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Ergebnis der AAP-Volltext-Katalogsuche nach concept art, Medienart: alle Medien, Sortierung: Neueste Eintraege, absteigend.

Alle Suchbegriffe sind in jedem Ergebnis enthalten: 22 Treffer

Titel
  • CONCEPT AND IDEA IN ART - A selection from the collection
Ort Land JahrLiempde (Niederlande), 2016
VerlagBrokken Zijp Foundation of Art
Medium Heft
Techn. Angaben
  • 24 Seiten, 30x22 cm, ISBN 978-90-825909-0-6
    Drahtheftung, mit handschriftlichem Brief von Hans Brokken
ZusatzInfos
  • Begleitheft zur Ausstellung "Concept and Idea in Art - Werke aus der Sammlung Brokken Zijp Foundation of Art in Kunstraum Alexander Bürkle, Freiburg, 16.10.2016-15.01.2017, Künstlerbücher von Dieter Roth, Robert Barry, David Reed, Gerhard Richter, Richard Tuttle, Sol LeWitt und Christopher Wool
TitelNummer 017174624

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Titel
  • CONCEPT AND IDEA IN ART
Ort Land JahrFreiburg im Breisgau (Deutschland), 2016
VerlagKunstraum Alexander Bürkle
Medium Ephemera, div. Papiere
Techn. Angaben
  • 24 Seiten, 293,7x21 cm, 12 Teile.
    Flyer zur Einladung, Farblaserkopie eines Presseartikels aus der Badischen Zeitung vom 25.10.2016, Infopapiere zu den jeweiligen Räumen, in transparenter Kunststoffhülle
ZusatzInfos
  • Zur Ausstellung "Concept and Idea in Art - Werke aus der Sammlung Brokken Zijp Foundation of Art in Kunstraum Alexander Bürkle, Freiburg, 16.10.2016-15.01.2017
TitelNummer 017352624

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Verfasser
Titel
  • Concept and Idea in Art – Künstlerbuch-Ausstellung im Kunstraum Alexander Bürkle - 150 Bücher aus der Sammlung der niederländischen Brokken-Zijp Foundation of Art werden in Freiburg ausgestellt
Ort Land JahrFreiburg im Breisgau (Deutschland), 2016
VerlagKulturjoker
Medium Presse, Artikel
Techn. Angaben
  • 1 Seiten, 29,7x21 cm,
    Farbausdruck nach Webseite
ZusatzInfos
  • Ausstellung im Kunstraum Alexander Bürkle, Freiburg. Bis 15.01.2017
TitelNummer 017009304

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Verfasser
Titel
  • self titled
Ort Land JahrBerlin (Deutschland), 2007
Verlagnaivsuper
Medium CD, DVD
Techn. Angaben
  • 13x13 cm,
    naivsuper Nr 012, Musik-CD in gefalteter Papphülle und transparenter Kunststoffhülle
ZusatzInfos
  • "My compositions have no concept. That's my concept. I just see them as a tool that stirs up the minds or consciousness of the people listening. I've never felt that a performer did injustice to my pieces, for a composition only comes to life in the particular context, the combination of the performer and the atmosphere of the public. I like to compose not only for instruments, but for "things" as well. Sound of things can be surprising, especially their artificial sound. For example, without looking, one would never guess that my tapping and dragging fingers across the surface of a cigar box that is connected to a laptop for what it is." (Tetsuya Hori)
Bet. Personen
Stichwort
WEB LINK
TitelNummer 008566267

