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weiner-kirkeby
weiner-kirkeby
weiner-kirkeby

Kirkeby Per / Weiner Lawrence: LAWRENCE WEINER - PER KIRKEBY, 2015

Kirkeby Per / Weiner Lawrence
LAWRENCE WEINER - PER KIRKEBY
Köln (Deutschland): Verlag der Buchhandlung Walther König, 2015
(Buch) 76 S., 32,5x25 cm, ISBN/ISSN 978-3-86335-799-3
Techn. Angaben Leinen
ZusatzInformation Erschienen zur Ausstellung vom 16.01.-15.03.2015 in der Galleri Susanne Ottensen Kobenhagen. (Anm. Im Katalog werden drei verschiedene Daten für die Dauer der Ausstellung angegeben).
Text von Magnus Thorø Clausen. Interviews von Hans Ulrich Obrist.
Per Kirkeby and Lawrence Weiner have known each other for many years. The idea of making a collaborative work and an exhibition together already evolved in the mid eighties, but due to practical reasons the project was not realized back then. Last year during the fall, the idea returned to us in a new form, and we decided together with the artists that now was the time to make it happen. Per Kirkeby shows two brick works built directly within the gallery space. One work is a tall stele with a deep niche, a black line or a "metaphysical shadow" running vertically through it. The other piece is a monumental quadrangular block, an open/closed building or, if you will, a hollow slightly rotten tree. This new installation is made in collaboration with Lawrence Weiner, who has contributed with texts across the inner and outer brick walls, so that words, matter and space overlap and transform the whole. Lawrence Weiner is also showing two other textbased sculptures made site specifically for the gallery space.
Text von der Webseite
Sprache Englisch
TitelNummer
014732K43 Einzeltitelanzeige (URI) Änderung

tmrw-8
tmrw-8
tmrw-8

Brine Joe, Hrsg.: tmrw #8 summer 14, 2014

Brine Joe, Hrsg.
tmrw #8 summer 14
London (Großbritannien): tmrwmagazine, 2014
(Zeitschrift, Magazin) 82 S., 24,3x17,2 cm,
Techn. Angaben Broschur
ZusatzInformation From what started as a music blog aimed at sharing the best music acts of ‘tomorrow’, nearly 3 years on, TMRW is not only a quarterly printed lifestyle magazine, but an industry-recognised brand and voice.
As a fresh faced, naïve 21 year old, Founding Director and Editor, Joe Brine was oblivious to the potential of what he had incepted. Having made the conscious step in to the world of print, Joe adopted a simple but effective design, which would give TMRW a niche and set the magazine apart from any other on the market. The attention to detail shows exactly this. The thicker paper stock and the smaller size made the quarterly print high quality and aesthetically pleasing, because of this the magazine is more sought after and such is looked after more by readers and shared around with friends and family. For any brand associated with TMRW it means that the reader is more inclined to notice and is more inclined to make a purchase.
Text von der Webseite
WEB www.tmrwmagazine.com
TitelNummer
012396442 Einzeltitelanzeige (URI) Änderung

cave-canis-1
cave-canis-1
cave-canis-1

Altaió Vicenc / Guerrero Manuel / Pibernat Joaquim / Sala Manel / Serrahima Claret, Hrsg.: Cave Canis, 1., 1995

Altaió Vicenc / Guerrero Manuel / Pibernat Joaquim / Sala Manel / Serrahima Claret, Hrsg.
Cave Canis, 1.
Barcelona (Spanien): A.C.T. invisible, 1995
(Sammeltuete, Schachtel, Kassette / Heft / Objekt, Multiple / Ephemera, div. Papiere / Plakat / Zeitschrift, Magazin) 32x24x5 cm, Auflage: 600,
Techn. Angaben Schachtel Hartpappe, Siebdruck (?), mit verschiedenen Materialien
ZusatzInformation Inhalt: Einzelblatt (Manifest contra el Populisme Pervers), gefaltete Pappe mit Baumwollsocke, 3 Hefte, Leporello, Heft mit Originalnegativ, geschlossener Umschlag, gefaltetes Poster mit Sand, Folder.
In the wake of the worldwide glorification of Barcelona via the 1992 Olympics Games, a group of publishers felt that it was time to revive the creative and critical spirit at a cultural level, in the form of a magazine, in order to demonstrate the prevailing level of creativity - via manifestos and works without intermediaries. As a result, Vicenc Altaió, Claret Serrahima, Manel Guerrero, Joaquim Pibernat and Manel Sala launched the magazine, Cave Canis, (which literally means "beware of the dogs") in Barcelona, in 1996.
Starting with its first edition the magazine announced that it would have a short-lived existence - only 9 issues were published, each corresponding to one letter of the publication’s name. The magazine was constituted by a cardboard box, designed by Claret Serrahima, a manifesto, an artist’s book and sometimes contained CDs with recordings and other artistic objects, all associated with the same monographic topic. Each issue had a letter on the front cover designed by an artist. Cave Canis wasn’t available in the usual retail outlets. Each issue was presented in an unusual place in the city, where the manifesto was read, copies were distributed and the magazine then disappeared from sight. The last issue was published in 1999.
Text von der Website
Namen Albert Mestre / Alfredo Jaar / Antoni Tàpies / Enric Satue / Fernando Pessoa / Harry Mathews / Joaquim Sala Sanahuja / Manel Esclusa / Marcial / Miquel Baucà / Màrius Serra / Perejaume / Xin Kedu / Zusch
Sprache Katalanisch / Spanisch
Stichwort 1990er / Kollektiv / Zusammenarbeit
TitelNummer
012550067 Einzeltitelanzeige (URI) Änderung


Karasik Mikhail: The Soviet Photobook 1920-1941, 2015

karasik-soviet-photobook
karasik-soviet-photobook
karasik-soviet-photobook

Karasik Mikhail: The Soviet Photobook 1920-1941, 2015

Karasik Mikhail
The Soviet Photobook 1920-1941
Göttingen (Deutschland): Steidl, 2015
(Buch / Sammeltuete, Schachtel, Kassette) 644 S., 29,4x27,4x6 cm, ISBN/ISSN 9783958290310
Techn. Angaben Hardcover, in bedrucktem Karton.
ZusatzInformation The Soviet Union was unique in its formidable and dynamic use of the illustrated book as a means of propaganda. Through the book, the U.S.S.R. articulated its totalitarian ideologies and expressed its absolute power in an unprecedented way—through avant-garde writing and radical artistic design that was in full flower during the 1920s and ’30s. No other country, nation, government or political system promoted itself more by attracting and employing acclaimed members of the avant-garde. Among them were writers like Semion Kirsanov, Vladimir Mayakovsky, Ilya Selvinsky, Sergei Tretyakov and Kornely Zelinsky. artistic designers like Gustav Klutsis, Valentina Kulagina, El Lissitzky, Sergei Senkin, Varvara Stepanova, Solomon Telingater and Nikolai Troshin. and photographers including Dmitry Debabov, Vladimir Griuntal, Boris Ignatovich, Alexander Khlebnikov, Yeleazar Langman, Alexander Rodchenko, Georgy Petrusov—not to mention many of the best printers and book binders.
The Soviet Photobook 1920–1941 presents 160 of the most stunning and elaborately produced photobooks from this period and includes more than 400 additional reference illustrations. The book also provides short biographies of the photobook contributors, some of whom are presented here for the first time.
Text von der Webseite.
Namen Manfred Heiting (Herausgeber) / Marina Orlova (Research) / Paul Williams (Translation)
Sprache Englisch
Stichwort 1920er / 1930er / 1940er / Dokumentation / Fotografie / Ideologie / Osteuropa / Propaganda / UDSSR
WEB http://www.artbookcologne.com/books/search/art-13756.html?q=soviet+photobook
TitelNummer
025714716 Einzeltitelanzeige (URI) Änderung

european-art-net-flyer
european-art-net-flyer
european-art-net-flyer

Neidhöfer Andrea, Hrsg.: European-art.net - your link to the art world, 2018

Neidhöfer Andrea, Hrsg.
European-art.net - your link to the art world
Wien (Österreich): basis wien, 2018
(Flyer, Prospekt) [4] S., 21x14,8 cm, 2 Stück.
Techn. Angaben einmal gefaltet
ZusatzInformation European-art.net connects different art archives and their digital databases. Widely ramified information (basic data, texts, images) on individuals, groups and institutions as well as details about exhibitions and literature can be obtained free of charge by means of a central search engine.
As a meta-database, european-art.net does not itself provide any data on artists and other related subjects but refers to the intrinsic data of its institutional partners. The highly professional profile of the partner institutions stands for the reliability of its contents.
Names, groups and institutions are listed alphabetically. You can either search per letter and get all the listed references to artists, groups and institutions, or you can type in a name (minimum 3 letters) and will get the references to the databases, where you can find more material. If you misspell the name or if the artist is listed with more than one name, you will find different entries.
Text von der Webseite
Namen artlog.net / basis wien / Centre for Artists’ Publications / documenta archiv / Garage Museum of Contemporary Art / Institut für moderne Kunst Nürnberg / Kunst- und Museumsbibliothek der Stadt Köln / Moderna Galerija Ljubljana / National Museum of Contemporary Art / Swiss Institute for Art Research / Zentralarchiv für deutsche und internationale Kunstmarktforschung e.V. ZADIK
Sprache Englisch
WEB http://www.european-art.net
WEB www.basis-wien.at
TitelNummer
026216801 Einzeltitelanzeige (URI) Änderung

