Jimmy Stuard, who died in the tragic fire at the Everard Baths in 1977. Stuard was a rising star in the disco music scene. He spun records first at Boston’s 1270 Club, and later at New York’s 12 West, where he inspired an entire generation of musical artists and DJs. In this particular volume, Anthony Malone assembles images and archival texts that serve as a tribute to the great Jimmy Stuard.
For Everard, Vol. 4 (A Lovely Show), 2016, ed. 100 (Nr. 62)
For Everard, Vol. 4 (A Lovely Show) is a tribute to Kenneth Hill, one of the nine men who died in the devastating fire at the Everard Baths in 1977. Kenn played a vital role in the East Village/Lower East side countercultural movement in the late ‘60s and 1970s. He was a hippie, a bar tender at Phebe’s (a watering hole and salon for the experimental theater community in the 1970s), one of the founders of the Old Reliable Theatre Tavern, House Manager at La Mama Experimental Theatre Club, and a photographer. This zine celebrates Kenneth Hill by collaging archival documents with personal artifacts and pictures of Kenn from meaningful moments in his life.
For Everard, Vol. 5 (A Dearly Loved Man), 2017, ed. 100 (Nr. 95)
For Everard, Vol. 5 (A Dearly Loved Man) assembles images and stories from the life of Ira Landau, a gifted and dedicated teacher who died in the tragic fire at the Everard Baths in 1977. Ira left behind a devoted family (his mother, brother, niece, and lover) and is still greatly missed by his loved ones. This zine is a tribute to the life and accomplishments of a remarkable man who served in the Peace Corps and committed himself to educating young minds both abroad (in the Middle East) and at home in the US. It contains family photos and personal images generously contributed by Ira’s niece.
For Everard, Vol. 6 (Yosef’s Song), 2017, ed. 100 (Nr. 94)
Volume 6 of the series For Everard celebrates the life of a remarkable musical prodigy, Yosef Synovec. This zine tells the story of a young man with great aspirations who emigrated to the United States from Czechoslovakia to study classical violin. In 1976, Holly Woodlawn overheard Synovec vocalizing as he was painting the bathroom of his East Village apartment, and determined on the spot that she had discovered an emerging star. As a singer, Synovec used his extreme vocal range to imitate the voice and persona of Peruvian diva Yma Sumac. He performed Sumac’s exotic musical numbers at several New York City cabarets and show venues. Sadly, on May 25, 1977, Yosef perished in the tragic fire at the Everard Baths.
For Everard, Vol. 7 (Tony from the Bronx), 2017, ed. 100 (Nr. 86)
This zine brings together images and stories from the life of Tony Calarco, one of the nine men who died in the fire at the Everard Baths in 1977. Tony was only 26 when he died. He lived with his parents and siblings in a modest house in the Bronx. He had recently graduated from college and was working as a social worker in New York city at the time of his death. Tony had aspirations to become a lawyer and was scheduled to begin law school in September of 1977. This zine celebrates Tony Calarco’s memory through photos of Tony, artifacts from his high school and college years, and recent photographs of his home and final resting place.
For Everard, Vol. 8 (Looking for Amado), 2017, ed. 100 (Nr.84)
Amado Alamo, a young man only 17 years old, lost his life in the fire at the Everard Baths in 1977. In Volume 8 of For Everard, Anthony Malone documents his search for the identity of the youngest victim of the Everard fire. The zine is an abstracted portrait of Alamo that assembles the few extant fragments of his story culled from newspaper articles and documentary sources glued together with the artist’s imagination.
For Everard, Vol. 9 (Last Call), 2017, ed. 100 (Nr.72)
Life was difficult for Hillman Wesley Adams. He was born in Jacksonville FL in 1938. His mother died just a few months after his birth, and by the age of nine, he found himself in an orphanage with his older brother. Fast forward 30 years: Hillman moved to NYC, struggled to make ends meet while working on and off as a bartender, and he met his lover, Ralph, with whom he shared a modest apartment in New Jersey. On May 25, 1977, Hillman died in the fire at the Everard Baths. Vol. 9 of For Everard is an assemblage of newspaper articles and vintage photos chronicling the life and untimely death of Hillman Wesley Adams.
