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artists-book-not.
artists-book-not.
artists-book-not.

Sanders Jeremy / Kugelberg Johan, Hrsg.: ARTISTS’ BOOK NOT ARTISTS’ BOOK, 2012

Kugelberg Johan / Sanders Jeremy, Hrsg.
ARTISTS’ BOOK NOT ARTISTS’ BOOK
New York, NY (Vereinigte Staaten von Amerika): 6 Decades Books, 2012
(Buchobjekt) 17,6x13,8 cm, Auflage: 500, ISBN/ISSN 978-0-9829694-2-7
Techn. Angaben Buch zu einer Ausstellung in der Boo-Hooray Gallery New York, eingesteckt in ein mehrfach gefaltetes A2-Format-Blatt mit den Farbabbildungen der im Buch beschriebenen Bücher
ZusatzInformation "Artists' book" is a troublesome term. There seems to be no single well-understood or generally-accepted working definition. Say "artists' book" in general conversation and you'll likely get a blank look, if not outright confusion. even with a specialized audience of bibliophiles, or art world cognoscenti, it may be necessary to clarify exactly what you mean...
Artists' Book Not Artists' Book is an exhibition co-curated by Johan Kugelberg and Jeremy Sanders. In it are about one hundred books and of course all of them either are, or are not, artists’ books, but whether it is even possible to say which ones fall into which category is a matter that's not entirely clear. And in any case, it's likely no two viewers would draw exactly the same conclusions.
Artists' Book Not Artists' Book.
Von der Webseite des Verlages
Namen Chris Burden / Dara Birnbaum / David Wojnarowicz / Ed Ruscha / Ira Cohen / Jim Shaw / John Baldessari / Michelangelo Pistoletto / Richard Hell / Richard Meltzer / Richard Prince / Sean Landers / Seth Price / Sue Williams / Tina Lhotsky / Tom Sachs / William Gibson
Stichwort Buchobjekt
WEB www.6decadesbooks.com/2012/01/artists-book-not-artists-book.html
TitelNummer
009042253 Einzeltitelanzeige (URI) Änderung

tamtam-thd-2014
tamtam-thd-2014
tamtam-thd-2014

Stadler Matthias, Hrsg.: TAMTAM - 20 Jahre THD - Campus Open Air, 2014

Stadler Matthias, Hrsg.
TAMTAM - 20 Jahre THD - Campus Open Air
München (Deutschland): icon Verlag Hubert Kretschmer, 2014
(Heft) 24 S., 15x10,8 cm, Auflage: 1000, 2 Stück. ISBN/ISSN 978-3-928804-26-4
Techn. Angaben Drahtheftung. Programmheft zur Veranstaltung
ZusatzInformation Design Caroline von Eichhorn, Illustrationen Marc Allignano.
Zum 20 jährigen Jubiläum der Technische Hochschule Deggendorf.
LIVE: Attwenger [Trikont, München], Aloa Input [Morr Music, Berlin], Deparlisé [In Bloom / Blackflowerstreet, München], Silver Dolls [Azetti, Deggenau], Der Heizkörper.
INSTALLATIONEN u. a. von: Interaktive und multimediale Installationen der Studierenden und TAMTAM, Videoprojektionen von Karambolage, Siebdruck mit Illustrationen von Fellherz, Interaktive Torwand von Not Yet, QR-Code-Ausstellung, Interaktive Videoinstallationen der Masterstudenten aus dem Medienkunstseminar von Herrn Winterfeldt, Ernst Jürgens und Günter Reinhardt von der TH Deggendorf und OTH Amberg + Elektronisches Bezahlsystem „Sminks“
Namen Aloa Input / Attwenger / Caroline von Eichhorn / Deparlisé / Der Heizkörper / Ernst Jürgens / Fellherz / Günter Reinhardt / Karambolage / Marc Allignano / Not Yet / Silver Dolls
Geschenk von Matthias Stadler
Stichwort Künstlerkollektiv
WEB www.tamtam-ok.de
TitelNummer
011867415 Einzeltitelanzeige (URI) Änderung

auswirkungen
auswirkungen
auswirkungen

Tarski Olof: Auswirkungen von indirekten Sympathomimetika, 2011

Tarski Olof
Auswirkungen von indirekten Sympathomimetika
Stuttgart (Deutschland): edition taube, 2011
(Buch) 24 S., 19x13 cm, Auflage: 60,
Techn. Angaben Risoprint und Siebdruck, aufgeklebter bedruckter Stoff auf dem Cover
ZusatzInformation Dr. Olof Tarski, not yet widely known to the public, illustrated the effects of sympathomimetic drugs in his first booklet for Taube. For this cause, he uses slightly manipulated imagery and hidden short poems (in german) for which the reader needs to rub on the pages in order to read them.
Just like sex, indirect sympathomimetics almost cause the same symptoms. A frightening but yet fascinating fact in these days is that every physical symptom may also be produced artificially. The intention behind this work is to show how much drugs and medications are in a position to control our physical sensation.
WEB www.editiontaube.de
TitelNummer
008481256 Einzeltitelanzeige (URI) Änderung

to-express-the-feelings
to-express-the-feelings
to-express-the-feelings

Kyriakides Christos / Minas Antonis, Hrsg.: To Express The Feelings Of A Chair When We Sit On It., 2016

Kyriakides Christos / Minas Antonis, Hrsg.
To Express The Feelings Of A Chair When We Sit On It.
Nikosia (Republik Zypern): the Office Gallery, 2016
(Plakat) 42x59 cm,
Techn. Angaben Plakat,
ZusatzInformation As a possible – perhaps – reaction to all those who love the comfort and permanence of the status of their position, I have gathered a series of unusual chairs / personas that are characterised by a sensitive nervous system. I believe their creators foresaw for the visitor not to forget and become complacent while seated, as would someone when sitting on any chair and shortly thereafter forgetting the very action of sitting. The visitor is called upon to reflect on the condition that the chair’s form presents them with. I would not argue that they are pleasant or comfortable to sit on, seeing as their construction does not allow the sitter to acquaint himself immediately. Note that the chair’s presence is not always obvious but it is implied, as for example in Mario Carbone’s photograph Donna in Osteria 1956. Different in style, they all meet in this exhibition to converse.
Text aus der Presseerklärung
Namen Apollo Glykas / Asteris Gkekas / Bernhard Hosa / Broomberg & Chanarin / Carol Christian Poell / Christos Th. Bokoros / Deepti Barth / Dimitris Merantzas / Francis Bacon / Glavkos Koumides / Laurie Franck / Mario Carbone / Michelangelo Antonioni / Nazgol Ansarinia
Geschenk von the Office Gallery
Stichwort Ausstellung / Installation / Plastik / Skulptur / Stühle
TitelNummer
016848079 Einzeltitelanzeige (URI) Änderung

Holt Guy Lee
Fantasy of One
Nikosia (Republik Zypern): Neoterismoi Toumazou, 2016
(Flyer, Prospekt) 4 S., 21x14,9 cm, 2 Stück.
Techn. Angaben Einladungsflyer, beiliegend ein beidseitig bedrucktes Informationsschreiben zur Ausstellung
ZusatzInformation zur Ausstellung vom 21.05.-04.06.2016 im Neo Toum - Neoterismoi Toumazou, Nikosia, Zypern.
He was dancing steadily. He could see the backs of people’s heads moving in the darkness and was aware of the shifting spaces between their bodies. He did not register the music except as a sort of vibration. He felt as if he was dancing in perfect silence. He saw the already dim room growing ever darker around him. He became less conscious of his surroundings and more aware of himself. His introspection grew but his body was now moving automatically, softly cycling through a short loop of set motions. He noticed dust under his feet, and soon the realisation reached him that he was slowly wearing a shallow hole in the wooden floor. His body was locked in an efficient cycle. Before too long he was six inches below floor level, his head parallel with some of the shorter dancers. Yet he could not stop. Gradually he sank deeper into the ground until his face was level with people’s waists. No one noticed, below the eye level of the crowd, he was almost invisible. Presently his eyes came level with the soles of dancing shoes. He could see shards of coloured light flashing through a forest of legs casting jagged shapes across the floor. There were points where soft reflected light shone through looming figures like sunlight into a clearing. Eventually he was entirely submerged. He could look up through the hole and see foreshortened bodies moving above him oblivious to his plight. Still his feet moved, wearing away damp, pungent earth. The vibrations from the music lessened until the dull thump of the kick drum was all that he could feel. When it stopped he realised he too was still, and looking up he saw the sphere of light was gone.
Text von der Webseite
Geschenk von Maria Toumazou
WEB www.neoterismoi.com
TitelNummer
016014601 Einzeltitelanzeige (URI) Änderung

carted-konvolut19
carted-konvolut19
carted-konvolut19

Pithois Pascal, Hrsg.: Konvolut cARTed, 2019

Pithois Pascal, Hrsg.
Konvolut cARTed
Siouville (Frankreich): cARTed, 2019
(PostKarte / Text) 29,7x21 cm, 3 Teile.
Techn. Angaben Postkarte, zwei Blätter, lose, gefaltet
ZusatzInformation Information und Anmeldebogen zum Projekt von cARTed. Postkarte mich persönlichem Anschreiben. Simple yet centrifugal yet extraverted, designed to cause accidental encounters between scattered artist's networks. cARTed is developing around cooperative publication of postcards.
Text vom Blatt.
Sprache Englisch / Französisch
Geschenk von Horst Tress
Stichwort Bild / Community / Druck / Postkarte / Vernetzung
WEB www.carted.eu
TitelNummer
026989642 Einzeltitelanzeige (URI) Änderung

monok-brian-eno
monok-brian-eno
monok-brian-eno

von Rabenau Kai, Hrsg.: MONO.KULTUR #34 Brian Eno - Revaluation (a warm feeling), 2013

von Rabenau Kai, Hrsg.
MONO.KULTUR #34 Brian Eno - Revaluation (a warm feeling)
Berlin (Deutschland): mono.kultur, 2013
(Zeitschrift, Magazin / Heft) 44 S., 20x15 cm, ISBN/ISSN 1861-7085
Techn. Angaben Drahtheftung, gedruckt auf verschieden farbigen Papieren
ZusatzInformation Chances are that you will be far more familiar with Brian Eno and his work than you might realise. Whether you know him as a founding member of the gloriously influential 1970s art-rock outfit Roxy Music, or as the inventor of ambient music, in one breathless career Eno has actually released no less than 25 solo albums and contributed to countless projects and collaborations, but also left his fingerprints on dozens of seminal albums as a producer – think U2, Talking Heads or Coldplay, to name but a few – composed several film scores not to mention the start-up theme for Microsoft’s Windows 95. All of which is to say that it is hard to not be in earshot of his musical influence in one way or another. With mono.kultur, Brian Eno talked about the impact of technology on culture, the similarities between producing music and parenting, and why they called Elvis ‘The Pelvis’. Given Brian Eno’s interest in how art can affect moods and emotions, our new issue turned into somewhat of an experiment in chromatics, with the pages gradually traveling the entire colour spectrum from yellow to blue and back again, which not only affects the optical perception of the yellow text, but also how one responds to the content of the interview. Suffice to say: this must certainly rank as the most colourful mono.kultur to date.
Text von der Website.
Namen Brian Eno
Sprache Englisch
Stichwort Chromatik / Farbe / Farbspektrum / Interview / Musik / Portrait / Prisma / Regenbogen / zeitgenössische Kunst
WEB www.mono-kultur.com
TitelNummer
026624737 Einzeltitelanzeige (URI) Änderung