N. N.
The Other Publishers Catalogue Winter 1981-82
New York, NY (Vereinigte Staaten von Amerika): The Other Publishers, 1982
(Lieferverzeichnis) 27,3x21,6 cm,
Techn. Angaben Drahtheftung, Verzeichnis mehrerer zusammengeschlossener Verlage (Station Hill Press, Treacle Press, Printed Editions)
ZusatzInformation Typeset and produced at Open Studio
Stichwort 1980er
TitelNummer
003203374 Einzeltitelanzeige (URI) Änderung

schriftenreihe-fuer-kuenstlerpublikationen_4
schriftenreihe-fuer-kuenstlerpublikationen_4
schriftenreihe-fuer-kuenstlerpublikationen_4

Schwarz Isabelle, Hrsg.: Schriftenreihe für Künstlerpublikationen - Band 4 - Archive für Künstlerpublikationen der 1960er bis 1980er Jahre, 2008

Schwarz Isabelle, Hrsg.
Schriftenreihe für Künstlerpublikationen - Band 4 - Archive für Künstlerpublikationen der 1960er bis 1980er Jahre
Köln (Deutschland): Salon Verlag, 2008
(Buch) 496 S., 23,5x16,5 cm, 2 Stück. ISBN/ISSN 978-3-89770-281-3
Techn. Angaben Broschur
ZusatzInformation "Untersucht werden Geschichte und Bedeutung von Archiven für Künstlerpublikationen in der internationalen avantgardistischen Kunstszene während der 1960er bis 1980er Jahre: das Archive for Small Press & Communication (ASPC, B), das Archiv Sohm (D), das Art Information Centre (NL), die Exchange Gallery (P), Other Books and So (NL), Zona Archives (I) und Artpool Archive (H). Ohne ihre jeweiligen Besonderheiten außer Betracht zu lassen, müssen die Archive für Künstlerpublikationen als Vertreter eines eigenständigen Archivtyps betrachtet werden. Die Archive als solche, ihre Organisation und Materialien sind als Ausdruck ihrer Zeit zu betrachten und stellen per se (kunsthistorische) Dokumente dar, durch deren Analyse sich der Blick auf Kunstszene, Politik und Kultur erweitert."
Text von der Webseite
Mit Herausgeber sind: Forschungsverbund Künstlerpublikationen für Universität Bremen, Jacobs University, Hochschule für Künste, Forschungsstelle Osteuropa an der Universität Bremen. In Kooperation mit dem Institute for Cultural Studies in the Arts ICS an der Züricher Hochschule der Künste
Namen Archive for Small Press & Communication / Archiv Sohm / Art Information Centre / Artpool Archive / ASPC / Exchange Gallery / Forschungsstelle Osteuropa an der Universität Bremen / ICS / Institute for Cultural Studies in the Arts / Jacobs University / Other Books and So / Zona Archives
Geschenk von Studienzentrum für Künstlerpublikationen
Stichwort Archiv / Aufbewahrung / Forschung / Künstlerarchiv / Sammlung
WEB www.salon-verlag.de
TitelNummer
006202229 Einzeltitelanzeige (URI) Änderung

Charley 01
Charley 01
Charley 01

Cattelan Maurizio / Gioni Massimiliano / Subotnick Ali, Hrsg.: Charley 01, 2001

Cattelan Maurizio / Gioni Massimiliano / Subotnick Ali, Hrsg.
Charley 01
Dijon (Frankreich): Les Presses du Réel, 2001
(Zeitschrift, Magazin) 192 S., 20x15 cm, ISBN/ISSN 978-1-56466-092-3
Techn. Angaben softcover
ZusatzInformation Charley is a contemporary art publication series edited by Maurizio Cattelan, Massimiliano Gioni and Ali Subotnick. A do-it-yourself magazine, Charley is an inclusive publication relying on assimilation, rather than on selection : Charley is a machine for redistribution, a mechanism for spreading and exploiting information, rumors, and communication. Like most information, it is partial, unstable, and untrustworthy. There are no hierarchies and no favorites in Charley : it flirts equally with celebrity and failure. Charley is a multiform creature, bound to transform with each issue. Charley is a pre-digested combine, with pages assembled from catalogues, brochures, press clips, postcards, and other visuals. But what is Charley really? Charley is a new publication on emerging artists. Prominent curators, writers, artists, and other arts professionals from around the world were asked to suggest up to 10 up-and-coming artists and/or submit materials on the artists for inclusion in Charley. 400 art makers from around the globe responded, and each of them is represented by one page of Charley
Namen Alexandre Perigot / Barthélémy Toguo / Bless / Carsten Nicolai / Christoph Büchel / Fabrice Gygi / Franz Ackermann / Joe Scanlan / Jonathan Meese / Jonathan Monk / Mark Handforth / Martin Boyce / Olaf Breuning / Trisha Donnely / Urs Fischer
Sprache Englisch
Stichwort Nullerjahre
TitelNummer
007072227 Einzeltitelanzeige (URI) Änderung

Bragadini Giovanna, Hrasg.
Libri d’arte, passione di una vita
Parma (Italien): FermoMAG, 2012
(Presse, Artikel)
Techn. Angaben Artikel über Reinhard Grüner,
ZusatzInformation Reinhard Grüner is a collector from Monaco. His passion is art books, which he collects – and sometimes exhibits – since the 1960s.
His website, www.buchkunst.info is a real “online museum”, where international artist books are catalogued and photographed. Amongst the artists there are Marc Chagall, Anselm Kiefer, Henri Matisse, Pablo Picasso and Andy Warhol. Books, but also works of art made of images and text, created by the artist often in collaboration with a writer and a publisher. For the high artistic quality – original graphics, unique designs, paintings and collages – these works are different from the usual picture books. Their manifestations are multiple: books with graphic effects, objects-book, artist’s books, sometimes printed in offset or illustrated by works of artists.
At the centre of Grüner’s attention there are Eastern German and Eastern European books (mainly Russia, Hungary, Lithuania). many of these works were created in response to specific social, political and cultural issues, with unimaginable insights into the culture of modernity.
Reinhard first came in contact with the art in book form with the English Edition, printed privately, of “A Dissertation Upon Roast Pig”, printed in 1975 by Shoestring Press on paper of the legendary Chiswick Press: from here begins a life of a book maniac among thousands of books. As Grüner states in an essay, the acquisition of artist books is more than a simple purchase: the artist, the life as a collector and thoughts are tied together, they influence each other, and a network of contacts with other collectors begins. With nearly all the books in his collection Grüner forms a symbiotic relationship: each of them describes, explains, and gets to the heart of some chapters of his life.
Download the pdf file with the essay on the collection of Reinhard Grüner (in English)
Namen Andy Warhol / Anselm Kiefer / Henri Matisse / Marc Chagall / Pablo Picasso / Reinhard Grüner
Sprache Englisch / Italienisch
Stichwort Künstlerbuch / Malerbücher / Sammlung
WEB www.fermomag.it/2012/02/01/libri-d%E2%80%99arte-passione-di-una-vita
TitelNummer
008503304 Einzeltitelanzeige (URI) Änderung

what-the-shop
what-the-shop
what-the-shop

Schweiger Mirjam: What the Shop, 2012

Schweiger Mirjam
What the Shop
Wien (Österreich): Selbstverlag, 2012
(Sammeltuete, Schachtel, Kassette) Auflage: 100, 5 Teile.
Techn. Angaben transparenter bedruckter Kunststoffschuber mit 3 Heften und 2 gefalteten Plakaten
ZusatzInformation WHAT THE SHOP is an art project that first took place in Vienna 2012. WHAT THE SHOP was foundet by Mirjam Schweiger in collaboration with Michael Bäckström and Judith Rohrmoser. WHAT THE SHOP does not stay at one place for long. WHAT THE SHOP speaks several languages. WHAT THE SHOP is run by people who have worked with each other before and trust each other. WHAT THE SHOP always ends with a publication. WHAT THE SHOP is an investigation of artistic practice and the city. WHAT THE SHOP is not about selling things but about everything else. WHAT THE SHOP is open for change. WHAT THE SHOP is always up for tasty food. WHAT THE SHOP is a social sculpture and an artwork. WHAT THE SHOP what the fuck haters?!
Text von der Webseite
Geschenk von Hammann & von Mier
TitelNummer
012064424 Einzeltitelanzeige (URI) Änderung