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Verfasser
Titel
  • Six years: The dematerialization of the art object from 1966 to 1972 ...
Ort Land JahrBerkeley, CA / Los Angeles, CA (Vereinigte Staaten von Amerika), 1997
VerlagUniversity of California Press
Medium Buch
Techn. Angaben
  • 272 Seiten, 21,5x17,5 cm, ISBN 9780520210134
    Hardcover, Exlibris der Pratt Institute Library, mit Ausmusterungsstempeln
ZusatzInfos
  • Titelergänzung: The dematerialization of the art object from 1966 to 1972 : a cross-reference book of information on some esthetic boundaries : consisting of a bibliography into which are inserted a fragmented text, art works, documents, interviews, and symposia, arranged chronologically and focused on so-called conceptual or information or idea art with mentions of such vaguely designated areas as minimal, antiform, systems, earth, or process art, occurring now in the Americas, Europe, England, Australia, and Asia (with occasional political overtones), edited and annotated by Lucy R. Lippard.
    In Six Years Lucy R. Lippard documents the chaotic network of ideas that has been labeled conceptual art. The book is arranged as an annotated chronology into which is woven a rich collection of original documents—including texts by and taped discussions among and with the artists involved and by Lippard, who has also provided a new preface for this edition. The result is a book with the character of a lively contemporary forum that offers an invaluable record of the thinking of the artists — a historical survey and essential reference book for the period.
    Text von der Webseite
    Ursprünglich publiziert 1973 bei Praeger, New York
Sprache
TitelNummer 023699657

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Titel
  • OFF-Biennale Budapest - Call for contributions to map artistic/curatorial self-organizations worldwide
Ort Land JahrBudapest (Ungarn), 2015
VerlagOFF-BIENNALE
Medium Text
Techn. Angaben
  • 2 Seiten, 29,7x21 cm,
    Ausdruck einer Email vom 28.2.2015
ZusatzInfos
  • Independent. Contemporary. Art. 24 April – 31 May 2015.
    OFF-Biennale Budapest is a series of exhibitions and art events in and beyond the city of Budapest. Its concept is different from traditional biennials as we know them. Not affiliated with any institution, it is a voluntary collaborative initiative of artists, groups of artists, curators, art managers, gallerists and collectors. OFF-Biennale Budapest is a civil initiative, whose aim is to bring a segment of culture, contemporary art, closer to the public at large. OFF proclaims the importance of independent thinking and action, breaking away from clichés and habitual routines. It is meant to demonstrate that contemporary art can foster and catalyse this kind of activity – in other words, that contemporary art is much more than mere luxury and a source of aesthetic pleasure.
    Text von der Webseite
TitelNummer 012616304

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Verfasser
Titel
  • The Archive of Digital Art ADA - The Archive of Digital Arts goes Web 2.0!
Ort Land JahrKrems (Österreich), 2018
VerlagThe ARCHIVE OF DIGITAL ART
Medium PostKarte
Techn. Angaben
  • 8,8x21 cm,
    Infokarte
ZusatzInfos
  • As a pioneer in the field of Media Arts research, the ARCHIVE OF DIGITAL ART (ADA) documents the rapidly evolving field of digital installation art for more than a decade now. This complex, research-oriented overview of works at the intersection of art, science, and technology has been developed in cooperation with international media artists, researchers and institutions, as a collective project.
    Since todays digital artworks are processual, ephemeral, interactive, multimedia-based, and fundamentally context dependent, because of their different structure, they require a modified, we called it an ‚expanded concept of documentation‘. ADA represents the scientific selection of 500 international artists of approx. 5.000 evaluated artists. We ascribe high importance to artistic inventions like innovative interfaces, displays or software.
    Text von der Webseite
Sprache
TitelNummer 026217801

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Verfasser
Titel
  • The Language of Bugs
Ort Land JahrSuffolk (Großbritannien), 2018
VerlagAcc Art Books
Medium Buch
Techn. Angaben
  • [334] Seiten, 18,5x13,5 cm, ISBN 978-1-85149-885-7
    Broschur mit aufklappbarem Cover und Bauchbinde, Fadenheftung, teils aufklappbare Seiten.
ZusatzInfos
  • This award-winning contemporary art book is made completely from the perspective and language of bugs, from the front page to the final chapter, with no human writing and text, only the "writing" of bugs. Inspired by the marks left behind by a cicada walking across his sketchbook, contemporary artist Zhu Yingchun placed boards and "ink ponds" of dark-coloured vegetable juices in his garden for the bugs to crawl through. The resulting marks, were thousands of twisted characters, each with a charm of its own - the language of the bugs. The accompanying booklet explains the artist's concept and QR code links the reader to a video of the process.
    "The bugs seem insignificant, but their strokes are beautiful," says Zhu Yingchun. "Art is not just those pieces hanging on walls and placed in exhibition halls. Everything in the world, including every life in nature, has the power to create beauty, and art is all around us.
    Text von der Webseite.
Sprache
Geschenk von
Stichwort
TitelNummer 025118680

