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poor-means-us
poor-means-us

Titel
  • Poor Means Us
Ort LandBelton, TX (Vereinigte Staaten von Amerika) Medium Zine
Techn. Angaben
  • 22 S., 21x14,8 cm, keine weiteren Angaben vorhanden
    Drahtheftung, Farbige Laserkopien
ZusatzInfos
  • This zine examines the history, legacy and continuing importance of Martin Luther King Jr.’s Poor People’s Campaign. This zine was written, designed and illustrated by students enrolled in the course Applied Graphic Design at the University of Mary Hardin-Baylor, Belton, Texas.
Weitere Personen
Sprache
Geschenk von Marshall Weber
TitelNummer
027284759
Einzeltitel =

mono.kultur 06
mono.kultur 06

Verfasser
Titel
  • MONO.KULTUR #06 Francois Ozon: Through the Looking Glas - I have found my means of communication with cinema, I express myself better in films than in
Ort LandBerlin (Deutschland)
Verlag Jahr
Medium Zeitschrift, Magazin
Techn. Angaben
  • ISBN/ISSN 18617085
    Umschlag aus gefaltetem Poster, Heft drahtgeheftet, Hefte 01 bis 15 in Schuber,
Sprache
Stichwort
TitelNummer
007463046
Einzeltitel =

hage screening berlin
hage screening berlin
hage screening berlin

Hage Gilbert: Screening Berlin, 2010

Verfasser
Titel
  • Screening Berlin
Ort LandLebanon (Vereinigte Staaten von Amerika)
Verlag Jahr
Medium Buch
Techn. Angaben
  • 24 S., 47x30 cm, Auflage: 1.000, ISBN/ISSN 9789953016917
    Drahtheftung
ZusatzInfos
  • Each year, as tourist vacationers, tens of millions of humans yield to an extra conditioning: they follow the directives of a guide, the rhythm of a group, and are instructed cursorily in the doxa on various countries turned venues. Under the pretext of anticipating their needs, desires, and even their whims, they are dissuaded from any independent choice. In a sightseeing boat during a guided tour of Berlin, Gilbert Hage resisted—while fixed to his seat—by means of photography the concomitant insidious screening of Berlin. The result, Screening Berlin, is a number of moving encounters in the form of chance compositions of landscapes and people.
    Text von der Webseite
TitelNummer
007484000
Einzeltitel =

Verfasser
Titel
  • 69 - but you have no idea of it
Ort Lando. A. (o. A.)
Verlag Jahr
Medium Text
Techn. Angaben
  • 1 S., 29,7x21 cm, keine weiteren Angaben vorhanden
    Laserausdruck nach Email vom slowenischen Autor
ZusatzInfos
  • My work »69. but you have no idea of it« means a concept of non-linear reading and some hundred thousends milliards of combinations of possible connected readings, i.e. the same number of readers could read this book each in his own combination. You can read my book in 276! different combinations, which is this many:
    276.000.000.000.000.000.000.000.000.000.000.000.000.000.000.000.000.000.000.000.000.000.000.000.000.000.000.000.000.000.000.000.000.000.000.000.000.000.000.000
TitelNummer
009063304
Einzeltitel =

attack-delay-1
attack-delay-1

Verfasser
Titel
  • attack delay magazine 001 Spring / Summer 2001
Ort LandBerlin (Deutschland)
Verlag Jahr
Medium Zeitschrift, Magazin
Techn. Angaben
  • 21x16,3 cm, keine weiteren Angaben vorhanden
    eingelegt ein Blatt mit lieferbaren Titeln bei EFA
ZusatzInfos
  • Jim Avignon geb. 1968 in Schweden, Schulbusfahrer, danach Künstler.
    Cartoon poet, speed painter and performance artist between cheap art and high-paying commercial work, regards himself as a storyteller and illustrator of modern times, expressing complex relationships with the simplest of means. Well observed and a little crazy Avignon crafts a gentle, visual critique of society, exposing everyday absurdities between business and lovesickness with an apt, sympathetic bite. "Attack Delay", a personal magazine in a book format, presents this hero of modern multitasking in his unmistakable technicolor cartoon style
Stichwort
Geschenk von Christoph Mauler
TitelNummer
009310294
Einzeltitel =