art-rite-20
art-rite-20
art-rite-20

Demi: Art-Rite, No. 20 Pearl Girl, An Operetta - a libretto, 1978

Demi
Art-Rite, No. 20 Pearl Girl, An Operetta - a libretto
New York, NY (Vereinigte Staaten von Amerika): Art-Rite Publishing, 1978
(Zeitschrift, Magazin) 24 S., 28x21 cm,
Techn. Angaben Drahtheftung
ZusatzInformation Illustrated with charming line drawings of urban love, this score includes music and lyrics for eight voices and clavichord, bell, flute, violin, oboe, horn, cymbal, drum. Each of the three acts are introduced with a plot synopsis of the amorous adventures of protagonists Pearl and Anthony. The libretto ends with a thoughtful epilogue: As young lovers Pearl and Anthony must acknowledge the reality of their sentiment for each other as a separate and a whole reality from their surroundings they must effectively substitute the ...skylines that they could inhabit for the places and constructs as spiritual parts of themselves and to the intuitions and instincts to their intentions and to their youth as ingenuous their present and their future have become realized as each other they must consider a different sort of naiveté
Stichwort 1970er
TitelNummer
012539446 Einzeltitelanzeige (URI) Änderung

sentimental-fools
sentimental-fools
sentimental-fools

Hjuler Detlev / Mama Baer / Misawa Taro: Sentimental Fools - Anticipation Generalized Other - 001, 2014

Hjuler Detlev / Mama Baer / Misawa Taro
Sentimental Fools - Anticipation Generalized Other - 001
Woburn, MA (Vereinigte Staaten von Amerika): Sentimental Fool Foundation, 2014
(Schallplatte) 26x26,5 cm,
Techn. Angaben 10 Zoll Single, bedruckte Hülle, kleiner Zettel mit Downloadhinweis, schwarze one-side 10 Zoll Single (25,4 cm/10) Rückseite der Platte mit Prägedruck
ZusatzInformation Tracks:
Side A Anticipation Generalized Other
Side B Etching
Production, Composition and Works by Toro Misawa: Sentimental Fool
Recorded at Hijack Studio MA, USA in Dez. 2014
Photo-Cover: Sukita (Model: Mika)
Geschenk von Kommissar Hjuler
WEB www.hjulerbaer.no-art.info
WEB www.myspace.com/sentimentalfools
TitelNummer
015319075 Einzeltitelanzeige (URI) Änderung

blad-08
blad-08
blad-08

Vilunki 3000 / Stevenson Ian / Rat Salad / Radke Hungry, u. a.: B.L.A.D. NO. 08 - MUSCLE TEMPLE, 2011

Radke Hungry / Rat Salad / Stevenson Ian / Vilunki 3000, u. a.
B.L.A.D. NO. 08 - MUSCLE TEMPLE
Berlin (Deutschland): Sex Tags & Blank Blank, 2011
(Zeitschrift, Magazin) 52 unpag. S., 13,5x9,5 cm, Auflage: 300, ISBN/ISSN 0962-0672
Techn. Angaben Drahtheftung, Rückseite mit Metallfolienprägung, in transparenter Kunststoffhülle mit beigelegtem Blatt, Aufkleber
ZusatzInformation Devoted to body and muscles, this issue of BLAD will explore the fascinating world of bodybuilding. Pictures, articles, ads and other good stuff about a strong and perfect body filled with rock-hard muscles. "Imagine walking through your local beach or neighborhood swimming area… Friends noticing your titanic legs, your manly shoulder, rock hard stomach muscles, and last but not least, your full high-peaked biceps that attract second glances from all." With other words, this issue is for strong and heavy readers!
Text von der Webseite
Stichwort Bodybuilding / Fotografie
WEB www.blad.us
TitelNummer
016077587 Einzeltitelanzeige (URI) Änderung

maccarthy-i-got-a-clit
maccarthy-i-got-a-clit
maccarthy-i-got-a-clit

McCarthy Marlene: Streichholzbriefchen – I got a clit, 1992

McCarthy Marlene
Streichholzbriefchen – I got a clit
Berlin (Deutschland): N.G.B.K, 1992
(Objekt, Multiple) 4,8x3,8 cm, 4 Teile.
Techn. Angaben Konvolut aus vier bedruckten Streichholzheftchen, teils handbeschrieben.
ZusatzInformation Teil einer Installation, die in der Ausstellung "Marlene McCarty – Mund Verkehr: In die Hose gegangen" in der NGBK Berlin, 6.06.–12.07.1992 gezeigt wurde. Aus der Pressemitteilung zur Ausstellung:
Marlene McCarty’ (1957) Interesse gilt dem Machtgebaren und den patriarchalen Strukturen, der von ihnen geprägten männlichen Umgangssprache. Die alltäglichen Sprüche die ihr, einer Frau, auf den Straßen New Yorks zugerufen werden, die unverstellten oder unverschämten Aufforderungen mit denen sie konfrontiert wird, sind das Ausgangsmaterial für ihre künstlerischen Strategien wie für ihre Kunstobjekte.
Marlene McCarthy zur Installation: “This is a floor sculpture and it’s 15,000 matchbooks. They’re standard matchbooks you can order from a catalog. On one side they have pinup girls on them, and on the other side I had them print, ‘I got a clit so big I don’t need a dick.’ If you’ll notice, clit and dick are handwritten. The company had called me up and were like, ‘Ummm, we have a problem. We can print dick but we can’t print THAT OTHER WORD.’ She wouldn’t even say the word clit. So I said OK, take the mechanical—this was in the olden days—and just slice the dick and the clit off. Then I got some friends together and we wrote them all in by hand. I’m reproducing these for the retrospective, but the curator is worried about whether we can have NYU students writing dick and clit 15,000 times. Maybe the seniors can do it.”
Texte von den Webseiten.
Sprache Deutsch / Englisch
Geschenk von Joachim Schmid
Stichwort 1990er / Feminismus / Installation / Künstlerpublikation / Objektkunst
WEB https://archiv.ngbk.de/projekte/marlene-mccarty-mund-verkehr-in-die-hose-gegangen/
WEB https://www.vice.com/en_us/article/8gmqnk/the-90s-were-intense-592-v17n11
TitelNummer
025522689 Einzeltitelanzeige (URI) Änderung

positions-dagata
positions-dagata
positions-dagata

d'Agata Antoine: Position(s), 2012

d'Agata Antoine
Position(s)
Paris / Berlin (Frankreich / Deutschland): AVARIE, 2012
(Buch) [124] S., 18x13,5 cm, ISBN/ISSN 978-2-9541974-0-1
Techn. Angaben Broschur, Buchrücken aufklappbar, gefaltetes Plakat in eingeklebter Papierhülle, Posterformat 85,4x64cm, in Schutzhülle mit Aufkleber
ZusatzInformation A journal written at the third person that seeks to depict Antoine d’Agata’s quest – the inexorable course from void to void.A literary and photographic experiment where words, sometimes descriptive, sometimes poetic, intersect with images in a narrative continuity. An example of the photographer’s existential choice and form of resistance which leads toward the subject’s disappearance and the ego’s negation within the neutral spectrum of the image while insisting on an intimate involvement with its matter and a perfect superposition of art and life. The pictures have been treated and reduced to the simple black and white contrast, following the main axis of this editorial project: shaplessness and the sense of fading-out. This flattening to a drawing effect releases the image as a shadow, a border between a recognizable sign and a blurry, ambiguous one, so that the photograph is both “trace” and “other”. The book, whose main language is English, also foresees a separate and folded poster, including texts in French on one side and, for the first time, in Italian on the other printed on a background colour image. The two languages allow to include texts in their original version, but allude as well to the artist’s double origins. In line with the book, the poster also reflects d’Agata’s search direction towards the interlacing of word and image and it finally refers to the idea of a topographic description of passions. Member of the Magnum agency, Antoine d’Agata (1961) is one of the most influential photographers of his generation. He lives in both Paris and Marseilles and he works around the world. He is represented by the gallery Les Filles du Calvaire, Paris.
Text von der Webseite.
Sprache Englisch / Französisch / Italienisch
Geschenk von Giuliana Prucca
Stichwort Akt / Fotograf / Fotografie / Körper
WEB http://avarie.tictail.com/product/antoine-dagata-positions
TitelNummer
026565729 Einzeltitelanzeige (URI) Änderung

karayanni-cadences-12-2016
karayanni-cadences-12-2016
karayanni-cadences-12-2016

Karayanni Stavros Stavrou, Hrsg.: Cadences - A Journal of Literature and the Arts in Cyprus, Vol. 12 Fall 2016, 2016