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Verfasser
Titel
  • Livres d' Artistes, Collection Semaphore
Ort Land JahrParis (Frankreich), 1985
VerlagCentre Georges Pompidou / Editions Herscher
Medium Buch
Techn. Angaben
  • 160 Seiten, 29x15 cm, 2 Stück. ISBN 2-7335-0085-6
    Softcover, Fadenheftung, Index
ZusatzInfos
  • erschienen zur Ausstellung im Centre Georges Pompidou, Paris, 12.06.-17.10.1985. Ausstellung organisiert von der Bibliothèque publique d'information und der Bibliothèque Nationale.
    Mit 10 Sichtweisen auf das Künstlerbuch verschiedener Autoren und Künstler.
    Kretschmer & Großmann in Danksagung erwähnt.
Bet. Personen
Sprache
TitelNummer 002917163

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Verfasser
Titel
  • if I had a mind... (ich stelle mir vor...) - concept-art, project-art
Ort Land JahrKöln (Deutschland), 1971
VerlagVerlag M. DuMont Schauberg
Medium Buch
Techn. Angaben
  • 208 unpag. Seiten, 23x24 cm, 2 Stück. ISBN 3-7701-0571-0
    Broschur, zahlreiche, meist ganzseitige Schwarz-Weiß-Abbildungen
ZusatzInfos
  • Fotos, Reproduktionen von dokumentarischen Material, Karten, Skizzen etc.
Sprache
Geschenk von
Nachlass von
TitelNummer 000103595

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Verfasser
Titel
  • Photographie als Medium - 10 Thesen zur konventionellen und konzeptionellen Photographie
Ort Land JahrBerlin (Deutschland), 1979
VerlagVerlag A. Nagel
Medium Buch
Techn. Angaben
  • 196 Seiten, 20x13 cm, ISBN 3-9800057-4-7
ZusatzInfos
  • Die konventionelle Fotografie spielt sich nach Krauss innerhalb des Mediums ab und entwickelt eine medienimmanente Sprache, die lediglich Anregungen von der Kunst erhält. In der konzeptionellen Fotografie ist sie nicht Selbstzweck, sondern Medium zur Realisierung von künstlerischen Vorstellungen. Die »Kunst mit Fotografie« äußerte sich erstmalig in den Experimenten der 20er Jahre als Fotogramm, Fotomontage und Fotocollage und fand ihre Fortsetzung durch das Einbeziehen der Fotografie bei Pop Art, Happening und Concept Art
Stichwort
TitelNummer 009130272

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Verfasser
Titel
  • Kunstforum International, Band 012
Ort Land JahrMainz (Deutschland), 1974
VerlagKunstforum International
Medium Zeitschrift, Magazin
Techn. Angaben
  • 236 Seiten, 22,2x15 cm,
    Broschur
ZusatzInfos
  • Kritik der Concept Art
Stichwort
TitelNummer 006047030

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Verfasser
Titel
  • Haeppi Piecis / temporary design store and exhibition space / Das unautonome Objekt
Ort Land JahrMünchen (Deutschland), 2013
VerlagHaeppi Piecis
Medium PostKarte
Techn. Angaben
  • 21x9,7 cm,
    Einladungskarte zur Ausstellung im Rahmen der Open Art
ZusatzInfos
  • Ab dem 24.07.2013 eröffnet in der Maximilianstraße 33 in München das Haeppi Piecis, ein Design Concept Store mit angeschlossener Galerie.
    Dieses temporäre Projekt ist das Produkt einer Zusammenarbeit der Münchner Kreativszene: Mode-, Produkt- und Schmuckdesigner, Musiklabels und junge Buchverlage haben sich mit Grafikdesignern und Künstlern zusammengetan und ein gemeinsames Gesamtwerk erschaffen.
    Hamann & van Mier betreiben hier einen Shop für Künstlerbücher und Magazine.
    Text von der Webseite
TitelNummer 010733373