Burch Charlton, Hrsg. : lightworks, Nr. 22 The Ray Johnson Issue, 1995 ab

lightworks-n22
lightworks-n22
lightworks-n22

Burch Charlton, Hrsg. : lightworks, Nr. 22 The Ray Johnson Issue, 1995 ab

Burch Charlton, Hrsg.
lightworks, Nr. 22 The Ray Johnson Issue
Birmingham, MI (Vereinigte Staaten von Amerika): Lightworks Magazine, 1995 ab
(Zeitschrift, Magazin) 96 S., 28x21,7 cm, ISBN/ISSN 0161-4223
Techn. Angaben Klebebindung, mit Audio CD "Ray Johnson" by Nick Maravel (1987-1988), Postkarte mit "Correspondance from Ray Johnson postmarked 7. January 1976" und Visitenkarte von Charlton Burch beiliegend
ZusatzInformation "This is not the document of Ray Johnson wall art. It's not about his famous collages or what remains in museums and for sale in galleries. It's an issue about the 'atmosphere' of Ray Johnson - the element, the ambient specifics of who he was and what he did. Years in the making, it's an homage to the Ray Johnson who made communication, letter writing, and otherwise unlikely creative gestures his art. It's about Ray's correspondences seen and not seen, sent or otherwise, and his notions of the world that he caused to flow between islands of friends, acquaintances and strangers."
Charlton Burch, Editor
Excerpt from the editor's letter
Namen Alison Knowles / Clive Phillpot / Dick Higgins (Text) / Geoffry Hendricks / John Held / Katie Seiden / Marianne Moore / Mike Crane / Nick Maravell / Peter Frank / Ray Johnson / Will Farrington
Sprache Englisch
Stichwort Collage / Hommage / Kreativität / mail art / Musik / Stempel
TitelNummer
025768K55 Einzeltitelanzeige (URI) Änderung

tam tam rgb
tam tam rgb
tam tam rgb

Stadler Matthias, Hrsg.: TAMTAM RGB - Das Künstlerkollektiv aus dem Wald kommt wieder nach Regensburg, 2013

Stadler Matthias, Hrsg.
TAMTAM RGB - Das Künstlerkollektiv aus dem Wald kommt wieder nach Regensburg
Regensburg (Deutschland): W1, 2013
(Flyer, Prospekt) 14,7x5,2 cm, 2 Stück.
Techn. Angaben Flyer zur Veranstaltung im W1- Zentrum für junge Kultur
ZusatzInformation Mit dabei diesmal: not yet, Jim Avignon, Kruemell, Rumpeln, Mario Lukas, so-viele.de/SONDERN, Karambolage
Eröffnung am 24.10.2013
Stichwort Künstlerkollektiv
TitelNummer
010858373 Einzeltitelanzeige (URI) Änderung

Mühlthaler Fabian, Hrsg.
Programm September-Dezember 2013
Cluj-Napoca (Rumänien): Deutsches Kulturzentrum Klausenburg, 2013
(Heft) 42 S., 15x15 cm,
Techn. Angaben Drahtheftung
ZusatzInformation u. a. mit TAMTAM meets Kitchen Stories, in der Fabrica de Pensula, 21.9.2013:
Kitchen Stories ist eine von der Künstlergruppe Mixer initiierte Veranstaltungsreihe, die von der Fabrica de Pensule gefördert wird. Im Zentrum steht das gemeinsame Kochen als Prozess und Kommunikationsmedium. In einer Spezialausgabe treffen die Kitchen Storiesauf die Künstler der Gruppe TAMTAM, die mit einer interaktiven audio-visuellen Installation einen außergewöhnlichen Rahmen für die Kitchen Stories kreieren. Das Kochen wird verlegt, jenseits des eigentlich dafür angelegten Ortes. Geräusche, Bilder und Formen, die der Kochprozess erzeugt, werden in abstrakter Form in der Installation reflektiert. Die Zuschauer sind eingeladen, selbst mitzumachen, mit der Installation beim Kochen zu experimentieren, neue Klänge und Bilder zu schaffen und letztlich auch das kulinarische Endprodukt zu genießen.
TAMTAM und Mixer laden Sie auf eine Entdeckungsreise ein. Sehen Sie selbst, wie Nahrung unsere Bilder, Kochen den Klang und Essen die Seele beeinflusst.
Namen Antiaktionsorchester / Anton Kaun / Karambolage / kLAUS lEGAL / Kruemell / Matthias Stadler / Mixer / Not yet / so-Viele.de/sondern / Theo Hofmann
Geschenk von Matthias Stadler
Stichwort Künstlerkollektiv
Sponsoren Fabrica de Pensula
WEB www.kulturzentrum-klausenburg.ro
TitelNummer
010972388 Einzeltitelanzeige (URI) Änderung

tam-tam-im-freudenreich
tam-tam-im-freudenreich
tam-tam-im-freudenreich

Stadler Matthias, Hrsg.: TAMTAM im Freudenreich, 2014

Stadler Matthias, Hrsg.
TAMTAM im Freudenreich
München (Deutschland): TAMTAM, 2014
(PostKarte) 14,7x10,4 cm, 2 Stück.
Techn. Angaben Werbekarte zur Veranstaltung im Freudenreich Berlin am 7.2.2014
ZusatzInformation mit Livemusik, DJs, VJs und Installationen u. a. von Not Yet, Anne Pfeifer, Catharina Rancho, Hubert Kretschmer, Jakob Kirchheim, Schmierella, Parox Paradox und El Rago
Stichwort Künstlerkollektiv
TitelNummer
011345395 Einzeltitelanzeige (URI) Änderung

tamtam-tanzverbot
tamtam-tanzverbot
tamtam-tanzverbot

Stadler Matthias, Hrsg.: taNzVERbot mit Tam Tam in der Roten Sonne, 2014

Stadler Matthias, Hrsg.
taNzVERbot mit Tam Tam in der Roten Sonne
München (Deutschland): TAMTAM, 2014
(PostKarte) 14,8x10,5 cm, 2 Stück.
Techn. Angaben Postkarte zur Veranstaltung
ZusatzInformation Künstler aus Wien, Leipzig, Spanien und natürlich München entführen uns an diesem Abend in eine Welt der Grenzüberschreitung.
Der Fluxuskompensator Prcls [prizls] (Wien) nimmt uns mit seiner verträumt-heftigen Bassmusik mit auf eine farbenfrohe Reise durch Raum und Zeit. Seine pittoresken Frickel-Beats schießen uns durchs Weltall und lehren uns das Fürchten vor dem Monster unter unserem Bett. Noch bevor wir unsere Regenbogenschorle mit dem Strohhalm laut ausschlürfen und uns fragen, wo wir sind, lockt uns das Leipziger Duo „LLLL“ mit dem Kuschelfaktor analoger Tonerzeugung in psychedelische Soundlandschaften. Technoid anmutende Passagen, extasischer Bombast, groovige Sequenzen, noisige Parts und eruptive Momente werden zelebriert und lassen uns ratlos wie rastlos zurück. Am Ende ist nichts mehr so, wie es einmal sein wird. „Jeder hat sein eigenes Gewitter, durch das er muss. Geh mit dem Kopf durch die Wand, denn du weißt nie wie lange diese Wand noch steht oder noch besser, weine nicht wenn der Regen fällt, TAMTAM!“ Alejandor Valbuena hat dieses Motto illustriert und zeigt weitere Werke an diesem Abend. Die Klanginstallation „fragments in joint fluid“ von Patrick Schimanski integriert die klingenden Sitzmöbel von not yet als Live-Instrument und schmiert unsere Gelenke. Geschmeidig nimmt das Modelabel rag*treasure darauf Platz und feiert mit Euch seinen 10-jährigen Geburtstag: „Fixing A Hole Where The Rain Gets In – 10 Jahre an der Nadel“. Hubert Kretschmer zieht euch die Schuhe an!
Namen Alejandor Valbuena / Hubert Kretschmer / LLLL / Patrick Schimanski / Prcls / rag*treasure
Stichwort Club / Discothek / Installtion / Künstlerkollektiv / Performance
TitelNummer
012173395 Einzeltitelanzeige (URI) Änderung

Plakat-A3-Hubert
Plakat-A3-Hubert
Plakat-A3-Hubert

Stadler Matthias, Hrsg.: TAMTAM MS Stubnitz - Festival auf allen Kanälen, 2015

Stadler Matthias, Hrsg.
TAMTAM MS Stubnitz - Festival auf allen Kanälen
München (Deutschland): TAMTAM, 2015
(Plakat) 42,1x29,6 cm,
Techn. Angaben Farblaserkopie
ZusatzInformation Plakat zum Festival auf der MS Stubnitz in Hamburg U4 Uni Hafencity am 28.03.2015. Plakat Johannes Bartenschlager
Namen amazing maze / Andreas Krach / Anne Pfeifer / Antiaktionsorchester / Daniel Door / El Rago / Flug & Live / Gebrüder Teichmann / Hubert Kretschmer / Karambolage / Not Yet / Pollyester Live / Rumpeln / Upstart / Xyramat
Stichwort Film / Installation / Lichtinstallation / Musik / Performance / Soundinstallation
TitelNummer
012641K17 Einzeltitelanzeige (URI) Änderung

stadler-tamtam-protagonisten-2015
stadler-tamtam-protagonisten-2015
stadler-tamtam-protagonisten-2015