Karayanni Stavros Stavrou, Hrsg.
Cadences - A Journal of Literature and the Arts in Cyprus, Vol. 12 Fall 2016
Nikosia (Republik Zypern): European University Cyprus, 2016
(Zeitschrift, Magazin) 112 S., 23,5x16,5 cm, ISBN/ISSN 1450-1813
Techn. Angaben Softcover, Broschur
ZusatzInformation Candences: A Journal of Literature and the Arts in Cyprus is a multilingual literary magazine, publishing poetry, short fiction, life writing, experimental work, reviews, and other writings in all the languages of the island of Cyprus and of its visitors. Writers in Cyprus think, feel, and express themselves in several languages, with Greek, Turkish, and English being three of the most prominent. Cancences is a bridge between them, a meeting point at which writers of the diverse communities of the island may find each other, and learn from their encounters with difference.
Text aus dem Heft
Sprache Englisch / Griechisch / Türkisch
Geschenk von Orestis Kalvaris
Stichwort Literatur
TitelNummer
016935608 Einzeltitelanzeige (URI) Änderung

Ivánova Adelaide: ruine 06 - The Görli From Ipanema (and other texts), 2018

rm06-adelaideivanova
rm06-adelaideivanova
rm06-adelaideivanova

Ivánova Adelaide: ruine 06 - The Görli From Ipanema (and other texts), 2018

Ivánova Adelaide
ruine 06 - The Görli From Ipanema (and other texts)
München (Deutschland): Hammann von Mier Verlag, 2018
(Zine / Flyer, Prospekt) 36 S., 21,6x15,3 cm, Auflage: 90, 3 Teile. ISBN/ISSN 978-3-947250-19-6
Techn. Angaben 2 auf farbige Papiere fotokopierte Hefte, Drahtheftung, ineinander gesteckt, zusammen in gefaltetem Blatt A3 mit Prägedrucken
ZusatzInformation Zum Release und zur performativen Lesung im Café Bellevue de Monaco in München am 06.12.2018 um 19 Uhr.
Adelaide Ivánova (1982, Recife/Brazil) is a journalist and political activist working with poetry, photography, performance, translation and publishing. Her poems were translated into German, Galician, English, Spanish, Greek and Italian. Her texts and photographic work were printed in publications such as The Huffington Post (USA), Marie Claire (BR), Clinic (UK), alba londres (UK), Lateinamerika Nachrichten (GER), artiCHOKE (GER), modern poetry in translation (UK). Her photo reportage are part of the collection of Kunst Museum Dieselkraftwerk (Germany), L’arthotèque – Museum of Fine Arts (France) and Galeria Murilo Castro (Brazil). She edits the anarco-feminist zine “MAIS PORNÔ, PVFR!” (proudly not online) and is co-founder of RESPEITA!, a coalition of Brazilian female poets and slammers. She lives in Berlin, where she tries earn a living as baby-sitter, life model, waiter and other alienating jobs.
Text von der Webseite
Namen Ruine München
Sprache Englisch
Stichwort Brasilien / Fotografie / Gesellschaft / Lesung / Poesie / Text
WEB https://adelaideivanova.com
WEB https://www.ruine-muenchen.de/ruine06.html
TitelNummer
027047761 Einzeltitelanzeige (URI) Änderung

ulisses-otherbooks-ums
ulisses-otherbooks-ums
ulisses-otherbooks-ums

Carrión Ulises: Other Books And So Archive Umschlag, 1979 ca.

Carrión Ulises
Other Books And So Archive Umschlag
Amsterdam (Niederlande): Other Books and So, 1979 ca.
(Umschlag / Stamp, Briefmarke) 26x36,6 cm,
Techn. Angaben Briefumschlag, gestempelt
Sprache Deutsch / Englisch
Stichwort 1970er / Archiv / Artist Stamp / Druckwerk / Künstlerbuch / Mail Art / Stempel / Umschlag
WEB https://ulisescarrion.com
TitelNummer
026999K76 Einzeltitelanzeige (URI) Änderung

mono.kultur 06
mono.kultur 06
mono.kultur 06

von Rabenau Kai, Hrsg.: MONO.KULTUR #06 Francois Ozon: Through the Looking Glas - I have found my means of communication with cinema, I express myself better in films than in, 2006

von Rabenau Kai, Hrsg.
MONO.KULTUR #06 Francois Ozon: Through the Looking Glas - I have found my means of communication with cinema, I express myself better in films than in
Berlin (Deutschland): mono.kultur, 2006
(Zeitschrift, Magazin) . ISBN/ISSN: 1861-7085
Techn. Angaben Umschlag aus gefaltetem Poster, Heft drahtgeheftet, Hefte 01 bis 15 in Schuber,
Sprache Englisch
Stichwort Nullerjahre
WEB www.mono-kultur.com
TitelNummer
007463046 Einzeltitelanzeige (URI) Änderung

hage screening berlin
hage screening berlin
hage screening berlin

Hage Gilbert: Screening Berlin, 2010

Hage Gilbert
Screening Berlin
Lebanon (Vereinigte Staaten von Amerika): Underexposed Books, 2010
(Buch) 24 S., 47x30 cm, Auflage: 1000, ISBN/ISSN 978-9953-0-1691-7
Techn. Angaben Drahtheftung
ZusatzInformation Each year, as tourist vacationers, tens of millions of humans yield to an extra conditioning: they follow the directives of a guide, the rhythm of a group, and are instructed cursorily in the doxa on various countries turned venues. Under the pretext of anticipating their needs, desires, and even their whims, they are dissuaded from any independent choice. In a sightseeing boat during a guided tour of Berlin, Gilbert Hage resisted—while fixed to his seat—by means of photography the concomitant insidious screening of Berlin. The result, Screening Berlin, is a number of moving encounters in the form of chance compositions of landscapes and people.
Text von der Webseite
WEB www.gilberthage.com
TitelNummer
007484000 Einzeltitelanzeige (URI) Änderung

Meserko Bojan
69 - but you have no idea of it
o. A. (o. A.): Selbstverlag, 2012
(Text) 1 S., 29,7x21 cm,
Techn. Angaben Laserausdruck nach Email vom slowenischen Autor
ZusatzInformation My work »69. but you have no idea of it« means a concept of non-linear reading and some hundred thousends milliards of combinations of possible connected readings, i.e. the same number of readers could read this book each in his own combination. You can read my book in 276! different combinations, which is this many:
276.000.000.000.000.000.000.000.000.000.000.000.000.000.000.000.000.000.000.000.000.000.000.000.000.000.000.000.000.000.000.000.000.000.000.000.000.000.000.000
TitelNummer
009063304 Einzeltitelanzeige (URI) Änderung

attack-delay-1
attack-delay-1
attack-delay-1

Avignon Jim: attack delay magazine 001 Spring / Summer 2001, 2001

Avignon Jim
attack delay magazine 001 Spring / Summer 2001
Berlin (Deutschland): Selbstverlag, 2001
(Zeitschrift, Magazin) 21x16,3 cm,
Techn. Angaben eingelegt ein Blatt mit lieferbaren Titeln bei EFA
ZusatzInformation Jim Avignon geb. 1968 in Schweden, Schulbusfahrer, danach Künstler.
Cartoon poet, speed painter and performance artist between cheap art and high-paying commercial work, regards himself as a storyteller and illustrator of modern times, expressing complex relationships with the simplest of means. Well observed and a little crazy Avignon crafts a gentle, visual critique of society, exposing everyday absurdities between business and lovesickness with an apt, sympathetic bite. "Attack Delay", a personal magazine in a book format, presents this hero of modern multitasking in his unmistakable technicolor cartoon style
Geschenk von Christoph Mauler
Stichwort Nullerjahre
WEB www.jimavignon.com
TitelNummer
009310294 Einzeltitelanzeige (URI) Änderung

purple fashion 18
purple fashion 18
purple fashion 18

Zahm Olivier, Hrsg.: Purple Fashion - the anniversary issue 20 years of independence - Vol III, Issue 18, 2012