purple fashion 18
purple fashion 18

Verfasser
Titel
  • Purple Fashion - the anniversary issue 20 years of independence - Vol III, Issue 18
Ort LandParis (Frankreich)
Verlag Jahr
Medium Zeitschrift, Magazin
Techn. Angaben
  • 30x22,8 cm, ISBN/ISSN 17668832
    Cover mit Prägedruck, zusammen mit zwei Heften von Richard Prince
ZusatzInfos
  • We launched Purple Prose in the early 1990s without any means, and without any experience, because we wanted to make a magazine that was radically different. We wanted to support the artists around us that noone else supported, much less talked about. [..] It would be a form of opposition of our own, different from the critical jargon of the generation of '68. [..] From a visual standpoint, we represented the break from '80s imagery (like Richard Avedon's photography for Versace, for example). From an artistic standpoint, the artists of the early '90s were rising up against art as capital fetish [..]. In saying that Purple is the portrait of a generation, I mean it's a portrait of those who embody their times. At the same time, it's a portrait of myself and Elein Fleiss, our ideas, our lives, and our aesthetics.
    aus Wikipedia
Stichwort
WEB Link
TitelNummer
009716331
Einzeltitel =

future fantasteek 13
future fantasteek 13

Verfasser
Titel
  • Future Fantasteek, Issue 13
Ort LandBrighton (Großbritannien)
Verlag Jahr
Medium Zine
Techn. Angaben
  • 20 S., 21x15 cm, Auflage: 40, numeriert, signiert, keine weiteren Angaben vorhanden
    Drahtheftung, Farbkopien auf verschiedene Papiere, 2 aufgeklebte Spielzeug-Augen auf Vorderseite, Rückseite mit Prägedruck
ZusatzInfos
  • Future Fantasteek! brings together a trichotomy of investigation. art-zines and independent publishing. artist as social commentator and drawing as a means of immediate visual communication. The series explores obdurate boundaries between journalism and authorial illustration using satire to reflect notions of ‘Britishness’. The series can be read as a sequence, from just prior to the ‘credit crunch’ through to the ‘age of austerity’. The series is independently published as a limited edition art-zine, with two issues per year. The approach is experimental, incremental and reflective focussing on both the microcosm and macrocosm of living in the UK. Visual humour is developed throughout as a vehicle for change, combining techniques such as pastiché, parody and socratic irony. Typography and images are juxtaposed to create new narrative possibilities. Language is explored using different ‘voices’ such as anecdotal, colloquial or profane. This text is then translated into drawn commentaries on etiquette, politics and advertising. The ‘anxiety of the individual’ is a running theme throughout the series with many reoccurring protagonists and antagonists soliloquizing their notions of ‘Das Unheimliche’. The series also explores changing technologies with regard to notions of ‘the book’ with online versions of Future Fantasteek! available via a blog and online PDF reader (issuu and .swf).
    Text von der Webseite
Geschenk von Reinhard Grüner
TitelNummer
010249351
Einzeltitel =

boullet estate of kronos
boullet estate of kronos

Verfasser
Titel
  • Estate Of - Kronos
Ort LandLondon (Großbritannien)
Verlag Jahr
Medium Zeitschrift, Magazin
Techn. Angaben
  • 132 unpag. S., 28x21 cm, Auflage: 1.000, ISBN/ISSN 9781908806017
    Drahtheftung, eingelegt ein Werbeflyer
ZusatzInfos
  • Estate Of is the new publication series from Antenne Publishing. Published twice a year in a magazine-like stapled format, each edition is given to a single artist working with photographs as a space to realise projects. Estate Of aims to become a meeting point between an informal physical object, and a substantial body of work from an individual artist.
    Kronos by Victor Boullet is the first publication in the Estate Of series.
    Victor Boullet’s title refers to the Greek god Kronos, a deity known for its doublesidedness, a concept closely connected to his project The Institute of Social Hypocrisy. The publication Kronos is a means to carry his work forward into a newer form of expression, whilst maintaining a constant sense of dichotomy.
    Text von der Webseite
Geschenk von Hammann & von Mier
TitelNummer
010565357
Einzeltitel =