Stadler Matthias, Hrsg.: Protagonisten aus dem TAMTAM-Netzwerk stellen sich vor., 2015

Stadler Matthias, Hrsg.
Protagonisten aus dem TAMTAM-Netzwerk stellen sich vor.
München (Deutschland): icon Verlag Hubert Kretschmer, 2015
(Zine) 32 S., 21x15 cm, Auflage: 100, 2 Stück. ISBN/ISSN 978-3-928804-29-5
Techn. Angaben Drahtheftung, 2 Stempeldrucke, original Briefmarke, teilweise handcoloriert, Risoprint mit Risograph GR3770 auf Munken Print White 1.8
ZusatzInformation Illustrationen und Porträtzeichnungen der Künstler von Ruben Verstaen, Titelgestaltung von Annette Granados.
Gedruckt in München im Irrland
Erschienen anläßlich des TAMTAM-Tages-und Abendseminars im Import Export in Kreativ-Quartier Dachauerstr. 114, München
Namen Amazing Maze / Andreas Krach / Anne Pfeifer / Annette Granados Hughes / Anton Kaun / Benjamin Wesch / Caroline von Eichhorn / el rago / Florian Geiß / Hubert Kretschmer / Karambolage / Mama Romania / Matthias Stadler / not yet / Rag*Treasure / Reiner Würzinger / Ruben Verstaen
Stichwort Musik / Porträts / Rag*Treasure
WEB www.icon-verlag.de
TitelNummer
013734494 Einzeltitelanzeige (URI) Änderung

konkrete-utopien-01
konkrete-utopien-01
konkrete-utopien-01

Bachmann David / Vahrenholt Oliver, Hrsg.: Realismus Club #001: Konkrete Utopien, 2015

Bachmann David / Vahrenholt Oliver, Hrsg.
Realismus Club #001: Konkrete Utopien
Berlin (Deutschland): Realismus Club, 2015
(Sammeltuete, Schachtel, Kassette) 22,5x19,5 cm,
Techn. Angaben Drahtheftung. 16 mehrfach gefaltete einseitig bedruckte Plakate. Heft und Plakate in Kartonhülle eingeschoben
ZusatzInformation The exhibition CONCRETE UTOPIAS provides a space for artistic works that explore the area of potentiality between not-yet-realised and but-possible. The art on display will be showing visions that are predominantly about the Now, offering playful alternatives and new approaches to socio-cultural questions, addressing political power structures in an urban environment and above all defying rules.
Der Realismus Club wurde 2014 als Plattform für zeitgenössische Kunstproduktion in Berlin gegründet, mit dem Ziel, vor allem jüngere künstlerische Entwicklungen in der zeitgenössischen bildenden Kunst zu fördern und einem breiten Publikum zu präsentieren.
Als eine private Organisation ist unser Ziel, die unabhängige Organisation von zwei Ausstellungen pro Jahr an wechselnden Orten in Berlin. Wir wollen Künstlern nicht nur ein Forum bieten, um ihre Werke auszustellen, sondern auch durch die Bereitstellung eines Budgets die Produktion von neuen Werken unterstützen. Der Realismus Club sieht sich selbst als einen Ort des Experimentierens mit Organisationsmodellen und als Möglichkeit neue Kollaborationspraktiken auszuprobieren. Letztendlich zielt das Format des Realismus Clubs darauf ab, eine konkrete Utopie in sich selbst zu sein.
Text von der Webseite
Namen Adam / Beni Bischof / Brad Downey / Bugra Erol / Daniel Weissbach / Goro Tronsmo+Laida Aguirre / Iman Issa / Kevin Kemter / Linus Bill+Adrien Horni / Liz Hingley / Markus Mai / Sophie-Therese Trenka-Dalton / Stefan Marx / Wermke/Leinkauf / Wilhelm Klotzek / Zoe Claire Miller
Geschenk von Christoph Mauler
WEB www.realismusclub.com
TitelNummer
014687526 Einzeltitelanzeige (URI) Änderung

schmid-one-hundred
schmid-one-hundred
schmid-one-hundred

Schmid Joachim: One Hundred Things to Remember, 2018

Schmid Joachim
One Hundred Things to Remember
Berlin (Deutschland): www.lumpenfotografie.de, 2018
(Buch) 108 S., 14,8x10,5 cm, Auflage: 100,
Techn. Angaben Digitaldruck S/W, Softcover, Fadenheftung
ZusatzInformation Reproduzierte Illustrationen aus dem Buch "A Key to Better Memory", New York 1959. "One Hundred Things to Remember is based on one book suggesting a visual approach to improving memory. Taken out of context and viewed from a distance of nearly seventy years, the combinations of simple words and drawings turn out to be an absurd selection of random signs, a form of unintentional poetry reminding us of a time when computers with virtually unlimited memory were not even a dream yet."
Text von Webseite
Sprache Englisch
Stichwort 1950er / Appropriation / Found Footage / Gedächtnis / Illustration / Mnemotechnik / Objekt / Text und Bild / USA / Zeichnung
WEB http://www.lumpenfotografie.de/2018/10/15/one-hundred-things-to-remember/
TitelNummer
026006689 Einzeltitelanzeige (URI) Änderung

Stadler Matthias, Hrsg.: TAM TAM in RGB, 2013

w1-rgb-so-viele-2013-wp_002429
w1-rgb-so-viele-2013-wp_002429
w1-rgb-so-viele-2013-wp_002429

Stadler Matthias, Hrsg.: TAM TAM in RGB, 2013

Stadler Matthias, Hrsg.
TAM TAM in RGB
München (Deutschland): TAMTAM, 2013
(Sammeltuete, Schachtel, Kassette) 33x45 cm, 49 Teile.
Techn. Angaben diverse Papiere, gelber Inkjetdruck, Zeichnungen und Texte mit gelben Marker, blaue LED-Minitaschenlampe, gelb colorierte Originalzeichnung
ZusatzInformation Das Künstlerkollektiv aus dem Wald kommt wieder nach Regensburg. 24.10.-06.12.2013 im W1- Zentrum für junge Kultur, mit so vielen Tier-Sprüchen in Gelb im gelben Raum. Schwarzlichtbeleuchtung. die gelben Drucke und Zeichnungen konnten die Besucher mit einer blauen Taschenlampe sichtbar machen. Soundinstalltion und Textinstallationen, so-VIELE Tiere.
Text und Bildinstallation Another dead pigeon.
Die Besucher der Ausstellung "TAM TAM in RGB" konnte mit speziellen Taschenlampen die ausgestllten Bilder erkunden, mit einem Stift selbst mitgestalten und durch Schütteln der Rahmen Aktionen steuern. Auf diese Weise konnte die dung dung-Maschine von RUMPELN, der Klopapierdrucker von Mario Lukas und der Raum der Putzfrau aktiviert werden. Uwe Hering, vom Amt für kommunale Jugendarbeit schlüpfte bei der Ausstellung von TAM TAM im W1 in die Rolle des Bürgermeisters und eröffnete die Ausstellung mit einem Scherenschnitt.
Text von der TAM TAM Webseite
Namen Christian Oettinger / Franz Nopper / Hubert Kretschmer / Jim Avignon / Karambolage / kruemell / mario lukas / not yet / Rumpeln / so-Viele.de/sondern
Sprache Deutsch
Geschenk von Matthias Stadler
Stichwort Gelb / Installation / Licht / Musik / Performance / Sound / Taschenlampe / Taube / Textinstallation / Tier
WEB http://www.so-viele.de/ausstellungen/ausstellungen.html
WEB https://youtu.be/9SwIASsYQeQ
WEB www.tamtam-ok.de
TitelNummer
026181085 Einzeltitelanzeige (URI) Änderung

tamtam-tape-release-jan-2014-rote-sonne
tamtam-tape-release-jan-2014-rote-sonne
tamtam-tape-release-jan-2014-rote-sonne

Stadler Matthias, Hrsg.: TAM TAM Tape-Release, 2014

Stadler Matthias, Hrsg.
TAM TAM Tape-Release
München (Deutschland): TAMTAM, 2014
(Plakat) 59,5x42 cm, 2 Stück.
Techn. Angaben Plakat
ZusatzInformation Powerperformances mit diversen Künstlern, Gathaspar LIVE, mit Freude am Tanzen, Jena. Am 03.01.2014 im Club Rote Sonne in München
Namen Amzing Maze / antiaktionsorchester / Champus Crampus / cLAUSlEGAL / dualpol / Fellherz / Hubert Kretschmer / Karambolage / Kruemel / not yet / Okin Cznupolowsky / Reier Würzinger / The Aars / wavemarrow
Sprache Deutsch
Geschenk von Matthias Stadler
Stichwort Club / Installation / Krach / Musik / Noise / Performance / Sound / Tape
WEB www.tamtam-ok.de
TitelNummer
026182085 Einzeltitelanzeige (URI) Änderung

from-static-oblivion-grigorescu
from-static-oblivion-grigorescu
from-static-oblivion-grigorescu

Grigorescu Ion: From static oblivion, 2016

Grigorescu Ion
From static oblivion
Berlin (Deutschland): AVARIE, 2016
(Buch) [352] S., 30x16 cm, Auflage: 1000, ISBN/ISSN 978-2-9541974-2-5
Techn. Angaben Broschur, in silberner Kunststoff Schutzhülle mit Aufkleber
ZusatzInformation A reflection about the status of the image as a balance of forces in tension and a paradoxical act of cancellation of the body through its own representation. In Ion Grigorescu’s work, as in the book, the body is continually shown in different ways - from photography to film, from performance to drawing - and yet it remains absent, obscuring its own identity in an attempt to question the collective one. As it is impossible to show his art during the regime, it ends up hiding, disappearing inside the image. Instead of showing, the image conceals, because it is non-documentary and non-transmittable. it is an act of birth, a prove of the artist’s resistance, especially as a human being inside (or against) any geographical or historical background. In the rituals of his gestures and in the symbolism of his performances, Grigorescu finds a way to stay alive, preserving his own intellectual status while also defending the dignity of everyday life. The book traces the progression, both expansive and inclusive, of his work, which inscribes itself into the space of the body and of the world. Grigorescu absorbs elements of the surrounding reality, showing us a continuity between art and life: his act of dissidence is not an outcry of provocation, nor is it extreme. it is an anti-aesthetic operation which uses experimentation and rough techniques to uncover the fiction of art, to denounce the artifice of representation and to affirm images as an instrument of subversive power.
Text von der Webseite.
Namen Giuliana Prucca (Konzept und Herausgeberin)
Sprache Englisch / Rumänisch
Geschenk von Giuliana Prucca
Stichwort Fotografie / Identität / Körper
WEB http://avarie.tictail.com/product/ion-grigorescu-from-static-oblivion
TitelNummer
026563729 Einzeltitelanzeige (URI) Änderung

innen-walton
innen-walton
innen-walton

Walton Nate: Not Yet Remembered, 2017

Walton Nate
Not Yet Remembered
Genf (Schweiz): Innen, 2017
(Zine) [32] S., 19x13 cm, Auflage: 500,
Techn. Angaben Drahtheftung, Offsetdruck
Stichwort Aktfotografie / Fotografie / Frau / Körper
WEB http://www.innenbooks.com/index.php?/zines/nate-walton/
TitelNummer
026686755 Einzeltitelanzeige (URI) Änderung

Jensen Frank K.: Briefumschlag - My audience is not born yet, 1995 ca.

jensen-ums-v
jensen-ums-v
jensen-ums-v

Jensen Frank K.: Briefumschlag - My audience is not born yet, 1995 ca.