Zahm Olivier, Hrsg.
Purple Fashion - the anniversary issue 20 years of independence - Vol III, Issue 18
Paris (Frankreich): Purple Institute, 2012
(Zeitschrift, Magazin) 30x22,8 cm, ISBN/ISSN 1766-8832
Techn. Angaben Cover mit Prägedruck, zusammen mit zwei Heften von Richard Prince
ZusatzInformation We launched Purple Prose in the early 1990s without any means, and without any experience, because we wanted to make a magazine that was radically different. We wanted to support the artists around us that noone else supported, much less talked about. [..] It would be a form of opposition of our own, different from the critical jargon of the generation of '68. [..] From a visual standpoint, we represented the break from '80s imagery (like Richard Avedon's photography for Versace, for example). From an artistic standpoint, the artists of the early '90s were rising up against art as capital fetish [..]. In saying that Purple is the portrait of a generation, I mean it's a portrait of those who embody their times. At the same time, it's a portrait of myself and Elein Fleiss, our ideas, our lives, and our aesthetics.
aus Wikipedia
Namen 1980er Jahre / Brice Marden / Elein Fleiss / Richard Avedon / Richard Prince / Versace
Stichwort Fotografie / Mode / Stil
WEB www.purple.fr
TitelNummer
009716331 Einzeltitelanzeige (URI) Änderung

future fantasteek 13
future fantasteek 13
future fantasteek 13

Batey Jackie, Hrsg.: Future Fantasteek, Issue 13, 2012

Batey Jackie, Hrsg.
Future Fantasteek, Issue 13
Brighton (Großbritannien): Damp Books, 2012
(Zine) 20 S., 21x15 cm, Auflage: 40, signiert,
Techn. Angaben Drahtheftung, Farbkopien auf verschiedene Papiere, 2 aufgeklebte Spielzeug-Augen auf Vorderseite, Rückseite mit Prägedruck
ZusatzInformation Future Fantasteek! brings together a trichotomy of investigation. art-zines and independent publishing. artist as social commentator and drawing as a means of immediate visual communication. The series explores obdurate boundaries between journalism and authorial illustration using satire to reflect notions of ‘Britishness’. The series can be read as a sequence, from just prior to the ‘credit crunch’ through to the ‘age of austerity’. The series is independently published as a limited edition art-zine, with two issues per year. The approach is experimental, incremental and reflective focussing on both the microcosm and macrocosm of living in the UK. Visual humour is developed throughout as a vehicle for change, combining techniques such as pastiché, parody and socratic irony. Typography and images are juxtaposed to create new narrative possibilities. Language is explored using different ‘voices’ such as anecdotal, colloquial or profane. This text is then translated into drawn commentaries on etiquette, politics and advertising. The ‘anxiety of the individual’ is a running theme throughout the series with many reoccurring protagonists and antagonists soliloquizing their notions of ‘Das Unheimliche’. The series also explores changing technologies with regard to notions of ‘the book’ with online versions of Future Fantasteek! available via a blog and online PDF reader (issuu and .swf).
Text von der Webseite
Geschenk von Reinhard Grüner
WEB www.futurefantasteek.blogspot.de
TitelNummer
010249351 Einzeltitelanzeige (URI) Änderung

boullet estate of kronos
boullet estate of kronos
boullet estate of kronos

Boullet Victor: Estate Of - Kronos, 2012

Boullet Victor
Estate Of - Kronos
London (Großbritannien): Antenne Publishing, 2012
(Zeitschrift, Magazin) 132 unpag. S., 28x21 cm, Auflage: 1000, ISBN/ISSN 978-1-908806-01-7
Techn. Angaben Drahtheftung, eingelegt ein Werbeflyer
ZusatzInformation Estate Of is the new publication series from Antenne Publishing. Published twice a year in a magazine-like stapled format, each edition is given to a single artist working with photographs as a space to realise projects. Estate Of aims to become a meeting point between an informal physical object, and a substantial body of work from an individual artist.
Kronos by Victor Boullet is the first publication in the Estate Of series.
Victor Boullet’s title refers to the Greek god Kronos, a deity known for its doublesidedness, a concept closely connected to his project The Institute of Social Hypocrisy. The publication Kronos is a means to carry his work forward into a newer form of expression, whilst maintaining a constant sense of dichotomy.
Text von der Webseite
Geschenk von Hammann & von Mier
WEB www.antennepublishing.com
TitelNummer
010565357 Einzeltitelanzeige (URI) Änderung

der-pfeil-1-2013
der-pfeil-1-2013
der-pfeil-1-2013

Blattmann Christiane / Dietmann Anja / Krepart Janina, Hrsg.: Der Pfeil Nr. 1 - Zeigefinger, 2013

Blattmann Christiane / Dietmann Anja / Krepart Janina, Hrsg.
Der Pfeil Nr. 1 - Zeigefinger
Hamburg (Deutschland): material-Verlag, 2013
(Zeitschrift, Magazin) 74 unpag. S., 26x33,6 cm, Auflage: 100, ISBN/ISSN 978-3-945247-00-6
Techn. Angaben ., offener Rücken
ZusatzInformation DER PFEIL conceives itself as a fictional space, which by means of a series of publications, spreads transportable works and positions. Each issue is devoted to the connotation of a term and accompanying questions as: to what extend are diversified agendas and significances triggered through one word, and how can they later be traced back? As a fragmented, ongoing dictionary, various artistic approaches are gathered in what we call "Edizin", with all the unique contributions released in an edition of 100 - in order to un-tighten the terms from their tasks.
Text von der Webseite
Namen Alberta Niemann / Bernd Reuter / Jannis Marwitz / Kathaina Simons / Maximilian Baillie / Philipp Ackermann / Tina Kämpe / Wiliam Joys
Sprache Deutsch / Englisch
WEB www.montezpress.com
TitelNummer
011757K03 Einzeltitelanzeige (URI) Änderung

albers-esfera-tridimensional
albers-esfera-tridimensional
albers-esfera-tridimensional

Albers Josef: Esfera tridimensional recortable para ninos basado en un trabajo del curso preliminar del maestro de la Bauhaus Josef Albers, 2014

Albers Josef
Esfera tridimensional recortable para ninos basado en un trabajo del curso preliminar del maestro de la Bauhaus Josef Albers
Madrid (Spanien): Fundación Juan March, 2014
(Ephemera, div. Papiere) 4 S., 21x29,7 cm, 2 Stück.
Techn. Angaben gefaltete Karte zum Ausschneiden und Bauen eines dreidimensionalen Farbobjekts
ZusatzInformation Erschienen zur Ausstellung: Josef Albers: Minimal Means, Maximum Effect. 28.03.–06.06.2014
TitelNummer
011981411 Einzeltitelanzeige (URI) Änderung

vries-wit-white
vries-wit-white
vries-wit-white

De Vries Herman: wit white, 2012

De Vries Herman
wit white
Brest (Frankreich): Zédélé éditions, 2012
(Buch) 352 S., 21x15 cm, ISBN/ISSN 978-2-915859-41-6
Techn. Angaben Broschur mit Banderole, eingelegt ein Informationsblatt
ZusatzInformation Originalausgabe erschienen bei Artists Press, Bern, 1980.
This book is the third and final version of the first artist’s book published in 1960 by herman de vries, who is currently the author of more than one hundred publications.
The story of this book dates back to 1960. Closely associated with the Zero Group, but also drawn to the buddhist concept of emptiness, herman de vries had just produced a series of white monochromes when he self-published a twenty-page booklet in Arnhem. It had no title, its cover was blank and its pages were unprinted. It contained nothing but a short final poem celebrating, in four languages, the superabundance of white: “wit is overdaad”. In 1962, this manifesto appeared in another version, now entitled wit: two hundred blank pages, four white collages by the artist and an introduction, itself completely blank, by the poet J. C. van Schagen, published in arnhem in only five copies by M. J. Israel. It was followed in 1967 by a second “revised” edition, wit weiss: two hundred and fifty blank pages, pocket-sized, in five hundred copies, published by Hansjörg Mayer in Stuttgart. The only printed elements were the artist’s name, the title and the publisher’s name on the cover, the word “introduction” and the name of its author on the very first page and a colophon on the final page. In 1980 the Artists Press in Berne published the “third revised edition”, in a larger format and with more pages. The original title wit was translated into english and japanese and into sanskrit with a word that means “white” in the sense of bright, pure, immaculate. The title itself does not appear on the book, which remains completely blank. It is printed with the paratext on a broad strip of paper in the form of a detachable publicity strip. The inside flap contains a brief statement initially dating back to the 1962 edition, stating that this book incorporates all aspects of reality. Of the five thousand copies advertised, only a hundred were published. It is this last edition, the most radical, which is republished here, the only addition being the french translation of the statement.
On 1 april 2012, herman de vries wrote of his book, insisting on the importance of the final comma:

white is white
0 = 0
no name
no idea
not even emptiness,

Text von der Webseite
TitelNummer
012052000 Einzeltitelanzeige (URI) Änderung

the-nabokov-paper
the-nabokov-paper
the-nabokov-paper

Briggs Kate / Russo Lucrezia, Hrsg.: The Nabokov Paper, 2013

Briggs Kate / Russo Lucrezia, Hrsg.
The Nabokov Paper
York (Großbritannien): information as material, 2013
(Buch) 144 S., 30x22 cm, Auflage: 350, ISBN/ISSN 978-1-907468-20-9
Techn. Angaben Broschur mit Klappeinband
ZusatzInformation The Nabokov Paper is an experiment in novel-reading. The project takes as its starting point a now famous class taught during the 1950s by Vladimir Nabokov at Cornell University / New York State / entitled Literature 311-312: Masters of European Fiction. Nabokov’s approach to teaching literary reading was notoriously idiosyncratic. Convinced that one must teach the books themselves / not ideas or generalities / Nabokov would make diagrams of the floor plans of fictional buildings / map the routes taken by characters through the spaces of the novel / and draw items of clothing or furniture / he would also propose to track the course of a single letter / offer a visual representation of a stylistic device / and uncover what he called the mysteries of literary structures. His methods are striking for the range of gestures they call for in the name of good reading. The published Lectures on Literature (New York: Harcourt / 1980) concludes with an appendix of sample exam questions. Responding to those questions some sixty years after the fact offers a means to explore what Nabokov’s take on how to read might have to teach us today: about the novel / about how reading works across practices and disciplines / and about the past / present and future forms of literary criticism.
Text von der Webseite
Namen Abraham Asfaw / Amy Pettifer / Anna-Louise Milne / Anne Attali / Chloe Briggs / Christian Bök / Craig Dworkin / Céline Guyot / Derek Beaulieu / Forbes Morlock / Gianni Lavacchini / Gillian Wylde / Graham Allen / Guillaume Constantin / Helen Frank / Jack Aylward-Williams / James Arnett / Jamie Crewe / Jane Topping / Jennifer Carr / John Hamilton / Katarzyna Bazarnik / Kate Briggs / Lucia della Paolera / Lucrezia Russo / Madeleine Walton / Maurice Carlin / Nick Thurston / Olivia Sautreuil / Patrick Wildgust / Paul Becker / Robert Williams / Sarah Wood / Shanna Bosley / Sharon Kivland / Simon Morris / Stephen Bury / Véronique Devoldère / Zenon Fajfer
Geschenk von Simon Morris
WEB www.informationasmaterial.org/portfolio/the-perverse-library/
TitelNummer
012519465 Einzeltitelanzeige (URI) Änderung

psych-kg-285
psych-kg-285
psych-kg-285

Hjuler Detlev, Hrsg.: Psych.KG 285 - fluxus means cars wearing no panties, 2015

Hjuler Detlev, Hrsg.
Psych.KG 285 - fluxus means cars wearing no panties
Flensburg (Deutschland): Kommissar Hjuler, 2015
(Schallplatte) 31,5x31,5 cm, Auflage: Unikat, signiert,
Techn. Angaben LP, Hülle aus schwarzem Karton mit Collagen, Klebebänder, Stempeldrucke, original Bleistift, Metallfolie (Ritter SPORT), one-side LP (Edition 100)
ZusatzInformation Beiträge von:
C. Mehrl Bennett - The Spirit of Fluxus
PAAK - Pontonorchester
Danielle Lemaire - LAVA GLOVE
Mama Baer - retect
Emil Siemeister - 1. + 2. Vers
Magnús Pálsson - Loegsoken I-IV
Geschenk von Kommissar Hjuler
Stichwort Unikat
WEB www.hjulerbaer.no-art.info
TitelNummer
015036075 Einzeltitelanzeige (URI) Änderung

meserko-69-a-ti-o-tem
meserko-69-a-ti-o-tem
meserko-69-a-ti-o-tem

Meserko Bojan: 69 , A Ti O Tem Pojma Nimas - 69, But You Have No Idea Of It, 2006

Meserko Bojan
69 , A Ti O Tem Pojma Nimas - 69, But You Have No Idea Of It
Ljubljana (Slowenien): Zalozniski Atelje Blodnjak, 2006
(Buch) 69 unpag, S., 27x19,2 cm, Auflage: 150, ISBN/ISSN 978-961-6400-61-9
Techn. Angaben Leineneinaband mit Schutzumschlag. Aus dem Buchblock ausgestanzte Seiten in den Ausschnitt eingelegt, kopfüber beidseitig bedruckt. Beigelegter Brief
ZusatzInformation My work "69. but you have no idea of it" means a concept of non-linear reading and some hundred thousends milliards of combinations of possible connected readings, i.e. the same number of readers could read this book each in his own combination. You can read my book in 276! different combinations, which is this many:
276.000.000.000.000.000.000.000.000.000.000.000.000.000.000.000.000.000.000.000.000.000.000.000.000.000.000.000.000.000.000.000.000.000.000.000.000.000.000.000
Geschenk von Bojan Meserko
Stichwort Buchkunst / Experiment / Literatur / Zufall
TitelNummer
015893566 Einzeltitelanzeige (URI) Änderung

blad-12
blad-12
blad-12

Mbindu Askanwi: B.L.A.D. NO. 12 - MBINDU ASKANWI, 2014

Mbindu Askanwi
B.L.A.D. NO. 12 - MBINDU ASKANWI
Berlin (Deutschland): Sex Tags & Blank Blank, 2014
(Zeitschrift, Magazin) 52 unpag. S., 13,5x9,5 cm, Auflage: 270, ISBN/ISSN 0962-0873
Techn. Angaben Drahtheftung, in transparenter Kunststoffhülle mit beigelegtem Blatt, Aufkleber
ZusatzInformation Somewhere in the wilderness of books on pan-African sign-making, MBINDU ASKANWI fills a unique niche, focusing exclusively on the humble barber and his means of advertising his services. Featuring full-colour (!) photo reportage and illustrations, mostly from Dakar, Yoff, St.Louis and the Sahel desert, this field-report offers promises of beauty for hommes, femmes and toubab (foreigner) alike.
Text von der Webseite
Stichwort Afrika / Farbfotografie / Fotoreportage / Illustration / Zeichnung
WEB www.blad.us
TitelNummer
016082587 Einzeltitelanzeige (URI) Änderung

price-fuck-seth-2015
price-fuck-seth-2015
price-fuck-seth-2015

Price Seth: Fuck Seth Price - A Novel, 2015

Price Seth
Fuck Seth Price - A Novel
New York, NY (Vereinigte Staaten von Amerika): Leopard, 2015
(Buch) 122 S., 17,8x11,8 cm, ISBN/ISSN 978-0-9815468-3-4
Techn. Angaben Broschur, Cover mit gestanztem Loch, Schrift: Caslon, Lesezeichen beigelegt von aliasbooks east
ZusatzInformation 1. Ausgabe.
From one of the most influential artists of his generation comes a provocative, moving novella about what it means to be a creative person under today's digital regime. In the course of a gripping, headlong narrative, Price's unnamed protagonist moves in and out of contemporary non-spaces on a confounding and enigmatic quest, all the while meditating on art in the broadest sense: not simply painting and sculpture but also film, architecture, literature, and poetry. From boutique hotels and highway bridges to PC terminals and off-ramps. from Kanye West and Jeff Koons to George Bush and Patricia Highsmith. from the playground to the internet to the mirror, Price's hybrid of fiction, essay, and memoir gets to the central questions not only of art, but of how we live now
Text von Amazon.com
Namen Joseph Logan (Design) / Rachel Hudson (Design)
Sprache Englisch
Stichwort Fiktion / Geschichte / Gesellschaft / Roman / Witschaft
TitelNummer
024555668 Einzeltitelanzeige (URI) Änderung

suture-soven
suture-soven
suture-soven

Höhfeld Nadja, Hrsg.: Sutere Soven Musicfestival, 2018

Höhfeld Nadja, Hrsg.
Sutere Soven Musicfestival
Dannenberg (Deutschland): Suture Soven, 2018
(PostKarte) [2] S., 21x14,8 cm,
Techn. Angaben Postkarte
ZusatzInformation 17.-19.08.2018.
Suture means sewing. This is the idea we will be following on each and every level of our festival. Suture Soven Music Festival emerged out of the wish and the need to bring musicians and their audience together in a way that enhances deep listening and watching musical appearances that provide the potential for creating something new in a cheerful and caring atmosphere. We will watch and hear the beautifully radical positions and ideas of international musicians. In terms of musical style, we are situated at the intersection of jazz, free improvised music, classical modernism and new music.
The first Suture Soven Music Festival will take place in an old farm house in the countryside. the concerts will be held in the barn and in the attic of an old stable. By locating the genre defying music in the beautiful countryside of Lower Saxony (Wendland) we invite local people from the area as well as from the cities to make the connection between different worlds and points of views for three days in Suture Soven. We are striving to shape the surrounding area of the festival and make it as sustainable as possible, while working with local farmers and craftsmen. We offer a space and time that taps on an urge to create a sensual narrative. The music we listen to, the words we hear and speak, the food and drink we are provided with, in a setting that will be home to us for three summer days offer us the possibility of making sense.
Namen Ada Rave / Catherine Lamb / Christian Lillinger / Greta Eacott / G·Bop Orchestra / Hanna Schörken Hearth / Joseph Houston / Kaja Draksler / Laraaji / Lucy Railton / Marcin Masecki / Mette Rasmussen / Natalia Mateo / Rebecca Lane/ Sofia Jernberg / Susana Santos Silva / The Still / Thomas Lehn
Sprache Englisch
Geschenk von Michael Münnich
Stichwort Improvisation / Jazz / Musik / Musikfestival / Neue Musik
WEB https://suturesoven.com/
TitelNummer
025908801 Einzeltitelanzeige (URI) Änderung