Verfasser
Titel
  • Means of Transport
Ort Lando. A. (o. A.)
Verlag Jahr
Techn. Angaben
  • keine weiteren Angaben vorhanden
ZusatzInfos
  • Aus dem Booklyn-Archiv
Stichwort
TitelNummer
011073090
Einzeltitel =

der-pfeil-1-2013
der-pfeil-1-2013

Titel
  • Der Pfeil Nr. 1 - Zeigefinger
Ort LandHamburg (Deutschland)
Verlag Jahr
Medium Zeitschrift, Magazin
Techn. Angaben
  • 74 unpag. S., 26x33,6 cm, Auflage: 100, ISBN/ISSN 9783945247006
    ., offener Rücken
ZusatzInfos
  • DER PFEIL conceives itself as a fictional space, which by means of a series of publications, spreads transportable works and positions. Each issue is devoted to the connotation of a term and accompanying questions as: to what extend are diversified agendas and significances triggered through one word, and how can they later be traced back? As a fragmented, ongoing dictionary, various artistic approaches are gathered in what we call "Edizin", with all the unique contributions released in an edition of 100 - in order to un-tighten the terms from their tasks.
    Text von der Webseite
Sprache
TitelNummer
011757K03
Einzeltitel =

albers-esfera-tridimensional
albers-esfera-tridimensional

Verfasser
Titel
  • Esfera tridimensional recortable para ninos basado en un trabajo del curso preliminar del maestro de la Bauhaus Josef Albers
Ort LandMadrid (Spanien) Medium Ephemera, div. Papiere
Techn. Angaben
  • 4 S., 21x29,7 cm, 2 Stück. keine weiteren Angaben vorhanden
    gefaltete Karte zum Ausschneiden und Bauen eines dreidimensionalen Farbobjekts
ZusatzInfos
  • Erschienen zur Ausstellung: Josef Albers: Minimal Means, Maximum Effect. 28.03.–06.06.2014
TitelNummer
011981411
Einzeltitel =

vries-wit-white
vries-wit-white

Verfasser
Titel
  • wit white
Ort LandBrest (Frankreich)
Verlag Jahr
Medium Buch
Techn. Angaben
  • 352 S., 21x15 cm, ISBN/ISSN 9782915859416
    Broschur mit Banderole, eingelegt ein Informationsblatt
ZusatzInfos
  • Originalausgabe erschienen bei Artists Press, Bern, 1980.
    This book is the third and final version of the first artist’s book published in 1960 by herman de vries, who is currently the author of more than one hundred publications.
    The story of this book dates back to 1960. Closely associated with the Zero Group, but also drawn to the buddhist concept of emptiness, herman de vries had just produced a series of white monochromes when he self-published a twenty-page booklet in Arnhem. It had no title, its cover was blank and its pages were unprinted. It contained nothing but a short final poem celebrating, in four languages, the superabundance of white: “wit is overdaad”. In 1962, this manifesto appeared in another version, now entitled wit: two hundred blank pages, four white collages by the artist and an introduction, itself completely blank, by the poet J. C. van Schagen, published in arnhem in only five copies by M. J. Israel. It was followed in 1967 by a second “revised” edition, wit weiss: two hundred and fifty blank pages, pocket-sized, in five hundred copies, published by Hansjörg Mayer in Stuttgart. The only printed elements were the artist’s name, the title and the publisher’s name on the cover, the word “introduction” and the name of its author on the very first page and a colophon on the final page. In 1980 the Artists Press in Berne published the “third revised edition”, in a larger format and with more pages. The original title wit was translated into english and japanese and into sanskrit with a word that means “white” in the sense of bright, pure, immaculate. The title itself does not appear on the book, which remains completely blank. It is printed with the paratext on a broad strip of paper in the form of a detachable publicity strip. The inside flap contains a brief statement initially dating back to the 1962 edition, stating that this book incorporates all aspects of reality. Of the five thousand copies advertised, only a hundred were published. It is this last edition, the most radical, which is republished here, the only addition being the french translation of the statement.
    On 1 april 2012, herman de vries wrote of his book, insisting on the importance of the final comma:

    white is white
    0 = 0
    no name
    no idea
    not even emptiness,

    Text von der Webseite
TitelNummer
012052000
Einzeltitel =

tmrw-8
tmrw-8

Verfasser
Titel
  • tmrw #8 summer 14
Ort LandLondon (Großbritannien)
Verlag Jahr
Medium Zeitschrift, Magazin
Techn. Angaben
  • 82 S., 24,3x17,2 cm, keine weiteren Angaben vorhanden
    Broschur
ZusatzInfos
  • From what started as a music blog aimed at sharing the best music acts of ‘tomorrow’, nearly 3 years on, TMRW is not only a quarterly printed lifestyle magazine, but an industry-recognised brand and voice.
    As a fresh faced, naïve 21 year old, Founding Director and Editor, Joe Brine was oblivious to the potential of what he had incepted. Having made the conscious step in to the world of print, Joe adopted a simple but effective design, which would give TMRW a niche and set the magazine apart from any other on the market. The attention to detail shows exactly this. The thicker paper stock and the smaller size made the quarterly print high quality and aesthetically pleasing, because of this the magazine is more sought after and such is looked after more by readers and shared around with friends and family. For any brand associated with TMRW it means that the reader is more inclined to notice and is more inclined to make a purchase.
    Text von der Webseite
TitelNummer
012396442
Einzeltitel =

the-nabokov-paper
the-nabokov-paper

Verfasser
Titel
  • The Nabokov Paper
Ort LandYork (Großbritannien) Medium Buch
Techn. Angaben
  • 144 S., 30x22 cm, Auflage: 350, ISBN/ISSN 9781907468209
    Broschur mit Klappeinband
ZusatzInfos
  • The Nabokov Paper is an experiment in novel-reading. The project takes as its starting point a now famous class taught during the 1950s by Vladimir Nabokov at Cornell University / New York State / entitled Literature 311-312: Masters of European Fiction. Nabokov’s approach to teaching literary reading was notoriously idiosyncratic. Convinced that one must teach the books themselves / not ideas or generalities / Nabokov would make diagrams of the floor plans of fictional buildings / map the routes taken by characters through the spaces of the novel / and draw items of clothing or furniture / he would also propose to track the course of a single letter / offer a visual representation of a stylistic device / and uncover what he called the mysteries of literary structures. His methods are striking for the range of gestures they call for in the name of good reading. The published Lectures on Literature (New York: Harcourt / 1980) concludes with an appendix of sample exam questions. Responding to those questions some sixty years after the fact offers a means to explore what Nabokov’s take on how to read might have to teach us today: about the novel / about how reading works across practices and disciplines / and about the past / present and future forms of literary criticism.
    Text von der Webseite
Geschenk von Simon Morris
TitelNummer
012519465
Einzeltitel =

cave-canis-1
cave-canis-1

Titel
  • Cave Canis, 1.
Ort LandBarcelona (Spanien)
Verlag Jahr
Medium Sammeltuete, Schachtel, Kassette / Heft / Objekt, Multiple / Ephemera, div. Papiere / Plakat / Zeitschrift, Magazin
Techn. Angaben
  • 32x24x5 cm, Auflage: 600, keine weiteren Angaben vorhanden
    Schachtel Hartpappe, Siebdruck (?), mit verschiedenen Materialien
ZusatzInfos
  • Inhalt: Einzelblatt (Manifest contra el Populisme Pervers), gefaltete Pappe mit Baumwollsocke, 3 Hefte, Leporello, Heft mit Originalnegativ, geschlossener Umschlag, gefaltetes Poster mit Sand, Folder.
    In the wake of the worldwide glorification of Barcelona via the 1992 Olympics Games, a group of publishers felt that it was time to revive the creative and critical spirit at a cultural level, in the form of a magazine, in order to demonstrate the prevailing level of creativity - via manifestos and works without intermediaries. As a result, Vicenc Altaió, Claret Serrahima, Manel Guerrero, Joaquim Pibernat and Manel Sala launched the magazine, Cave Canis, (which literally means "beware of the dogs") in Barcelona, in 1996.
    Starting with its first edition the magazine announced that it would have a short-lived existence - only 9 issues were published, each corresponding to one letter of the publication’s name. The magazine was constituted by a cardboard box, designed by Claret Serrahima, a manifesto, an artist’s book and sometimes contained CDs with recordings and other artistic objects, all associated with the same monographic topic. Each issue had a letter on the front cover designed by an artist. Cave Canis wasn’t available in the usual retail outlets. Each issue was presented in an unusual place in the city, where the manifesto was read, copies were distributed and the magazine then disappeared from sight. The last issue was published in 1999.
    Text von der Website
Sprache
TitelNummer
012550067
Einzeltitel =