Jensen Frank K.
Briefumschlag - My audience is not born yet
Roskilde (Dänemark): Spilkammeret, 1995 ca.
(Umschlag / Stamp, Briefmarke) [2] S., 11,3x22,4 cm,
Techn. Angaben Briefumschlag, mehrfach gestempelt und beklebt mit Künstlerbriefmarken und Künstlerstempeln
Namen Basquiat / Juan Ramon Jiminez
Sprache Englisch
Geschenk von Klaus Groh
Stichwort 1990er / Art Faker / Artist Stamp / Künstlerbriefmarke / Mail Art / Umschlag
TitelNummer
026969736 Einzeltitelanzeige (URI) Änderung

naivsuper-cd 010
naivsuper-cd 010
naivsuper-cd 010

dis.playce: Das Ende von Amerika, 2007

dis.playce
Das Ende von Amerika
Berlin (Deutschland): naivsuper, 2007
(CD, DVD) 13x13 cm,
Techn. Angaben naivsuper Nr 010, Musik-CD in Papphülle und transparenter Kunststoffhülle, cover art: Stephane Leonard & Martin Eichhorn
ZusatzInformation recorded in 2006, mastered at ICEM in 2007.
We are very proud to announce our 10th release !!! and what makes it even better is that it´s a new dis.playce album!
The EP is called ´Das Ende von Amerika´ (The End of America) and it´s dis.playce´s second release on naivsuper. The title refers to the book ´Amerika´ by Franz Kafka and should not be interpretated in the wrong way)
´Amerika´, also known as ´Der Verschollene´ or ´The Man Who Disappeared´, was the incomplete first novel by Franz Kafka, published posthumously in 1927.
The story describes the bizarre wanderings of a sixteen-year-old European emigrant named Karl Rossmann in the United States, who was forced to go to New York to escape the scandal of his seduction by a housemaid.
Hope originates when something else is absent and holes need to be filled again. The purpose of hope is to make itself vanish again and to reach a state of mind where Utopia or the promised land of North America won´t be needed anymore.
Kafka puts his hero Karl Rossmann over and over again in situations where he is lacking something only to discover that he is lacking even more. The spiral of hope, disappointment and reproaches seems to be endless. With ´Amerika´ Kafka finishes a series of America-fiction from the 19. Century which glorified the United States as the land of boundless possibilities. For Kafka America is not the solution of our problems anymore, it is almost like a second Europe - a land where the problems stay the same.
´Das Ende von Amerika´ is one 24 minute piece published on high quality CDRs
Stichwort Nullerjahre
WEB www.naivsuper.de
TitelNummer
008568267 Einzeltitelanzeige (URI) Änderung

backcover 01
backcover 01
backcover 01

Dimos Alexandre, Hrsg.: Back Cover #01 graphic design, typography, etc., 2008

Dimos Alexandre, Hrsg.
Back Cover #01 graphic design, typography, etc.
Paris (Frankreich): Editions B42, 2008
(Zeitschrift, Magazin) 58 S., 28x19,5 cm, ISBN/ISSN 1964-5392
Techn. Angaben Drahtheftung. Text
ZusatzInformation Back Cover is a French magazine about graphic design and typography. Back Cover is an open place for personalities from all countries who make or analyse our visual environment. Back Cover does not deal with news and does not present portfolios. It contains thoughts, critical or historical analysis and individual or collective experiences in graphic design, typography, illustration and visual arts. Each issue brings together contributions by international actors in the mentioned areas: graphic designers, typographers, art critics and historians, journalists, under different shapes: interviews, diaries, theoretical articles, transcripts of lectures…
Namen ak / Anne Lemonnier / Annick Lantenois / Aurélien Froment / John O’Reilly / Peter Biľ / Pierre Leguillon / Raphael Zarka / Richard Hollis
Sprache Englisch / Französisch
Stichwort Nullerjahre
WEB www.editions-b42.com/back-cover
TitelNummer
010177355 Einzeltitelanzeige (URI) Änderung

the endless story of two lovers
the endless story of two lovers
the endless story of two lovers

Gigotti Lorenzo Micheli: documenta 1955-2012 - The Endless Story Of Two Lovers, 2012

Gigotti Lorenzo Micheli
documenta 1955-2012 - The Endless Story Of Two Lovers
Rom (Italien): Nero Magazine, 2012
(Heft) 60 S., 28x21 cm, Auflage: 200, ISBN/ISSN 978-88-97503-15-6
Techn. Angaben Drahtheftung, goldener Umschlag
ZusatzInformation Publikation anlässlich der dOCUMENTA (13)

This publication contains a selection of 60 photographs from the documenta Archive, one of the oldest and most esteemed exhibition of contemporary art in the world. The photographs — belonging to different ages — depict the two elements that make art history possible: artwork and spectator. This amazing journey through time not only concerns the history of one of the most important exhibitions in the world, but also traces the evolution, customs, and traditions of the society that created it. The book portrays a love story between two subjects — a human being and an inanimate element — that are capable of a relationship even if they speak a different language. The photographs capture the moment of these encounters, and this is what their distinctive feature consists in. Of course we are not able to listen to the dialogues, but we can still imagine them.
Text von der Verlagswebseite
WEB www.neromagazine.it
TitelNummer
010375361 Einzeltitelanzeige (URI) Änderung

vries-wit-white
vries-wit-white
vries-wit-white

De Vries Herman: wit white, 2012

De Vries Herman
wit white
Brest (Frankreich): Zédélé éditions, 2012
(Buch) 352 S., 21x15 cm, ISBN/ISSN 978-2-915859-41-6
Techn. Angaben Broschur mit Banderole, eingelegt ein Informationsblatt
ZusatzInformation Originalausgabe erschienen bei Artists Press, Bern, 1980.
This book is the third and final version of the first artist’s book published in 1960 by herman de vries, who is currently the author of more than one hundred publications.
The story of this book dates back to 1960. Closely associated with the Zero Group, but also drawn to the buddhist concept of emptiness, herman de vries had just produced a series of white monochromes when he self-published a twenty-page booklet in Arnhem. It had no title, its cover was blank and its pages were unprinted. It contained nothing but a short final poem celebrating, in four languages, the superabundance of white: “wit is overdaad”. In 1962, this manifesto appeared in another version, now entitled wit: two hundred blank pages, four white collages by the artist and an introduction, itself completely blank, by the poet J. C. van Schagen, published in arnhem in only five copies by M. J. Israel. It was followed in 1967 by a second “revised” edition, wit weiss: two hundred and fifty blank pages, pocket-sized, in five hundred copies, published by Hansjörg Mayer in Stuttgart. The only printed elements were the artist’s name, the title and the publisher’s name on the cover, the word “introduction” and the name of its author on the very first page and a colophon on the final page. In 1980 the Artists Press in Berne published the “third revised edition”, in a larger format and with more pages. The original title wit was translated into english and japanese and into sanskrit with a word that means “white” in the sense of bright, pure, immaculate. The title itself does not appear on the book, which remains completely blank. It is printed with the paratext on a broad strip of paper in the form of a detachable publicity strip. The inside flap contains a brief statement initially dating back to the 1962 edition, stating that this book incorporates all aspects of reality. Of the five thousand copies advertised, only a hundred were published. It is this last edition, the most radical, which is republished here, the only addition being the french translation of the statement.
On 1 april 2012, herman de vries wrote of his book, insisting on the importance of the final comma:

white is white
0 = 0
no name
no idea
not even emptiness,

Text von der Webseite
TitelNummer
012052000 Einzeltitelanzeige (URI) Änderung

what-the-shop
what-the-shop
what-the-shop

Schweiger Mirjam: What the Shop, 2012

Schweiger Mirjam
What the Shop
Wien (Österreich): Selbstverlag, 2012
(Sammeltuete, Schachtel, Kassette) Auflage: 100, 5 Teile.
Techn. Angaben transparenter bedruckter Kunststoffschuber mit 3 Heften und 2 gefalteten Plakaten
ZusatzInformation WHAT THE SHOP is an art project that first took place in Vienna 2012. WHAT THE SHOP was foundet by Mirjam Schweiger in collaboration with Michael Bäckström and Judith Rohrmoser. WHAT THE SHOP does not stay at one place for long. WHAT THE SHOP speaks several languages. WHAT THE SHOP is run by people who have worked with each other before and trust each other. WHAT THE SHOP always ends with a publication. WHAT THE SHOP is an investigation of artistic practice and the city. WHAT THE SHOP is not about selling things but about everything else. WHAT THE SHOP is open for change. WHAT THE SHOP is always up for tasty food. WHAT THE SHOP is a social sculpture and an artwork. WHAT THE SHOP what the fuck haters?!
Text von der Webseite
Geschenk von Hammann & von Mier
TitelNummer
012064424 Einzeltitelanzeige (URI) Änderung

bos-the-perfect-picture
bos-the-perfect-picture
bos-the-perfect-picture

Bos Theo: The Perfect Picture, 1998

Bos Theo
The Perfect Picture
Den Bosch (Niederlande): Tuesday Multumedia, 1998
(CD, DVD) 12,5x14,2 cm,
Techn. Angaben CD-Rom in Hülle
ZusatzInformation The Perfect Picture is a project on CD-ROM. It is an attempt to make a perfect picture of a formerly impassible part of the town of Utrecht: the military barracks The Kromhoutkazerne. The goal of The Perfect Picture is not to formulate a representative photographic vision of the subject. It seeks rather to present a method whereby the subject can be experienced - experienced in a manner that verges on the way we do that in reality: one that is complex, abundant, and not always equally clear and unambiguous.
Text von der Website
Sprache Englisch / Niederländisch
Geschenk von Joachim Schmid
Stichwort 1990er
WEB www.theobos.nl/past/the-perfect-picture
TitelNummer
013062465 Einzeltitelanzeige (URI) Änderung

burger-this-will-not-work
burger-this-will-not-work
burger-this-will-not-work

Burger Stefan / Delfrati Federico / Velonis Kostis: This probably will not work, 2015