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Verfasser
Titel
  • Life Book
Ort Land JahrBreslau (Polen), 2014
VerlagWRO Art Center
Medium Flyer, Prospekt
Techn. Angaben
  • 2 Seiten, 29,7x21 cm,
    Farblaserkopie nach Email-Einladung
ZusatzInfos
  • Exhibition concept Marielle Nitoslawska
WEB LINK
TitelNummer 011196304

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Verfasser
Titel
  • Krytyka Polityczna Athens
Ort Land JahrAthen (Griechenland), 2017
Verlagfutura Publications
Medium Buch
Techn. Angaben
  • 272 Seiten, 23,5x16,5 cm, signiert, ISSN 1644-0919
    Broschur, mit Widmung, gefaltetes Blatt eingelegt, Cover manuel bearbeitet, mit Glitzer
ZusatzInfos
  • Dear Reader,
    In your hands is the Athenian issue of Krytyka Polityzcna. The Warsaw-based journal unites polymorphous freedom struggles in geographic Europe. This book is an anarchist, anti-capitalist, anti-fascist artwork. A hypothesis, and yet one that continues to be written actively on the ground. It clashes migration and education of the status quo, the effect and the cause of current violence.
    The publication documents an initiative, Universitas*, and accompanies the forthcoming Symposion, The School of Everything.
    This book contains the contributions of people who have recently moved to Athens from the Middle East, of Athenians who have lived here a long time, as well as of those who are based in Berlin but frequently visit Athens. brought together, they form a de-elitized and de-colonized remix of knowledge.
    The chapters in this book are intertwined and in each part the reader will find contributions relevant to the whole. The authors are all united by their portrayal in anti-phrenological drawings.
    In Athens, despite the invention of the State, streams of interlapping cultural influences never stopped pulsating. Such an experience of fluid identity de­monstrates that citizenship is an outdated concept of class separation and nationalism. The devastating contradiction: human rights are only valid in the economically privileged zones. The failure to collaborate with the revolution in Syria dispels the last illusions of an occidental civilization and unveils the truth: we all live in the absolute financial dictatorship.
    This publication includes several essays and statements on education. These are written by thinkers, philosophers, “activists”, and artists who are affili­ated with the Avtonomi Akadimia, a disobedient grassroots university in Athens which claims education as a form of art. These texts, poems, mani­festos and sketches of educational models are published in lieu of the abs­tracts for an upcoming Symposion entitled: “The School of Everything”.
    We build an educational system which consists of indignant initiatives for sharing knowledge, and of proposals by thinkers who see education as key. We shift from learning to sharing. We decriminalize sharing because we would like to enjoy the pleasure of giving. We liberate ourselves from the strictures of “Homo Sapiens”, a construct imposed upon life.
    We will transform the educational system of Europe.
    The clash of migration and education will release a Promethean fire.
    Text von der Webseite
    In collaboration with aneducation and the Public Programs of documenta 14
Sprache
TitelNummer 024389676

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Verfasser
Titel
  • Makulatur 2010 - 2016
Ort Land JahrBerlin (Deutschland), 2016
VerlagBom Dia Boa Tarde Boa Noite
Medium Buch
Techn. Angaben
  • 25x19,2 cm, ISBN 978-3-943514-60-5
    Softcover, fadengeheftet, mit Schutzumschlag aus drei Papierbögen, verschiedene Papiere
ZusatzInfos
  • Makulatur, a German word that derives from lat. maculatura ’something stained’, refers to misprinted paper that is discarded at the beginning of the printing process as use- and worthless. In 2010, the graphic designer Manuel Raeder started to collect and preserve misprinted sheets of all the publications he designed not only for his own publishing house BOM DIA BOA TARDE BOA NOITE but also for fellow artists and institutions.
    Text von der Website.
Bet. Personen
Sprache
TitelNummer 025272699