For Everard, Vol. 10 (In Memoriam: Patrick Nott), 2018, ed. 100 (Nr. 64)
Volume 10 of For Everard memorializes the life of Patrick Nott, one of the nine men who died in the fire at the Everard Baths. Nott, a native of Wales with a passion for theater, literature, and music, pursued a successful career in hairdressing. He fell in love with his pen pal (a young woman from Brooklyn) and after their marriage, they moved to New York City, where Nott worked at the Vidal Sassoon Salon. This zine weaves together elements from his story (shared with the artist by Patrick Nott’s wife), with photographs, newspaper clippings, and artifacts. It acts as a humble tribute, an “In Memoriam” for this greatly loved man.
For Everard, Vol. 11 (Thunderbird), 2019, ed. 100 (Nr. 79)
Brian Duffy was an aspiring artist. In 1966 he was accepted to Pratt Institute of Art and although he declined admission to the school, he seized the opportunity to move to NYC and start a new life for himself. In the city, he worked hard at various retail jobs and tried to break into the theater, but everything changed when he met the love of his life, Bradley. The couple moved to a “quieter life” in Boston. They worked in restaurants in the Back Bay area and created a community for themselves amongst their chosen family of friends. Volume 11 of For Everard celebrates the brief life of Brian Duffy, a young man who died in the fire at the Everard Baths in 1977. This zine compiles photographs and stories shared with Malone by Brian’s sister and dear friend.
The pseudonym "Anthony Malone" comes from a novel by Andrew Holleran (Dancer from the Dance). In this novel, Malone is the protagonist and at the end he disappears. Some of his friends believe that he may have committed suicide, others feel that he may have run away from New York, while some say that they saw him at the Everard Baths on the night of the fire. I imagine that Malone survived the fire and he is now making books and zines telling the story of the tragedy.
Sprache Englisch
Geschenk von Martin Marafioti
Stichwort Anschlag / Brand / Erinnerung / Feuer / Gay / Gedenken / Nachforschung / Queer / Recherche / Sauna / Tod
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Lischka Gerhard Johannes, Hrsg.
Alles und noch viel mehr. Das poetische ABC. Die KatalogAnthologie der 80er Jahre
Bern (Schweiz): Benteli Verlag, 1985
(Buch) 1008 S., 23x16 cm, ISBN/ISSN 3-7165-0511-0
Techn. Angaben Kartonbroschur, mit Griffregister nach ABC, Autoren-/Künstlerbiographien, Namensregister
ZusatzInformation Erschienen anlässlich der Ausstellung 12.04.-02.06. 1985 in der Kunsthalle Bern. Mit Besitzername Petzold im Schmutztitel
Namen AI Wong / Alain Arias-Misson / Alain Fleischer / Albert Hien / Alex Hahn / Andreas Coerper / Annette Messager / Annie Wright / Arleen Schloss / Arnie Zane / Arno Steffen / Audio Arts / Axel Schäffler / Balthasar Burkhard / Barbara Bloom / Barbara Kruger / Bazile Bustamante / Bernard Borgeaud / Bernard Marcade / Bernhard Johannes Blume / Bertrand Lavier / Bette Gordon / Bill Fontana / Bill T. Jones / Bill Woodrow / Bob Perelman / Bonnie Marranca / Boris Nieslony / Boyd Webb / Brigitte Bühler / Brigitte Wartmann / Bryan Rogers / Charles Amirkhanian / Charles Bernstein / Charly Banana / Christa Gamper / Christian Boltanski / Christina Kubisch / Christine Brodbeck / Christoph Derschau / Clark Coolidge / Claude Sandoz / Dadarama / Daniel Charles / Dany Bloch / David Garcia / David Hecht / David Ireland / David Mach / David Moss / David Rosenbloom / David Weiss / Dennis Timm / Diamanda Galas / Dieter Froese / Dieter Hormel / Dieter Rühmann / Die Tödliche Doris / Dominik Steiger / Doug Hall / E. Stansfield / Elizabeth LeCompte / Elizabeth Streb / Else Hooykaas / Emmanuel Pereire / End Art / Eric Fischl / Ericka Beckman / Erik Grawert-May / Ernie Gehr / Ernst Buchwalder / Eugenia Balcells / Eva Maria Schön / Federico Winkler / Felix Philipp Ingold / Ferran Garcia Sevilla / Floris M. Neusüss / Francesco Torres / Fritz Andre Kracht / Fritz Schwegler / Gabor Body / Gerwald Rockenschaub / Gilles Mahe / Gitta Gsell / Glen Baxter / Glenn Branca / Gunter Demnig / Gunter Göring / Günter Schulte / Hanna Frenzel / Hannes Bohringer / Hannes Vogel / Hans Christoph von Tavel (Mitarbeit) / Hans Peter Ammann / Heidi Paris / Heike-Melba Fendel / Heinz Brand / Heinz Emigholz / Heinz Gappmayr / Helene Cixous / Herbert Rometsch / Hermann Bohmert / Hermann Pitz / Herwig Kempinger / Hilka Nordhausen / Holger Hiller / Howard Brookner / Jacki Apple / James Benning / James Turrell / Janis Lipzin / Jean-Hubert Martin / Jean-Luc Parant / Jean-Pierre Bertrand / Jean Dupuy / Jean Hubert Martin (Mitarbeit) / Jenny Holzer / Joe Jones / Johannes Muggenthaler / John Giorno / John Hilliard / John M Armleder / John Massey / Judith Barry / Julius / Justen Ladda / Jügen Partenheimer / Jürgen Klauke / Jürg Laederach / Kees Mol / Ken Kobland / Kiev Stingl / Kilian Dellers / Klaus Peter Dencker / Klaus vom Bruch / Klaus Wyborny / Komar & Melamid / Konrad Balder Schäuffelen / Krzystof Wodiczko / Kuno Lindenmann / lan Breakwell / Leigh Landy / Lenny Kaye / Leslie Thornton / Linda Moncano / lnfermental / Loredana Parmesani1 / Loys Egg / Luce lrigaray / Lyn Hejinian / M. Hawley / M. Raskin Stichting / Magazzini Criminali / Malcolm Goldstein / Marcel Odenbach / Margaret Jenkins / Marie-Jo Lafontaine / Marie-Luise Syring / Marie Lucier / Markus Raetz / Matthyas Jenny / Maurizio Nannucci / Meredith Monk / Michael Brewster / Michael Buthe / Michael Glasmeier / Michael Palmer / Michael Peppe / Michel Jaffrennou / Michel Sauer / Michel Waisvisz / Min Tanaka / Moira Roth / Molissa Fenley / Morgan OHara / Muriel Olesen / Nancy Karp / Ned Sublette / Neescha / Nigel Rolfe / Norbert Klassen / Olivier Richon / Orlan / Pat Oleszko / Patrick Hughes / Paul & Limpe Fuchs / Pauline de Groot / Paul Kos / Performance Olympics / Peter Fischli / Peter Frank / Peter Gence / Peter Gidal / Peter Gilles / Peter Gordon / Peter Josef Abels / Peter Meyer / Peter Nadin / Peter Rose / Peter van Riper / Peter Volkart / Peter Weibel / Peter Zec / Pieter Laurens Mol / Pooh Kaye / Raffael Rheinsberg / Raimund Kummer / Renate Bertlmann / Renate Heyne / Rene Berger / Richard Kostelanetz / Rita Myers / Rod Summers / Roland Fischer / Romana Scheffknecht / Ron Padgett / Ron Silliman / Rotraut Pape / Rune Mields / Sally Banes / Serge Lador / Serge Spitzer / Sigmar Polke / Silke Grossmann / Sophie Calle / Stefan de Jaeger / Stephan Huber / Stephan Kern / Stephen Laub / Stephen Willats / Stille Helden / Studio Azzurro / Su Friedrich / Susan Mosakowski / Teh Hsieh / The Schismatics / Thomas Huber / Thomas Kapielski / Timothy Buckley / Tom-Puckey / Tom Marioni / Tony Cragg / Tony Labat / Toto Frima / Turi Werkner / Ugo Carrega / Ulay & Marina Abramovic / Ulises Carrion / Ulrich Eller / Ulrike Ottinger / UnknownmiX / Urs Luthi / Urs Peter Schneider / Valie Export / Verena von Gagern / Vincenzo Ferrari / Vito Acconci / Volker Wilczek / Vollrad Kutscher / Walter Fähndrich / Walter Pfeiffer / Walter Seitter / White Noise / William Hellermann
Sprache Deutsch
Stichwort 1980er / Anthologie / Dokumentarfilm / Drama / Erzählung / Experimentalfilm / Experimentelle Musik / Film / Fotografie / Installation / Klang / Lyrik / Malerei / Objekt / Performance / Philosophie / Plastik / Skulptur / Sofortbild / Tanz / Theorie / Video / Visuelle Poesie / Ästhetik
Sponsoren Kanton Bern
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