Burger Stefan / Delfrati Federico / Velonis Kostis
This probably will not work
München (Deutschland): Lothringer13, 2015
(Flyer, Prospekt) 6 S., 21x10 cm,
Techn. Angaben Flyer, mehrfach gefaltet
ZusatzInformation Einladung zur Eröffnung der Ausstellung This probably will not work in der Lothringer13 am 16.07. 2015
WEB www.lothringer13.com
TitelNummer
013683501 Einzeltitelanzeige (URI) Änderung

sheikh-the-circle
sheikh-the-circle
sheikh-the-circle

Sheikh Fazal: The Circle, 2008

Sheikh Fazal
The Circle
Göttingen (Deutschland): Steidl Verlag, 2008
(Buch) [114] S., 21,5x17,5 cm, ISBN/ISSN 978-3-86521-599-4
Techn. Angaben Hardcover mit Leineneinband und Prägung,
ZusatzInformation Through his earlier projects, Moksha and Ladli, Fazal Sheikh came to realize that for many women in India life is not a line, but a circle. Death is not an end but a resting place in the afterlife, from which the soul returns to earth and is reborn. The Circle reflects this cycle. It is dedicated to the women who helped Fazal Sheikh in India and to the hundreds of thousands of women with similar experiences that these portraits represent.
Text von der Webseite
Sprache Englisch
Stichwort Fotografie / Frauen / Indien / Porträts / Schwarz-Weiß
WEB www.fazalsheikh.org
TitelNummer
016550606 Einzeltitelanzeige (URI) Änderung

Yoon J. Meejin: ABSENCE, 2003

yoon-absence-zu
yoon-absence-zu
yoon-absence-zu

Yoon J. Meejin: ABSENCE, 2003

Yoon J. Meejin
ABSENCE
New York, NY (Vereinigte Staaten von Amerika): Printed Matter, 2003
(Buch) 240 ca. S., 12,5x10 cm, Auflage: 2000, ISBN/ISSN 0-89439-013-9
Techn. Angaben Umschlag aus Karton mit Leinenstreifen, ca. 120 Seiten gestanzt
ZusatzInformation 2004 winner of I.D. Magazine's Design Distinction award, Absence is the third book to come out of Printed Matter’s Publishing Program for Emerging Artists, a program made possible through the generous support of New York City's Department of Cultural Affairs, The Andy Warhol Foundation for the Visual Arts, the Elizabeth Firestone Graham Foundation, and the Heyday Foundation. The generosity of Whitney trustees Melva Bucksbaum and Raymond J. Learsy was instrumental to the Museum’s participation in the publication of this exciting new work.
Both a book and a sculptural object, Absence is a memorial to the twin towers of the World Trade Center. Yoon, an architect and designer who is currently an Assistant Professor of Architecture at the Massachusetts Institute of Technology, chose not to produce a traditional design proposal for the World Trade Center Memorial Competition. Instead she created a non-architectural, non site-specific space of remembrance: a portable personal memorial in the form of book.
At almost two pounds, Absence has a considerable physical presence, but it is in every way the ghost of a presence, and it is this ghostliness that gives it its particular emotional weight. A solid white block of thick stock cardboard pages, the book’s only "text" consists of one pinhole and two identical squares die-cut into each of its one-hundred-and-twenty pages – one for each story of the towers including the antenna mast. These removed elements lead the reader floor by floor through the missing buildings towards the final page where the footprint of the entire site of the World Trade Center is die-cut into a delicate lattice of absent structures.
Of all of the proposed monuments and grand designs for the twin towers to emerge in the last two years, Absence is remarkable for its employment of an under-used strategy: restraint. The simplicity of Yoon’s materials and her use of repetition speak, without words, about unspeakable loss. Quiet, respectful, mournful, the book does not aim to represent the magnitude of the disaster. Instead it appeals to the vastness of the reader’s imagination and capacity to grieve. The human scale of her memorial operates on a personal level – it delivers the memory of lives lost into the reader’s hands. At the same time, as a scale model of a vanished architectural site, it operates on a larger cultural level by commemorating the site itself.
Text von der Webseite. Fotos Xenia Fumbarev
Sprache Englisch
Stichwort Amerika / Erinnerung / Künstlerbuch / Terror / Twin Towers
WEB https://www.printedmatter.org/catalog/16965/
TitelNummer
024451593 Einzeltitelanzeige (URI) Änderung

price-fuck-seth-2015
price-fuck-seth-2015
price-fuck-seth-2015

Price Seth: Fuck Seth Price - A Novel, 2015

Price Seth
Fuck Seth Price - A Novel
New York, NY (Vereinigte Staaten von Amerika): Leopard, 2015
(Buch) 122 S., 17,8x11,8 cm, ISBN/ISSN 978-0-9815468-3-4
Techn. Angaben Broschur, Cover mit gestanztem Loch, Schrift: Caslon, Lesezeichen beigelegt von aliasbooks east
ZusatzInformation 1. Ausgabe.
From one of the most influential artists of his generation comes a provocative, moving novella about what it means to be a creative person under today's digital regime. In the course of a gripping, headlong narrative, Price's unnamed protagonist moves in and out of contemporary non-spaces on a confounding and enigmatic quest, all the while meditating on art in the broadest sense: not simply painting and sculpture but also film, architecture, literature, and poetry. From boutique hotels and highway bridges to PC terminals and off-ramps. from Kanye West and Jeff Koons to George Bush and Patricia Highsmith. from the playground to the internet to the mirror, Price's hybrid of fiction, essay, and memoir gets to the central questions not only of art, but of how we live now
Text von Amazon.com
Namen Joseph Logan (Design) / Rachel Hudson (Design)
Sprache Englisch
Stichwort Fiktion / Geschichte / Gesellschaft / Roman / Witschaft
TitelNummer
024555668 Einzeltitelanzeige (URI) Änderung

tonnard-enduring-freedom
tonnard-enduring-freedom
tonnard-enduring-freedom

Tonnard Elisabeth: ENDURING FREEDOM - The Poetry of the President, 2011

Tonnard Elisabeth
ENDURING FREEDOM - The Poetry of the President
Leerdam (Niederlande): The Conquerer Edition, 2011
(Buch) 20 unpag. S., 21,1x15 cm, Auflage: 124,
Techn. Angaben Fadenheftung mit aufklappbarem Cover
ZusatzInformation Speeches that George W. Bush made shortly after the 9/11 attacks, are turned into poetry in this book. The tone varies as we witness consolatory words and war speech. What does not change is the intensity of the rhetoric used. The poems first appeared in the Dutch literary magazine Armada, tijdschrift voor wereldliteratuur, No. 24, December 2001. The edition is printed on a paper that adds its own voice to the project in the form of a watermark. It reads “conqueror”, the brand name of the paper. Not only does that word seem to describe the voice in the book, it is also a description of itself. the watermark as a rhetoric, as a conquest.
Namen George W. Bush
Sprache Englisch
Stichwort Appropriation Art / Internet / Lyrik / Politik / politische Kunst / Popkultur
WEB www.elisabethtonnard.com/works/enduring-freedom-the-poetry-of-the-president/
TitelNummer
024727673 Einzeltitelanzeige (URI) Änderung

dany-zillig
dany-zillig
dany-zillig

Dany Hans-Christian / Zillig Steffen: unendlich unwahrscheinlich Nummer 06 - Alle wollen hier raus, 2018

Dany Hans-Christian / Zillig Steffen
unendlich unwahrscheinlich Nummer 06 - Alle wollen hier raus
Berlin / Nürnberg (Deutschland): Institut für moderne Kunst Nürnberg / SuKuLTuR, 2018
(Heft) 22 S., 14,8x10,3 cm, ISBN/ISSN 978-3-955660-76-5
Techn. Angaben Drahtheftung
ZusatzInformation Wie kann Protest aussehen in einer Zeit, die alles offenlegt und alle zu Komplizen des Fatalismus macht?
Steffen Zilligs Videocollage Pessimismus organisieren beschwö.rt einen zombifizierten Michael Jackson und dessen letzte Weltrettungshalluzinationen im Mausoleum von Neverland. Verschwand mit dem Kö.nig des Pop auch das vereinende Versprechen von Perfektion, Glamour und Verwandlung? Bleibt nur rasender Stillstand? Und wo artikuliert sich die Zukunft, wenn nicht im anonymisierten Tribalismus? In schlafwandelnden Mobs? Die sich überall da zusammenrotten, wo die kollektive Sediertheit brüchig wird – wä.hrend aus dem Off Anonymous droht: »We do not forgive. We do not forget. Expect us.«
Hans-Christian Dany sucht in seinem Essay nach Wegen raus aus einer Gegenwart, aus der es keine Auswege zu geben scheint.
Text von der Webseite
Namen Hans-Christian Dany (Text) / Karin Kolb (Gestaltung) / Steffen Zillig (Abbildungen)
Sprache Deutsch
Geschenk von Stephan Janitzky
Stichwort Collage / Litertatur / Stills / Video
Sponsoren da Vinci / Kulturstiftung der Sparkasse Nürnberg
WEB www.sukultur.de/alle-wollen-hier-raus.html
TitelNummer
025248680 Einzeltitelanzeige (URI) Änderung

shore-the-nature-of-photographs
shore-the-nature-of-photographs
shore-the-nature-of-photographs