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20_adam_hayes
20_adam_hayes
20_adam_hayes

Hayes Adam: What I do, 2017

Verfasser
Titel
  • What I do
Ort Land JahrMünchen (Deutschland), 2017
Verlag100for10 / Melville Brand Design
Medium Buch
Techn. Angaben
  • 106 Seiten, 21x14,8 cm, Auflage: Print on Demand, 2 Stück.
    Broschur
ZusatzInfos
  • Schwarz-Weiß-Drucke, Nr. 020 aus der Reihe 100for10.
    Adam Hayes is a specialist in hand-rendered typography and intricate, intelligent illustration. His prolific work style has generated an impressive portfolio that reflects an interest in vernacular lettering and a fascination with urban and natural landscapes. Adam’s creative process see’s his simple pencil sketches transformed and refined into elaborate and optimistic illustration. Each project is concept-driven, allowing his work to grow and maintain a sense of energy and sophistication. A graduate of the Royal College of Art, Adam has since established a diverse client base which welcomes collaboration with global companies, charitable organisations and small, local start-ups.
Sprache
Geschenk von
TitelNummer 026289741

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Titel
  • DAS TREFFEN DREIER PUNKTE - Kapitel 1
Ort Land JahrBerlin (Deutschland), 2019
VerlagINTERIORS TO BEING
Medium Heft
Techn. Angaben
  • [48] Seiten, 19x12,3 cm,
    Gefaltete Einzelblätter, mit Gummiband gebunden.
ZusatzInfos
  • Katalog zur Ausstellung DAS TREFFEN DREIER PUNKTE, 01.-31.07.2019, Berlin, im Rahmen von INTERIORS TO BEING.
    INTERIORS TO BEING takes visitors and invited artists into an intimate encounter within the homes, gardens and streets of Berlin as well as the lives of strangers.
    Text von der Webseite.
    INTERIORS TO BEING spans time and space as a collective happening through the cityscape of Berlin. Six curators from Berlin have developed formats around the specifics of the work of a total of 51 artists and curators. The chosen formats range from traditional exhibitions, walks, salons and discussions to gatherings and performances.
    The project unfolds over the course of the month of July in six chapters that flow into one another, occasionally overlapping. INTERIORS TO BEING expands radically outwards, realizing half of its projects in Berlin’s public space.
    The city of Berlin is a partner of INTERIORS TO BEING as any curator or participating artists in the program would be. The cityscape functions anthropomorphically–with the city’s growth and continual change impacting the way artists move within it. INTERIORS TO BEING internalizes these changes through the framework of its community. All contributors to INTERIORS TO BEING are part of the extensive creative network of PICTURE BERLIN (founded in 2009, a not-for-profit artist initiated hybrid residency/art academy), which is a community made up of more than two hundred international artists and curators, two-thirds of whom are based in Berlin.
    The red thread running through all events is the dérive, a term devised by Situationist Guy Debord to describe an aimless wandering through different urban environments that leads to the development of a psycho-geographical awareness. This concept beautifully sums up the way INTERIORS TO BEING works as a project in the city of Berlin.
    Text von der Webseite.
Sprache
Geschenk von
TitelNummer 027441747

Einzeltitel = Permalink = URL / Eine Nachricht schicken Änderung
/ Abbildung darf nicht angezeigt werden