05_martina_wember (2)
05_martina_wember (2)
05_martina_wember (2)

Wember Martina: Wenn unbestellbar, Meldung, 2017

Wember Martina
Wenn unbestellbar, Meldung
München (Deutschland): 100for10 / Melville Brand Design, 2017
(Buch) 106 S., 21x14,8 cm, Auflage: Print on Demand,
Techn. Angaben Broschur
ZusatzInformation Schwarz-Weiß-Drucke
"Wenn unbestellbar, Meldung” means “if not possible to order, send a message”.
I collected old rubber stamps with bureaucratic contexts, some with small faults, others are correct but a bit strange. The illustrations mess up the meaning of the short texts and tell their own story. Be free to associate between
the drawings and the words and imagine your own story. If you need help translating the text on the rubber stamps, please contact me.
Sprache Englisch
Geschenk von Melville Brand Design
Stichwort Grafikdesign / Illustration / Schwarz-Weiß / Stempel / Typografie
WEB http://wemberlines.de/
WEB https://100for10.com/product/martina-weber-wenn-unbestellbar-meldung
TitelNummer
026277741 Einzeltitelanzeige (URI) Änderung

Koch Andreas / Sack Janine / Berkes Christian / Mettler Yves / Worthington Simon, Hrsg.: Paper News #11 - August, September, Oktober 2018, 2018

papernews-11-vorne
papernews-11-vorne
papernews-11-vorne

Koch Andreas / Sack Janine / Berkes Christian / Mettler Yves / Worthington Simon, Hrsg.: Paper News #11 - August, September, Oktober 2018, 2018

Berkes Christian / Koch Andreas / Mettler Yves / Sack Janine / Worthington Simon, Hrsg.
Paper News #11 - August, September, Oktober 2018
Berlin (Deutschland): Drucken Heften Laden, 2018
(Zeitschrift, Magazin) 4 S., 29,7x21 cm,
Techn. Angaben Ein Blatt, gefaltet
ZusatzInformation The independent publisher's quarterly by Drucken Heften Laden. Drucken Heften Laden discusses and analyses the conditions and possi­bili­ties for independent publishing in the context of art and city (politics). Drucken Heften Laden derives from an eponymous exhibition, workshop and series of events at neue Gesellschaft für bildende Kunst (nGbK) in Berlin which took place in January 2015. Since then a small group of Berlin-based producers and publishers gathers regularly: “We share experiences and resources, and build a discourse around production methods and values as well as the distribution of books and booklets.Publishing is always set in distinct time and space. Today’s diversity of media fosters hybrid formats between the analogue and the digital. We are interested to negotiate and sharpen our idea of what „independent“ and „self“ publishing means today.Drucken Heften Laden filters and disseminates information, and creates a public platform for exchange and discussion, accessible to everyone interested in such practice.”
Text von der Website.
Namen Nicolas Kemper (Cartoon)
Sprache Deutsch / Englisch
Geschenk von Albert Coers
Stichwort Art Book Fair / Independent / Kunstbuchmesse / Künstlerpublikation / Network / publishing / Publizieren / Unabhängig / Verlag / Zeitung
WEB http://papernews.ink/
TitelNummer
026311728 Einzeltitelanzeige (URI) Änderung

38_maycec
38_maycec
38_maycec

Maycec / Vonverhille / Damien sayer / Alizée lenox: 75 g/m², 2017

Alizée lenox / Damien sayer / Maycec / Vonverhille
75 g/m²
München (Deutschland): 100for10 / Melville Brand Design, 2017
(Buch) 106 S., 21x14,8 cm, Auflage: Print on Demand,
Techn. Angaben Broschur
ZusatzInformation Schwarz-Weiß-Drucke
75 g/m² started as a black and white photocopy exhibition. The project was initiated by Maycec, a photographer, self-publisher and graphic designer who draws inspiration from alternative culture and her personal life. She is co-founder of Vesselroom Project and Atelier29. The first 75 g/m² exhibition took place in Berlin in 2014 with Maycec alongside Vonverhille and Damien Sayer whom both grew up in the suburbs of Paris. Vonverhille started in the graffiti scene in the 90s. He diversified his means of expression and explored photography and experimental electronic music. He now lives in Berlin where he founded Erratum galerie. Damien Sayer has photographed his family, friends and encounters over the course of five years. His small format pictures remain simple documentary pages, simple facts or portraits recorded on a sheet of paper. Alizee Lenox joined the exhibitions 75 g/m2 part II and part III. She is a poet deeply influenced by Pop Culture mostly because you cannot not be influenced by a soft machine that creates so many idols you can hate and worship at the same time. She is currently working on her first chapbook manuscript.
Sprache Englisch
Geschenk von Melville Brand Design
Stichwort Fotografie / Humor / Menschen / Schwarz-Weiß / Typography
WEB http://www.maycec.com
WEB https://100for10.com/product/maycec-vonverhille-damien-sayer-alize-lenox-75-gm2
TitelNummer
026330741 Einzeltitelanzeige (URI) Änderung

83_stijn_jonckheere
83_stijn_jonckheere
83_stijn_jonckheere

Jonckheere Stijn : When looking at cars, I sometimes see bread on wheels, 2017

Jonckheere Stijn
When looking at cars, I sometimes see bread on wheels
München (Deutschland): 100for10 / Melville Brand Design, 2017
(Buch) 106 S., 21x14,8 cm, Auflage: Print on Demand,
Techn. Angaben Broschur
ZusatzInformation Schwarz-Weiß-Drucke
Stijn Jonckheere (°1989) recieved his MA in explorative architectural development in 2012. While working as an architect his personal work gained traction, sparking his career as a visual artist. Monochrome yet visually tense, his work revolves around the themes of memory and alternative reality. Contrasting their minimalistic composition, his drawings often contain a more complex message, presenting a critical look at social behaviour within our built environment. Exhibited throughout Europe and featured in publications worldwide, Jonckheere subsequently ventured into teaching by means of his digital design masterclass and lectures given across architecture universities. He has lent his creative vision to a wide spectrum of projects, ranging from architecture to advertisement for both start-ups and high-profile clients. Jonckheere currently resides in Munich, where he is Art Director at a leading brand activation agency.
Sprache Englisch
Geschenk von Melville Brand Design
Stichwort Abstrakt / Formen / Illustration / Linien / Menschen / Schwarz-Weiß
WEB https://100for10.com/product/stijn-jonckheerenothing-is-ever-finished
WEB https://www.stijnjonckheere.be/
TitelNummer
026372741 Einzeltitelanzeige (URI) Änderung

We-are-not-alone
We-are-not-alone
We-are-not-alone

Xenofontos Marina: We are not alone – We are a fly in the milk of infinity, 2016

Xenofontos Marina
We are not alone – We are a fly in the milk of infinity
Nikosia (Republik Zypern): Neoterismoi Toumazou, 2016
(Buch) 128 S., 29,7x21 cm, Auflage: 150, ISBN/ISSN 978-9963-2251-0-1
Techn. Angaben Softcover, Klebebindung
ZusatzInformation Christophoros Kyriakides was born in Nicosia, Cyprus in 1949. He was an architecture draughtsman and considered himself an inventor. In 1988 he self-published “Six Continents Stars Compass”, ‘an entertaining and educational’ board game. He considered the game inventive, recreative and formative for all ages and intended its global distribution. The game received no recognition from the public and now only a few copies exist.
In the board game, Kyriakides draws a journey with impossible objects, invented maps, landscapes and anagrammatic poetry with mathematical diagrams. One comes across an abstracted reflection of 80s locality, world politics, obsession with the American dream, an isolated emotional darkness but also a universal landscape. A chance encounter of Marina Xenofontos with this game catalysed a strong fascination that led to the uncovering of his archive. This publication, a part of Xenofontos’ practice-based research, brings to the fore the rich universe of Kyriakides’ personal symbolism that shecreatively harnesses as a means of an alternative, atypical handling and systematisation of themes and issues that she finds affinities with.
Evagoras Vanezis.
Text von der Webseite
Stichwort Outsider Art / Spiel
WEB www.neoterismoi.com
TitelNummer
016614593 Einzeltitelanzeige (URI) Änderung