Shore Stephen: The Nature of Photographs, 2007

Shore Stephen
The Nature of Photographs
London / New York, NY (Großbritannien / Vereinigte Staaten von Amerika): Phaidon, 2007
(Buch) [142] S., 24,5x21 cm, ISBN/ISSN 978-0-7148-5904-0
Techn. Angaben Broschur
ZusatzInformation The Nature of Photographs is the essential primer of photography, not only for students but for anyone with an interest in the medium. This book grew out of a college course that Stephen Shore taught for many years. Its aim is not to explore photographic content – the subject of an image – but to describe the physical and formal attributes of a photographic print, the very elements that form the tools a photographer uses to define and interpret that content. By teaching us how to look at photographs and helping us to see the world the way the photographer may have seen it, Shore also teaches us a way of looking at the world around us.
Text von der Webseite.
Namen Alfred Stieglitz / Andreas Gursky / August Sander / Cindy Sherman / Eugene Atget / Jeff Wall / Lee Friedlander / Robert Frank / Thomas Demand / Thomas Struth / Walker Evans / William Eggleston
Sprache Englisch
Geschenk von Barbara Donaubauer
Stichwort Fotografie / Lehre / Unterricht
WEB http://uk.phaidon.com/store/photography/the-nature-of-photographs-9780714859040/
TitelNummer
025410704 Einzeltitelanzeige (URI) Änderung

weiwei-large
weiwei-large
weiwei-large

Weiwei Ai: @Large - Ai Weiwei on Alcatraz, 2014

Weiwei Ai
@Large - Ai Weiwei on Alcatraz
San Francisco, CA (Vereinigte Staaten von Amerika): Chronicle Books, 2014
(Buch) [196] S., 26x26 cm, ISBN/ISSN 978-1-4521-4276-0
Techn. Angaben Hardcover, fadengeheftet
ZusatzInformation Erschienen zur Ausstellung bei der FOR-SITE Foundation, San Francisco 27.09.2014-26.04.2015.
Internationally renowned Chinese artist and activist Ai Weiwei is one of contemporary art's most newsworthy figures, noted for both his groundbreaking work and his outspoken stance on human rights, which ultimately resulted in his controversial 2011 detainment. In an astonishing new large-scale project, he turns his attention to Alcatraz—a place he could not visit because he was not permitted to leave China, but that stands as a world-famous symbol of both incarceration and protest. This book showcases the major exhibition presented by FOR-SITE Foundation of site-specific, multimedia installations and sculptures Ai Weiwei create for the island, on view from the fall of 2014 through the spring of 2015. Featuring beautiful photographs and thought-provoking text, At Large is the essential document of this remarkable happening from one of today's most celebrated artists.
Text von der Website.
Namen Cheryl Haines (Einleitung) / David Spalding (Herausgeber) / Frank Dean (Vorwort) / Greg Moore (Vorwort) / Hans Ulrich Obrist (Interview) / Vaclav Havel (Text)
Sprache Englisch
Stichwort Aktivist / Alcatraz / Fotografie / Gefängnis / Installation / Menschenrecht / Politik / Repression
WEB www.chroniclebooks.com/at-large.html
TitelNummer
025945713 Einzeltitelanzeige (URI) Änderung

forouhar-written-room
forouhar-written-room
forouhar-written-room

Forouhar Parastou: Written Room, 2018

Forouhar Parastou
Written Room
München (Deutschland): Galerie Karin Sachs, 2018
(Flyer, Prospekt) [2] S., 17x12,2 cm,
Techn. Angaben Postkarte, beidseitig bedruckt
ZusatzInformation Einladungskarte zur Ausstellung Written Room in der Galerie Karin Sachs vom 15.09.-27.10.2018.
The Persian script is turned into an ornament. Covering the white walls of the museums, the characters serve Forouhar as “paper” for her own text. The room becomes a “written room”. Whereas the white walls of the gallery room are raised to a universal norm and an unmarked instance, the Oriental ornament stands for difference or the deviating.
The writing is also strange, if not alien, because it is illegible for Western visitors – as an “incomprehensible” text it becomes a pure ornament. In defying attempts by Western visitors to assign its meaning, the script remains locked into its irreducible pictorial graphicness and indissoluble representation. The meaning cannot be grasped. at best, the inscribed ping-pong balls, which cover the base of the installation, can be grasped in the tactual sense. The legibility is made even more difficult by the movement of the ping-pong balls, which due to their spherical form also offer no stable vertical or horizontal reading axes. they form new patterns over and over again, are always in motion, and become incoherently disjointed.
Even if one has a command of Persian, the characters prove to be nothing more than word fragments and syllables, which are not subject to a linear order. The script ornamentation covers the whole room. Viewers entering the rooms are surrounded by patterns, forcing them to give up their sovereign, distanced standpoint.
Text von der Website der Künstlerin.
Sprache Deutsch
Stichwort Ausstellung / Installation / Iran / Nastaliq / Ornament / Persisch / Schrift / Typografie / Zeichen
WEB http://www.galeriekarinsachs.de
WEB www.parastou-forouhar.de
TitelNummer
026027801 Einzeltitelanzeige (URI) Änderung

wordpharmacy_adjectives
wordpharmacy_adjectives
wordpharmacy_adjectives

Søndergaard Morten: Adjectives, 2012

Søndergaard Morten
Adjectives
Pietrasanta (Italien): wordpharmacy, 2012
(Objekt, Multiple) 18x30 cm, ISBN/ISSN 978-3-94319-605-4
Techn. Angaben Kartonbox 10x11,5x7,5 cm (HxLxB, auseinandergefaltet 18x30 cm, mit Beipackzettel A4 gefaltet auf 4x7 cm
ZusatzInformation Wordpharmacy combines the structure of language with the healing principles of various medicaments. Like pills, language is something to be consumed by the body, and in turn it does not only affect our conceptions of things, but it also comes to designate our very corporal movability in the world. Consequently, words are not only something we consume, they are refractory entities that in turn define and consume us. Wordpharmacy can be seen as a poetical gesture endeavouring to let words work their magic from within the body itself. The Wordpharmacy is written and produced by the danish poet Morten Søndergaard. The Wordpharmacy has be shown in several cities like Paris and London and Berlin and Bangor and Tromsø and Voss. The Wordpharmacy is translated into English by Barbara Haveland and designed by Christian Ramsø and is now available in six languages.
Text von der Webseite
Namen Barbara Haveland (Übersetzung) / Christian Ramsø (Design)
Sprache Englisch
Stichwort Konzept / Medizin / Multiple / Objekt / Sprache / Text / Wort
WEB http://www.wordpharmacy.com/
TitelNummer
026227730 Einzeltitelanzeige (URI) Änderung

daled-collection-hdk-2010
daled-collection-hdk-2010
daled-collection-hdk-2010

Dander Patrizia / Wilmes Ulrich, Hrsg.: A Bit of Matter and a Little Bit More. The Collection and the Archives of Herman and Nicole Daled 1966–1978, 2010

Dander Patrizia / Wilmes Ulrich, Hrsg.
A Bit of Matter and a Little Bit More. The Collection and the Archives of Herman and Nicole Daled 1966–1978
München / Köln (Deutschland): Haus der Kunst / Verlag Buchhandlung Walther König, 2010
(Buch) 456 S., 27x20,3 cm, ISBN/ISSN 978-3-86560-763-8
Techn. Angaben Klappbroschur mit Banderole (gestanzte Formen und Texte)
ZusatzInformation erschienen zur Ausstellung 30.04.-25.07.2010
Mit Essays von Benjamin H.D. Buchloh und Birgit Pelzer sowie einem Text von Herman und Nicole Daled.
The Brussels-based collectors Herman Daled and Nicole Daled refuse to perceive art as decoration and to, thereby, exploit it. They approach art in a fundamentally different way: Basis for their activities are their relationships and conversations with artists.
In keeping with the aim of Conceptual Art that places the intellectual content of a work above its realisation, they consider themselves not collectors but communicators and producers: They provide artists with the opportunity to also realise works outside of established market mechanisms. Their intense engagement with Conceptual Art, one of the most important movements in recent art history, goes far beyond usual collecting practices. This is not only apparent in the actual works, but also in the meticulously archived documents containing actions and works.
One of the most important influences for Herman and Nicole Daled was Marcel Broodthaers, more than 80 of his works are in their collection. Moreover, the collection holds several works by Daniel Buren, Dan Graham, On Kawara, Sol Lewitt, Niele Toroni, Lawrence Weiner, Cy Twombly and many more.
Text von der Webseite
Namen Benjamin H.D. Buchloh / Birgit Pelzer / Carl Andre / Cy Twombly / Dan Graham / Daniel Buren / Ed Ruscha / Hanne Darboven / Hans Haacke / Herman Daled / James Lee Byars / Jan Dibbets / Jaques Charlier / Jörg Immendorf / Kathy Acker / Lawrence Weiner / Marcel Broodthaers / Nicole Daled / Niele Toroni / On Kawara / Peter Downsbrough / Richard Long / Robert Filliou / Sol LeWitt / Stanly Brouwn / Steve Reich / Vito Acconci / Walter Nikkels (Form und Typografie)
Sprache Englisch
Geschenk von Sabine Brantl
Stichwort Archiv / Dokumentation / Ephemera / Fluxus / Installation / Konzeptkunst / Malerei / Sammlung
WEB https://www.moma.org/research-and-learning/archives/finding-aids/Daledf
WEB www.hausderkunst.de
TitelNummer
026316739 Einzeltitelanzeige (URI) Änderung

Wolf-Rehfeldt Ruth: Signs Fiction, 2016

wolf-rehfeldt-signs-fiction
wolf-rehfeldt-signs-fiction
wolf-rehfeldt-signs-fiction