Titel
  • HIDDEN TREASURES - Katipel 2
Ort Land JahrBerlin (Deutschland), 2019
VerlagINTERIORS TO BEING
Medium Heft
Techn. Angaben
  • [40] Seiten, 19x12,3 cm,
    Gefaltete Einzelblätter, mit Gummiband gebunden, Wendeheft.
ZusatzInfos
  • Katalog zur Ausstellung HIDDEN TREASURES, 03.,07.,13.07.2019, Berlin, im Rahmen von INTERIORS TO BEING.
    INTERIORS TO BEING takes visitors and invited artists into an intimate encounter within the homes, gardens and streets of Berlin as well as the lives of strangers.
    INTERIORS TO BEING spans time and space as a collective happening through the cityscape of Berlin. Six curators from Berlin have developed formats around the specifics of the work of a total of 51 artists and curators. The chosen formats range from traditional exhibitions, walks, salons and discussions to gatherings and performances.
    The project unfolds over the course of the month of July in six chapters that flow into one another, occasionally overlapping. INTERIORS TO BEING expands radically outwards, realizing half of its projects in Berlin’s public space.
    The city of Berlin is a partner of INTERIORS TO BEING as any curator or participating artists in the program would be. The cityscape functions anthropomorphically–with the city’s growth and continual change impacting the way artists move within it. INTERIORS TO BEING internalizes these changes through the framework of its community. All contributors to INTERIORS TO BEING are part of the extensive creative network of PICTURE BERLIN (founded in 2009, a not-for-profit artist initiated hybrid residency/art academy), which is a community made up of more than two hundred international artists and curators, two-thirds of whom are based in Berlin.
    The red thread running through all events is the dérive, a term devised by Situationist Guy Debord to describe an aimless wandering through different urban environments that leads to the development of a psycho-geographical awareness. This concept beautifully sums up the way INTERIORS TO BEING works as a project in the city of Berlin.
    Text von Der Webseite.
Sprache
Geschenk von
TitelNummer 027442747

Einzeltitel = Permalink = URL / Eine Nachricht schicken Änderung
/ Abbildung darf nicht angezeigt werden

Titel
  • THE MIDDLE STUFF - Kapitel 4
Ort Land JahrBerlin (Deutschland), 2019
VerlagINTERIORS TO BEING
Medium Heft
Techn. Angaben
  • [36] Seiten, 19x12,3 cm,
    Gefaltete Einzelblätter, mit Gummiband zusammengehalten, Wendeheft.
ZusatzInfos
  • Katalog zur Ausstellung THE MIDDLE STUFF, 05.-12.07.2019, Berlin, im Rahmen von INTERIORS TO BEING.
    INTERIORS TO BEING takes visitors and invited artists into an intimate encounter within the homes, gardens and streets of Berlin as well as the lives of strangers.
    INTERIORS TO BEING spans time and space as a collective happening through the cityscape of Berlin. Six curators from Berlin have developed formats around the specifics of the work of a total of 51 artists and curators. The chosen formats range from traditional exhibitions, walks, salons and discussions to gatherings and performances.
    The project unfolds over the course of the month of July in six chapters that flow into one another, occasionally overlapping. INTERIORS TO BEING expands radically outwards, realizing half of its projects in Berlin’s public space.
    The city of Berlin is a partner of INTERIORS TO BEING as any curator or participating artists in the program would be. The cityscape functions anthropomorphically–with the city’s growth and continual change impacting the way artists move within it. INTERIORS TO BEING internalizes these changes through the framework of its community. All contributors to INTERIORS TO BEING are part of the extensive creative network of PICTURE BERLIN (founded in 2009, a not-for-profit artist initiated hybrid residency/art academy), which is a community made up of more than two hundred international artists and curators, two-thirds of whom are based in Berlin.
    The red thread running through all events is the dérive, a term devised by Situationist Guy Debord to describe an aimless wandering through different urban environments that leads to the development of a psycho-geographical awareness. This concept beautifully sums up the way INTERIORS TO BEING works as a project in the city of Berlin.
    Text von der Webseite.
Sprache
Geschenk von
TitelNummer 027443747

Einzeltitel = Permalink = URL / Eine Nachricht schicken Änderung
/ Abbildung darf nicht angezeigt werden