slanted-26
slanted-26

Verfasser
Titel
  • Slanted #26 – New York
Ort LandKarlsruhe (Deutschland)
Verlag Jahr
Medium Zeitschrift, Magazin
Techn. Angaben
  • 288 S., 24x16 cm, ISBN/ISSN 18676510
    Klappbroschur. Verschiedene Papiere. Hinten eingelegt ein Heft mit Contemporary Typefaces
Sprache
Stichwort
WEB Link
Geschenk von Lars Harmsen
TitelNummer
014623537
Einzeltitel =

psych-kg-285
psych-kg-285

Verfasser
Titel
  • Psych.KG 285 - fluxus means cars wearing no panties
Ort LandFlensburg (Deutschland)
Verlag Jahr
Medium Schallplatte
Techn. Angaben
  • 31,5x31,5 cm, Auflage: Unikat, signiert, keine weiteren Angaben vorhanden
    LP, Hülle aus schwarzem Karton mit Collagen, Klebebänder, Stempeldrucke, original Bleistift, Metallfolie (Ritter SPORT), one-side LP (Edition 100)
ZusatzInfos
  • Beiträge von:
    C. Mehrl Bennett - The Spirit of Fluxus
    PAAK - Pontonorchester
    Danielle Lemaire - LAVA GLOVE
    Mama Baer - retect
    Emil Siemeister - 1. + 2. Vers
    Magnús Pálsson - Loegsoken I-IV
Stichwort
Geschenk von Kommissar Hjuler
TitelNummer
015036075
Einzeltitel =

meserko-69-a-ti-o-tem
meserko-69-a-ti-o-tem

Verfasser
Titel
  • 69 , A Ti O Tem Pojma Nimas - 69, But You Have No Idea Of It
Ort LandLjubljana (Slowenien) Medium Buch
Techn. Angaben
  • 69 unpag, S., 27x19,2 cm, Auflage: 150, ISBN/ISSN 9789616400619
    Leineneinaband mit Schutzumschlag. Aus dem Buchblock ausgestanzte Seiten in den Ausschnitt eingelegt, kopfüber beidseitig bedruckt. Beigelegter Brief
ZusatzInfos
  • My work "69. but you have no idea of it" means a concept of non-linear reading and some hundred thousends milliards of combinations of possible connected readings, i.e. the same number of readers could read this book each in his own combination. You can read my book in 276! different combinations, which is this many:
    276.000.000.000.000.000.000.000.000.000.000.000.000.000.000.000.000.000.000.000.000.000.000.000.000.000.000.000.000.000.000.000.000.000.000.000.000.000.000.000
Geschenk von Bojan Meserko
TitelNummer
015893566
Einzeltitel =

blad-12
blad-12

Verfasser
Titel
  • B.L.A.D. NO. 12 - MBINDU ASKANWI
Ort LandBerlin (Deutschland) Medium Zeitschrift, Magazin
Techn. Angaben
  • 52 unpag. S., 13,5x9,5 cm, Auflage: 270, ISBN/ISSN 09620873
    Drahtheftung, in transparenter Kunststoffhülle mit beigelegtem Blatt, Aufkleber
ZusatzInfos
  • Somewhere in the wilderness of books on pan-African sign-making, MBINDU ASKANWI fills a unique niche, focusing exclusively on the humble barber and his means of advertising his services. Featuring full-colour (!) photo reportage and illustrations, mostly from Dakar, Yoff, St.Louis and the Sahel desert, this field-report offers promises of beauty for hommes, femmes and toubab (foreigner) alike.
    Text von der Webseite
WEB Link
TitelNummer
016082587
Einzeltitel =