Wolf-Rehfeldt Ruth: Signs Fiction, 2016

Wolf-Rehfeldt Ruth
Signs Fiction
Berlin (Deutschland): Chert Galerie / Motto Books, 2016
(Buch) [490] S., 32x24 cm, Auflage: 700, ISBN/ISSN 978-2-940524-46-4
Techn. Angaben Broschur
ZusatzInformation This book aims to collect and present a comprehensive overview of the work of Ruth Wolf-Rehfeldt. It is the result of a long and intense immersion into her archive, and intends to establish the importance of this unique artist – who did not have much recognition in the past – not only to the present day, but also to the precise political context and time to which she and her work belong.
The book presents her typewritings series, all produced between the early 1970s (some of the earliest works are dated 1972) and 1989.
Mail Art was her way to be in contact with the world outside the GDR, otherwise impossible to reach. After the fall of the Berlin Wall and the Reunification, the artist stopped producing any art: She felt her involvement was no longer “needed”.
At the beginning of 2015 we started to archive Ruth Wolf- Rehfeldt’s work, discovering little by little an enormous and fascinating body of work, composed by more classic poetry, simple typewriting texts, visual poetry, concrete poetry, and abstraction.
Text von der Webseite
Namen 1970er Jahre / 1980er Jahre / Archiv / Jennifer Chert (Text) / Till Gathmann (Design) / Zanna Gilbert (Text)
Sprache Deutsch / Englisch
Stichwort abstrakt / Konkrete Poesie / Mail Art / Muster / Schreibmaschinenkunst / Symmetrie / Typewriting / Visuelle Poesie
Sponsoren Kulturverwaltung des Berliner Senats
TitelNummer
026489742 Einzeltitelanzeige (URI) Änderung

von Rabenau Kai, Hrsg.: MONO.KULTUR #41 Meg Stuart - Make the first move, 2016

monok41-stuart
monok41-stuart
monok41-stuart

von Rabenau Kai, Hrsg.: MONO.KULTUR #41 Meg Stuart - Make the first move, 2016

von Rabenau Kai, Hrsg.
MONO.KULTUR #41 Meg Stuart - Make the first move
Berlin (Deutschland): mono.kultur, 2016
(Zeitschrift, Magazin / Heft) 48 S., 20x15 cm, ISBN/ISSN 1861-7085
Techn. Angaben Drahtheftung, auf verschiedenen Papieren gedruckt
ZusatzInformation Meg Stuart’s work is not about the elegance and beauty of dance, or at least not in the conventional sense. It is about exploring the outer edges of movement, where bodies age, fail, and surrender, where individual spaces disintegrate and bleed into each other, where physical memories are exposed like open wounds. Meg Stuart’s work is located at the vanishing point where dance meets visual arts. Within just two decades, Stuart’s dance company Damaged Goods, which she founded in 1994, have produced a lengthy and diverse list of projects, ranging from countless full-length feature works to multi-disciplinary dance installations, improvisations, and films that spread far beyond the theatre stages of the world, into museum spaces, film festivals or the wide open street. With mono.kultur, Meg Stuart talked about her first physical memories, the healing power of dancing and the thrill of disorientation. Following Meg Stuart’s interest in abundance and complexity, the design discards all notions of top or bottom, left or right, with text and images set in different and ever-changing directions. A magazine as a physical object that wants to be handled and turned. Reading as a dance.
Text von der Website.
Namen Damaged Goods / Meg Stuart
Sprache Englisch
Stichwort Bewegung / Interview / Körper / Tanz / Visuelle Kunst
WEB www.mono-kultur.com
TitelNummer
026629737 Einzeltitelanzeige (URI) Änderung

omnibus-news
omnibus-news
omnibus-news

Niggl Thomas / Prem Heimrad / D'Orville Christian, Hrsg.: Omnibus News 1, 1969

D'Orville Christian / Niggl Thomas / Prem Heimrad, Hrsg.
Omnibus News 1
München (Deutschland): Selbstverlag, 1969
(Buch) [300 ca.] S., 29,7x21 cm, Auflage: 1500, signiert, 2 Stück.
Techn. Angaben Nur mit Originalbeiträgen von ca. 140 internationalen Künstlern, verschiedene Papiere und Techniken, einige signiert, Stempeldrucke. Alle Arbeiten von den Künstlern selbst vervielfältigt, von den Herausgebern zusammen getragen.
ZusatzInformation According to ARTBASE Jan 2001, this is the first visual artists' assembling ever! The editors state on the first page that "everybody is responsible for his own contribution," and, "there was no censorship or selection." These rules became the basis for what many poets/artists considered the foundation of Assembling publications although there have been and continue to be dissenters. Almost all the contributors were German. The pages in this periodical are composed of varied paper and colored stock reflecting the unedited contributions. However, the magazine was not called an Assembling and was probably not the first to employ an unedited format as can be appreciated by earlier such magazines in the Sackner Archive. However, it was probably the first to formulate the rules.
Text von Sackner Archive
Namen Aldo Walker / Alfred Feussner / Almuth Hickl / Andreas Bindl / Angel Luque / Annalies Klophaus / Arnulf Rainer / Attila Kotany / Ben Vautier / Bread And Puppet Theater / Bruno Demattio / Bubu Siemens / Christel Fischer / Comfac / Costa Pinheiro / D. Schüttenhelm / Daster Hesse / Dick Higgins / Dieter Glasmacher / Dieter Reick / Dietrich Albrecht / Edward Krasinski / Elena Whiteside / Eric Andersen / Eric Van Zuylen / Ernst Neukamp / Erwin Wortelkamp / Fongi / Georg Rosenthal / Gerhard Merz / Gunther Keusen / Gunther Laschinger / Gunther Radloff / Günter Eckert / H.P. Hartmann / H. Weld / Hans-Peter Zimmer / Hans Georg Schultz / Hansjörg Grollmann / Harvey Spevak / Heimrad Prem / Heiner Dattenberg / Heino Naujoks / Heinz Decker / Helmut Rieger / Herbert Distel / Herbert Peters / Herbert Späth / Heribert Sturm / Hermann Richter / Horst Albert Glaser / Imre Kocsis / Irma Hünerfauth / J. Lüngen / J. Schüttenhelm / Joachim Schmettau / Jochen Gerz / Jutta Brand / Jörgen Brynjolf / Jörg Immendorf (Lidl) / K.F. Günther / Karl-Rudolf Pigge / Karl Bohrmann / Karl Heinz Wegert / Karl Ludwig Schmalz / Klaus Heider / Klaus Hoffmann / Klaus Staeck / Kleinhammes / Konrad Balder Schäuffelen / Kuno Raeber / Kurt Benning / Lerizo (Riki Pezold) / Lola Byron / Lothar Fischer / Ludi Armbruster / Manfred Günzel / Manfred Mohr / Manfred Weihe (Puyk) / Mardersteig / Margit Hefft / Margot Luf / Markus Sing / Memo Zeillemaker / Michael Badura / Michael Heininger / Michael Langer / Milan Knizak / Nicole Braun / Nikolaus Jungwirth / Ottfried Narewski / Otto / Otto Dressler / Paco Munser / R. Wiprsek / Renate Sautermeister / Richard Dietrich / Robert Schneider / Rozanek / Schneider-Henn / Siegfried Neuenhausen / Sipke Huismans / Stanley Brouwn / Stefan Szczesny / Thomas Niggl / Timm Ulrichs / U. Breger / Uwe Streifeneder / Volker Brinker / Werner Nöfer / Werner Schreib / Will Wiprsek / Winfried Welch / Wolfgang Feelisch / Wolfgang Hufnagel / Wolf Vostell
Sprache Deutsch / Englisch
Geschenk von Christoph Mauler
Stichwort 1960er / Assembling / Collage / Fotografie / Grafik / Konzeptkunst / Kooperative / Poesie / Textarbeit / Zeichnung
TitelNummer
003052214 Einzeltitelanzeige (URI) Änderung

zug-no3
zug-no3
zug-no3

Fabian Aaron, Hrsg.: Zug #03 Space, 2012

Fabian Aaron, Hrsg.
Zug #03 Space
Budapest (Ungarn): innen, 2012
(Zine) 76 S., 23,6x16,5 cm, Auflage: 1000,
Techn. Angaben Drahtheftung, Offsetdruck
ZusatzInformation Attention! This is not a drill! Please be advised that the following pages you are about to read may give you the impression that you actually have no idea what space is and never have. Later on, this may turn out to be true. It should also be noted that exploration of the subject requires controlled conditions and safety measures even when conducted by professionals. Contemplations about the definitions of space are highly dangerous procedures and should not be attempted at home. All liability for collateral damage from any cognitive activities undertaken by laymen as a result of the ideas contained herein is hereby excluded. Thank you for your understanding.
Text von der Webseite
Namen Adrienne Sós / András Bányai (Text) / Ari Marcopoulos / Benjamin Sommerhalder / Cathérine Hug / Dominika Trapp / Ed Templeton / Gáspár Riskó / Jonas Delaborde / Liza Béar / Mircea Cernov / Misha Hollenbach / Peter Sutherland / Petra Csizek / Stefan Marx
Sprache Englisch / Ungarisch
Stichwort Collage / Fotografie / Zeichnungen
WEB http://www.innenbooks.com/index.php?/other-publications/zug-magazine-3/
TitelNummer
026786755 Einzeltitelanzeige (URI) Änderung

naivsuper-cd 011
naivsuper-cd 011
naivsuper-cd 011

Mars Leo: Lightears, 2007

Mars Leo
Lightears
Berlin (Deutschland): naivsuper, 2007
(CD, DVD) 13x13 cm,
Techn. Angaben naivsuper Nr 011, Musik-CD in Papphülle und transparenter Kunststoffhülle, cover art: Stephane Leonard
ZusatzInformation recorded in 2007 at the Leo Mars studio.
´Lightears´ is the long awaited debut album by Berlin duo Leo Mars. After a year of trial and error, a lot of sessions, sound collecting and analysation of possibilities a precisely crafted, yet astonishingly free floating album came to life. In times of almost infinite sounds, instruments and styles it took the duo some time to come up with the basic material, form a language and then of course learn to speak it. Hours were spent in the studio and their favourite lebanese restaurant discussing the world of sound.
´Lightears´ intelligently smudges the borders between a classic drone, an underground noise, a playful improvisation and an old fashion musique concrete record. All the genres fall into place rather unpretentious with pure sound excitingly assembled to challenge ones listening habits.
It is a rather harsh production always bouncing back and forth between digital, crisp electronics and field recordings pushed way over the edge.
With minimal gear and set up Leo Mars managed to manoveur themselves somewhere inbetween a bedroom thrashing noise keyboard project and a theoratical paper score composer duo. Performing in a trance - allowing things to happen - awaken - making a conscious decision - slipping back into space
Stichwort Nullerjahre
WEB www.naivsuper.de
TitelNummer
008567267 Einzeltitelanzeige (URI) Änderung