Titel
  • HOSTING - Kapitel 5
Ort Land JahrBerlin (Deutschland), 2019
VerlagINTERIORS TO BEING
Medium Heft
Techn. Angaben
  • [64] Seiten, 19x12,3 cm,
    Gefaltete Einzelblätter, mit Gummiband zusammengehalten, Wendeheft.
ZusatzInfos
  • Katalog zur Ausstellung HOSTING, 02.-31.07.2019, Berlin, im Rahmen von INTERIORS TO BEING.
    INTERIORS TO BEING takes visitors and invited artists into an intimate encounter within the homes, gardens and streets of Berlin as well as the lives of strangers.
    INTERIORS TO BEING spans time and space as a collective happening through the cityscape of Berlin. Six curators from Berlin have developed formats around the specifics of the work of a total of 51 artists and curators. The chosen formats range from traditional exhibitions, walks, salons and discussions to gatherings and performances.
    The project unfolds over the course of the month of July in six chapters that flow into one another, occasionally overlapping. INTERIORS TO BEING expands radically outwards, realizing half of its projects in Berlin’s public space.
    The city of Berlin is a partner of INTERIORS TO BEING as any curator or participating artists in the program would be. The cityscape functions anthropomorphically–with the city’s growth and continual change impacting the way artists move within it. INTERIORS TO BEING internalizes these changes through the framework of its community. All contributors to INTERIORS TO BEING are part of the extensive creative network of PICTURE BERLIN (founded in 2009, a not-for-profit artist initiated hybrid residency/art academy), which is a community made up of more than two hundred international artists and curators, two-thirds of whom are based in Berlin.
    The red thread running through all events is the dérive, a term devised by Situationist Guy Debord to describe an aimless wandering through different urban environments that leads to the development of a psycho-geographical awareness. This concept beautifully sums up the way INTERIORS TO BEING works as a project in the city of Berlin.
    Text von der Webseite.
Sprache
Geschenk von
TitelNummer 027444747

Einzeltitel = Permalink = URL / Eine Nachricht schicken Änderung
/ Abbildung darf nicht angezeigt werden

Titel
  • RAUMANEIGNUNG - Kapitel 6
Ort Land JahrBerlin (Deutschland), 2019
VerlagINTERIORS TO BEING
Medium Heft
Techn. Angaben
  • [64] Seiten, 19x12,3 cm,
    Gefaltete Einzelblätter, mit Gummiband zusammengehalten, Wendeheft.
ZusatzInfos
  • Katalog zur Ausstellung RAUMANEIGNUNG, 19.-31.07.2019, Berlin, im Rahmen von INTERIORS TO BEING.
    INTERIORS TO BEING takes visitors and invited artists into an intimate encounter within the homes, gardens and streets of Berlin as well as the lives of strangers.
    INTERIORS TO BEING spans time and space as a collective happening through the cityscape of Berlin. Six curators from Berlin have developed formats around the specifics of the work of a total of 51 artists and curators. The chosen formats range from traditional exhibitions, walks, salons and discussions to gatherings and performances.
    The project unfolds over the course of the month of July in six chapters that flow into one another, occasionally overlapping. INTERIORS TO BEING expands radically outwards, realizing half of its projects in Berlin’s public space.
    The city of Berlin is a partner of INTERIORS TO BEING as any curator or participating artists in the program would be. The cityscape functions anthropomorphically–with the city’s growth and continual change impacting the way artists move within it. INTERIORS TO BEING internalizes these changes through the framework of its community. All contributors to INTERIORS TO BEING are part of the extensive creative network of PICTURE BERLIN (founded in 2009, a not-for-profit artist initiated hybrid residency/art academy), which is a community made up of more than two hundred international artists and curators, two-thirds of whom are based in Berlin.
    The red thread running through all events is the dérive, a term devised by Situationist Guy Debord to describe an aimless wandering through different urban environments that leads to the development of a psycho-geographical awareness. This concept beautifully sums up the way INTERIORS TO BEING works as a project in the city of Berlin.
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