We-are-not-alone
We-are-not-alone

Verfasser
Titel
  • We are not alone – We are a fly in the milk of infinity
Ort LandNikosia (Republik Zypern)
Verlag Jahr
Medium Buch
Techn. Angaben
  • 128 S., 29,7x21 cm, Auflage: 150, ISBN/ISSN 9789963225101
    Softcover, Klebebindung
ZusatzInfos
  • Christophoros Kyriakides was born in Nicosia, Cyprus in 1949. He was an architecture draughtsman and considered himself an inventor. In 1988 he self-published “Six Continents Stars Compass”, ‘an entertaining and educational’ board game. He considered the game inventive, recreative and formative for all ages and intended its global distribution. The game received no recognition from the public and now only a few copies exist.
    In the board game, Kyriakides draws a journey with impossible objects, invented maps, landscapes and anagrammatic poetry with mathematical diagrams. One comes across an abstracted reflection of 80s locality, world politics, obsession with the American dream, an isolated emotional darkness but also a universal landscape. A chance encounter of Marina Xenofontos with this game catalysed a strong fascination that led to the uncovering of his archive. This publication, a part of Xenofontos’ practice-based research, brings to the fore the rich universe of Kyriakides’ personal symbolism that shecreatively harnesses as a means of an alternative, atypical handling and systematisation of themes and issues that she finds affinities with.
    Evagoras Vanezis.
    Text von der Webseite
Stichwort
TitelNummer
016614593
Einzeltitel =

price-fuck-seth-2015
price-fuck-seth-2015

Verfasser
Titel
  • Fuck Seth Price - A Novel
Ort LandNew York, NY (Vereinigte Staaten von Amerika)
Verlag Jahr
Medium Buch
Techn. Angaben
  • 122 S., 17,8x11,8 cm, ISBN/ISSN 9780981546834
    Broschur, Cover mit gestanztem Loch, Schrift: Caslon, Lesezeichen beigelegt von aliasbooks east
ZusatzInfos
  • 1. Ausgabe.
    From one of the most influential artists of his generation comes a provocative, moving novella about what it means to be a creative person under today's digital regime. In the course of a gripping, headlong narrative, Price's unnamed protagonist moves in and out of contemporary non-spaces on a confounding and enigmatic quest, all the while meditating on art in the broadest sense: not simply painting and sculpture but also film, architecture, literature, and poetry. From boutique hotels and highway bridges to PC terminals and off-ramps. from Kanye West and Jeff Koons to George Bush and Patricia Highsmith. from the playground to the internet to the mirror, Price's hybrid of fiction, essay, and memoir gets to the central questions not only of art, but of how we live now
    Text von Amazon.com
Weitere Personen
Sprache
TitelNummer
024555668
Einzeltitel =