naivsuper-cd 007
naivsuper-cd 007
naivsuper-cd 007

Shapes Dania: Soundsystem Pastoral, 2006

Shapes Dania
Soundsystem Pastoral
Berlin (Deutschland): naivsuper, 2006
(CD, DVD) 13x13 cm,
Techn. Angaben naivsuper Nr 007, Musik-CD in gefalteter Papphülle mit Beiblatt in transparenter Kunststoffhülle, cover art: Stephane Leonard
ZusatzInformation music by Daniel Lopatin aka Dania Shapes.
Soundsystem Pastoral was recorded by Daniel Lopatin aka Dania Shapes during the winter of 2004 using synthesizers, a first generation digital sequencer, and a freeware sound editor. It was remixed in 2006 for the release on naivsuper.
Celebrating the potential of amateurishness, decadence and romance in the realm of digital audio arts, Lopatin looks to marry the aesthetic sensibilities of experimental electronics with his allegiance to the classic 'beauty' in music. 'Glitch' is less a process for Lopatin -- rather it is an aesthetic impression which Lopatin emulates by hand. Pairing the residual effects of romantic, heart string melodies with steroidal, detailed, maximalist noise, Dania Shapes' audible bricolage is a tribute to both the beautiful and the broken all at once.
Working with simple tools such as handheld tape recorders, retro synthesizers, and a personal computer, Lopatin creates conceptual systems and processes to create a solo music that's beautiful and inventive, with interesting textures and unexpected sonic interventions. The music has a lush, ambient quality, but an edge as well. Throughout the CD, one finds a subtle use of repetition. The pieces are formally well-conceived and never contrived. The music is clearly indebted to heroes of electronica such as Christian Fennesz, William Basinski, and Brian Eno. and it has links to classic experimentalists such as David Tudor and David Behrman. Yet Lopatin maintains a more song-based musical position that results in an accessible product that will attract fans of ambient, post-rock, and experimental music
Namen Daniel Lopatin / Stephane Leonard
Stichwort Digitale Musik / Nullerjahre / Synthesyser
WEB www.naivsuper.de
TitelNummer
008576267 Einzeltitelanzeige (URI) Änderung

birchall converted
birchall converted
birchall converted

Birchall Matthew: Photograph Converted into Base64 Code, 2012

Birchall Matthew
Photograph Converted into Base64 Code
London (Großbritannien): Café Royal Books, 2012
(Heft) 24 S., 20x14 cm, Auflage: 100,
Techn. Angaben Drahtheftung. Schwarz-Weiß-Digitaldruck
ZusatzInformation This publication is part of the Tate Gallery special collection.
A photograph of a sculpture, made as part of an installation, converted into Base64 code. The code represents the image, and the sculpture yet is indecipherable. The code becomes an object on the page, a new language and text that cannot be read. Only the form can be read. The code is presented at a width of 72 characters using Courier. The width and font understood by the encoding software.
Text von der Webseite
TitelNummer
010146355 Einzeltitelanzeige (URI) Änderung

friedrich-oui-la-france
friedrich-oui-la-france
friedrich-oui-la-france

Friedrich Jochen: Oui, la France, 2012

Friedrich Jochen
Oui, la France
Berlin (Deutschland): Selbstverlag, 2012
(Buch) 40 S., 20,3x12,7 cm,
Techn. Angaben Broschur
ZusatzInformation In April 21012, the French elected a new president. As usual, the election campaigns were highly personalized with portraits of candidates posted everywhere. Many of these were defaced, especially those advertising Marine Le Pen, leader of the ultra right wing party. From the reaction to these posters one would have expected the French to respond to the ambiguous slogan “Oui, la France” with a distinct “Non, merci.” Yet contrary to the seemingly unanimous rejection in the streets, in the polling booths almost 18% of voters said “yes.”
Text von der Webseite
TitelNummer
011964433 Einzeltitelanzeige (URI) Änderung

vagt-beginners
vagt-beginners
vagt-beginners

Vagt Anne: Art Prison # 7 - Beginners, 2013

Vagt Anne
Art Prison # 7 - Beginners
Nijmegen (Niederlande): extrapool, 2013
(Zeitschrift, Magazin) 40 unpag. S., 27,5x19,5 cm, Auflage: 330,
Techn. Angaben Fadengeheftet. Mehrfarbiger Risoprint und Ricoh
ZusatzInformation This publication is the result of a book-residency of 14 days Anne Vagt did at Knust / Extrapool. It’s part of Art Prison, an ongoing project in which an artist gets invited to come and make a stencilprinted book at Knust / Extrapool. Beginners is filled with light coloured abstract drawings and notes, interspersed with small and funny figurative, suggestive elements. The general feel is subtle yet very intriguing.
Text von Website
WEB www.extrapool.nl
TitelNummer
013985475 Einzeltitelanzeige (URI) Änderung

deddens-som
deddens-som
deddens-som

Deddens Gijs: Art Prison # 5 - Som, 2012

Deddens Gijs
Art Prison # 5 - Som
Nijmegen (Niederlande): extrapool, 2012
(Zeitschrift, Magazin) 44 unpag. S., 27,6x19,6 cm, Auflage: 330,
Techn. Angaben Fadengeheftet. Mehrfarbiger Risoprint und Ricoh
ZusatzInformation This publication is the result of a book-residency of 14 days Gijs Deddens did at Knust / Extrapool. It’s part of Art Prison, an ongoing project in which an artist gets invited to come and make a stencilprinted book at Knust / Extrapool. Som is filled with very detailed and hatched drawings of animals, structures/patterns, landscapes and other nature subjects with a hazy, yet a bit dark and pleasant feel.
Text von Website
WEB www.extrapool.nl
TitelNummer
013986481 Einzeltitelanzeige (URI) Änderung

von Rabenau Kai, Hrsg.: MONO.KULTUR #43 Fatima Al Qadiri - embedded narratives, 2017

mono-kultur-43
mono-kultur-43
mono-kultur-43

von Rabenau Kai, Hrsg.: MONO.KULTUR #43 Fatima Al Qadiri - embedded narratives, 2017

von Rabenau Kai, Hrsg.
MONO.KULTUR #43 Fatima Al Qadiri - embedded narratives
Berlin (Deutschland): mono.kultur, 2017
(Zeitschrift, Magazin) 40 S., 20x15 cm, ISBN/ISSN 1861-7085
Techn. Angaben Drahtheftung, 4 Blätter lose eingelegt
ZusatzInformation ... Bending and fusing different genres of music, the Kuwaiti producer and visual artist has released a handful of largely instrumental albums that often imply narratives wrapped in a dystopian atmosphere, evoking an uncanny imagery of our increasingly oversaturated and disorienting information age. It is a simple yet complicated sound that owes as much to electronic music and video game soundtracks as it does to Russian composers and Arab musical traditions. ...
Text von der Webseite
Namen Daniel Berndt (Interview) / Fatima Al Qadiri (Künstlerin) / Fuchs Borst (Design)
Sprache Englisch
Stichwort Elektronische Musik / Musik / Videospiel
WEB www.mono-kultur.com
TitelNummer
024051662 Einzeltitelanzeige (URI) Änderung

Kryptyka-Julia-Strauss
Kryptyka-Julia-Strauss
Kryptyka-Julia-Strauss

Strauss Joulia, Hrsg.: Krytyka Polityczna Athens, 2017

Strauss Joulia, Hrsg.
Krytyka Polityczna Athens
Athen (Griechenland): futura Publications, 2017
(Buch) 272 S., 23,5x16,5 cm, signiert, ISBN/ISSN 1644-0919
Techn. Angaben Broschur, mit Widmung, gefaltetes Blatt eingelegt, Cover manuel bearbeitet, mit Glitzer
ZusatzInformation Dear Reader,
In your hands is the Athenian issue of Krytyka Polityzcna. The Warsaw-based journal unites polymorphous freedom struggles in geographic Europe. This book is an anarchist, anti-capitalist, anti-fascist artwork. A hypothesis, and yet one that continues to be written actively on the ground. It clashes migration and education of the status quo, the effect and the cause of current violence.
The publication documents an initiative, Universitas*, and accompanies the forthcoming Symposion, The School of Everything.
This book contains the contributions of people who have recently moved to Athens from the Middle East, of Athenians who have lived here a long time, as well as of those who are based in Berlin but frequently visit Athens. brought together, they form a de-elitized and de-colonized remix of knowledge.
The chapters in this book are intertwined and in each part the reader will find contributions relevant to the whole. The authors are all united by their portrayal in anti-phrenological drawings.
In Athens, despite the invention of the State, streams of interlapping cultural influences never stopped pulsating. Such an experience of fluid identity de­monstrates that citizenship is an outdated concept of class separation and nationalism. The devastating contradiction: human rights are only valid in the economically privileged zones. The failure to collaborate with the revolution in Syria dispels the last illusions of an occidental civilization and unveils the truth: we all live in the absolute financial dictatorship.
This publication includes several essays and statements on education. These are written by thinkers, philosophers, “activists”, and artists who are affili­ated with the Avtonomi Akadimia, a disobedient grassroots university in Athens which claims education as a form of art. These texts, poems, mani­festos and sketches of educational models are published in lieu of the abs­tracts for an upcoming Symposion entitled: “The School of Everything”.
We build an educational system which consists of indignant initiatives for sharing knowledge, and of proposals by thinkers who see education as key. We shift from learning to sharing. We decriminalize sharing because we would like to enjoy the pleasure of giving. We liberate ourselves from the strictures of “Homo Sapiens”, a construct imposed upon life.
We will transform the educational system of Europe.
The clash of migration and education will release a Promethean fire.
Text von der Webseite
In collaboration with aneducation and the Public Programs of documenta 14
Namen Abed Nasralla / Agnès Rammant-Peeters / Ahmad Alkhatieb / Ariam Um al Wafa / Arnisa Zeqo / Brandon LaBelle / Click Ngwere / Elad Lapidot / Georgia Kotretsos / Ismail Alsafo / Jean-Pierre Rammant / Jenny Marketou / Joulia Strauss / Junaid Baloch / Katja Ehrhardt / Leopold Helbich / Lindsay Parkhowell / Liwaa Yazji / Luca Di Blasi / Manaf Halbouni / Mathilde ter Heijne / Mehul Sangham / Mohammad Abu Hajar / Mriganka Madhukaillya / Noah Fischer / Paul B. Preciado / Pirate Cinema / Rachel Clarke / Sameer Ahmed / Sotirios Bahtsetzis / Suhel Ahmad / Tanja Schomaker / Vasyl Cherepanyn
Sprache Englisch
Stichwort Anarchist / Antifaschismus / Antikapitalismus / Athen / Bildung / documenta 14 / Gedicht / Gesellschaft / Kritik / Manifest / Politik / Text
WEB www.futurabooks.wordpress.com/2017/06/15/874
WEB www.politicalcritique.org
TitelNummer
024389676 Einzeltitelanzeige (URI) Änderung



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