Rachia Thulani / Benmakhlouf Adam / Mouflih Myriam / Whittle Alberta / Alaya Ang / Ka Yi Liu Katherine : ruine 05 - The Phone is the Keyhole - The Penpot, the Heart., 2018

transmission_gallery_18
transmission_gallery_18
transmission_gallery_18

Rachia Thulani / Benmakhlouf Adam / Mouflih Myriam / Whittle Alberta / Alaya Ang / Ka Yi Liu Katherine : ruine 05 - The Phone is the Keyhole - The Penpot, the Heart., 2018

Alaya Ang / Benmakhlouf Adam / Ka Yi Liu Katherine / Mouflih Myriam / Rachia Thulani / Whittle Alberta
ruine 05 - The Phone is the Keyhole - The Penpot, the Heart.
München (Deutschland): Hammann von Mier Verlag, 2018
(Plakat / Zine) [8] S., 17x29,7 cm, 2 Teile.
Techn. Angaben 2 handgefaltete Bögen, 65 x 118 cm, A4-Blatt mit eingeprägtem Signet als Umschlag, Spanngummi, Vorderseite Fotos Schreibtisch/Computer, Rückseite Collage aus Texten, Zeichnungen
ZusatzInformation Herausgegeben von Ruine München, die AutorInnen gehören dem Komitee der Transmission Gallery Glasgow 2018 an.
Erschienen in der Publikations- und Ausstellungsreihe Ruine München, in Verbindung mit Galerie-Austausch various others. 14.09.18: ZINE Release, Königsplatz, München
On the occasion of Various Others we are glad to announce that Transmission Gallery Glasgow will do the next issue of Ruine München. Transmission Gallery has existed since 1983 and it is managed and programmed by a voluntary committee of six people, each of whom joins successively and may serve for a maximum of two years. For Ruine München the current commitee (Thulani Rachia, Adam Benmakhlouf, Myriam Mouflih, Alberta Whittle, Alaya Ang and Katherine Ka Yi Liu) developed a mapping of their space trying to include all their current changes, reflections and workflows using the principles of painterly abstraction as a means of institutional reflection and critique.
Text von der Webseite
Namen Ruine München
Sprache Deutsch / Englisch
Stichwort Collage / Fotografie / Galerie / Glasgow / München / Plakat / Schrift / Text / Zine
Sponsoren Kulturreferat der Landeshauptstadt München
WEB http://www.ruine-muenchen.de
WEB http://www.variousothers.com/ruine-muenchen
WEB www.kunsthausraab.de
TitelNummer
026218709 Einzeltitelanzeige (URI) Änderung

Carrión Ulises, Hrsg.
From Bookworks to Mailworks
Amsterdam (Niederlande): Other Books and So, 1978
(Heft) 12 S., 32x23 cm,
Techn. Angaben Blätter lose ineinander gelegt, beigelegt zwei geheftete Blätter mit der Liste der ausgestellten Exponate.Mit Stempel der Buchhandlung
Sprache Englisch / Niederländisch
Stichwort 1970er
TitelNummer
000708431 Einzeltitelanzeige (URI) Änderung

Carrión Ulises / Flores Salvador / van Barneveld Aart, Hrsg.
Ephemera, no. 04 - Dynamo
Amsterdam (Niederlande): Other Books and So, 1978
(Zeitschrift, Magazin) 6 unpag. S., 31,8x23,3 cm,
Techn. Angaben Blätter lose ineinander gelegt, farbige Stempeldrucke, eingeklebtes Alupapier, eingeklebter gestempelter und monogrammierter Briefumschlag "Capetas Men 1978 Ivald Granato", in diesem ein sign. und num. bedrucktes Blatt
Stichwort 1970er
TitelNummer
000709139 Einzeltitelanzeige (URI) Änderung

ephemera-5
ephemera-5
ephemera-5

Carrión Ulises / van Barneveld Aart / Flores Salvador, Hrsg.: Ephemera, no. 05 - Padin and Caraballo are in Jail!, 1978

Carrión Ulises / Flores Salvador / van Barneveld Aart, Hrsg.
Ephemera, no. 05 - Padin and Caraballo are in Jail!
Amsterdam (Niederlande): Other Books and So, 1978
(Zeitschrift, Magazin) 10 S., 31,9x23 cm, 2 Stück.
Techn. Angaben Blätter lose zusammen gelegt, rechts unten genietet, mit farbiger Collage und farbigen Stempeldrucken,
Namen Angelika Schmidt / David SalleHans Clavin / Gabor Toth / Jan Schoonhoven / Jean Toche / Jeremy Adler / Jon Hendricks / Pawel Petasz / Rudi Schill
Geschenk von Klaus Groh
Stichwort 1970er
TitelNummer
000710627 Einzeltitelanzeige (URI) Änderung

Ephemera-06
Ephemera-06
Ephemera-06

Carrión Ulises / van Barneveld Aart / Flores Salvador, Hrsg.: Ephemera, no. 06 - sorry no art today, 1978

Carrión Ulises / Flores Salvador / van Barneveld Aart, Hrsg.
Ephemera, no. 06 - sorry no art today
Amsterdam (Niederlande): Other Books and So, 1978
(Zeitschrift, Magazin) 8 S., 31,9x23 cm,
Techn. Angaben Blätter lose ineinander gelegt, Künstlerbriefmarken, Sticker, farbige Stempeldrucke, Collagen, geklammerte Blätter
Stichwort 1970er
TitelNummer
000711139 Einzeltitelanzeige (URI) Änderung

Carrión Ulises / Flores Salvador / van Barneveld Aart, Hrsg.
Ephemera, no. 07 - Special issue by Ulises Carrión
Amsterdam (Niederlande): Other Books and So, 1978
(Zeitschrift, Magazin) 8 S., 37,9x23 cm,
Techn. Angaben Blätter lose ineinander gelegt, Cover betitelt mit Filzstift
Stichwort 1970er
TitelNummer
000712139 Einzeltitelanzeige (URI) Änderung

Carrión Ulises / Flores Salvador / van Barneveld Aart, Hrsg.
Ephemera, no. 08 - Pornoartsucks
Amsterdam (Niederlande): Other Books and So, 1978
(Zeitschrift, Magazin) 8 S., 32x23 cm,
Techn. Angaben Blätter lose ineinander gelegt, auf dem Umschlag farbige Stempeldrucke
Stichwort 1970er
TitelNummer
000713139 Einzeltitelanzeige (URI) Änderung

Carrión Ulises / Flores Salvador / van Barneveld Aart, Hrsg.
Ephemera, no. 12 - Brazil special
Amsterdam (Niederlande): Other Books and So, 1978
(Zeitschrift, Magazin) 8 S., 31,8x23 cm,
Techn. Angaben Blätter lose ineinander gelegt, Papiercollagen, farbige Stempeldrucke, auf letzter Seite angeklammerter Stempeldruck auf Transparentfolie
ZusatzInformation Letztes Heft (Vermerk auf Rückseite)
Stichwort 1970er
TitelNummer
000714139 Einzeltitelanzeige (URI) Änderung

Carrión Ulises / Flores Salvador / van Barneveld Aart, Hrsg.
Ephemera, no. 10 - Special LANGWE JART issue by Gaglione 1940-2040, Anna Banana
Amsterdam (Niederlande): Other Books and So, 1978
(Zeitschrift, Magazin) 8 S., 32x23 cm,
Techn. Angaben Blätter lose ineinander gelegt, Druck auf schwarzes Papier
Stichwort 1970er
TitelNummer
000715139 Einzeltitelanzeige (URI) Änderung

Carrión Ulises / Flores Salvador / van Barneveld Aart, Hrsg.
Ephemera, no. 11 - Hungary special
Amsterdam (Niederlande): Other Books and So, 1978
(Zeitschrift, Magazin) 8 unpag. S., 31,6x23 cm,
Techn. Angaben Blätter lose ineinander gelegt, farbige Stempeldrucke, Collage, innen ein Blatt geheftet
Stichwort 1970er
TitelNummer
000716139 Einzeltitelanzeige (URI) Änderung



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