karasik-soviet-photobook
karasik-soviet-photobook

Verfasser
Titel
  • The Soviet Photobook 1920-1941
Ort LandGöttingen (Deutschland)
Verlag Jahr
Medium Buch / Sammeltuete, Schachtel, Kassette
Techn. Angaben
  • 644 S., 29,4x27,4x6 cm, ISBN/ISSN 9783958290310
    Hardcover, in bedrucktem Karton.
ZusatzInfos
  • The Soviet Union was unique in its formidable and dynamic use of the illustrated book as a means of propaganda. Through the book, the U.S.S.R. articulated its totalitarian ideologies and expressed its absolute power in an unprecedented way—through avant-garde writing and radical artistic design that was in full flower during the 1920s and ’30s. No other country, nation, government or political system promoted itself more by attracting and employing acclaimed members of the avant-garde. Among them were writers like Semion Kirsanov, Vladimir Mayakovsky, Ilya Selvinsky, Sergei Tretyakov and Kornely Zelinsky. artistic designers like Gustav Klutsis, Valentina Kulagina, El Lissitzky, Sergei Senkin, Varvara Stepanova, Solomon Telingater and Nikolai Troshin. and photographers including Dmitry Debabov, Vladimir Griuntal, Boris Ignatovich, Alexander Khlebnikov, Yeleazar Langman, Alexander Rodchenko, Georgy Petrusov—not to mention many of the best printers and book binders.
    The Soviet Photobook 1920–1941 presents 160 of the most stunning and elaborately produced photobooks from this period and includes more than 400 additional reference illustrations. The book also provides short biographies of the photobook contributors, some of whom are presented here for the first time.
    Text von der Webseite.
Weitere Personen
Sprache
TitelNummer
025714716
Einzeltitel =

suture-soven
suture-soven

Verfasser
Titel
  • Sutere Soven Musicfestival
Ort LandDannenberg (Deutschland)
Verlag Jahr
Medium PostKarte
Techn. Angaben
  • [2] S., 21x14,8 cm, keine weiteren Angaben vorhanden
    Postkarte
ZusatzInfos
  • 17.-19.08.2018.
    Suture means sewing. This is the idea we will be following on each and every level of our festival. Suture Soven Music Festival emerged out of the wish and the need to bring musicians and their audience together in a way that enhances deep listening and watching musical appearances that provide the potential for creating something new in a cheerful and caring atmosphere. We will watch and hear the beautifully radical positions and ideas of international musicians. In terms of musical style, we are situated at the intersection of jazz, free improvised music, classical modernism and new music.
    The first Suture Soven Music Festival will take place in an old farm house in the countryside. the concerts will be held in the barn and in the attic of an old stable. By locating the genre defying music in the beautiful countryside of Lower Saxony (Wendland) we invite local people from the area as well as from the cities to make the connection between different worlds and points of views for three days in Suture Soven. We are striving to shape the surrounding area of the festival and make it as sustainable as possible, while working with local farmers and craftsmen. We offer a space and time that taps on an urge to create a sensual narrative. The music we listen to, the words we hear and speak, the food and drink we are provided with, in a setting that will be home to us for three summer days offer us the possibility of making sense.
Sprache
Geschenk von Michael Münnich
TitelNummer
025908801
Einzeltitel =

european-art-net-flyer
european-art-net-flyer

Verfasser
Titel
  • European-art.net - your link to the art world
Ort LandWien (Österreich)
Verlag Jahr
Medium Flyer, Prospekt
Techn. Angaben
  • [4] S., 21x14,8 cm, 2 Stück. keine weiteren Angaben vorhanden
    einmal gefaltet
ZusatzInfos
  • European-art.net connects different art archives and their digital databases. Widely ramified information (basic data, texts, images) on individuals, groups and institutions as well as details about exhibitions and literature can be obtained free of charge by means of a central search engine.
    As a meta-database, european-art.net does not itself provide any data on artists and other related subjects but refers to the intrinsic data of its institutional partners. The highly professional profile of the partner institutions stands for the reliability of its contents.
    Names, groups and institutions are listed alphabetically. You can either search per letter and get all the listed references to artists, groups and institutions, or you can type in a name (minimum 3 letters) and will get the references to the databases, where you can find more material. If you misspell the name or if the artist is listed with more than one name, you will find different entries.
    Text von der Webseite
Sprache
TitelNummer
026216801
Einzeltitel =

Rachia Thulani / Benmakhlouf Adam / Mouflih Myriam / Whittle Alberta / Alaya Ang / Ka Yi Liu Katherine: ruine 05 - The Phone is the Keyhole - The Penpot, the Heart., 2018

transmission_gallery_18
transmission_gallery_18
transmission_gallery_18

Rachia Thulani / Benmakhlouf Adam / Mouflih Myriam / Whittle Alberta / Alaya Ang / Ka Yi Liu Katherine: ruine 05 - The Phone is the Keyhole - The Penpot, the Heart., 2018

Titel
  • ruine 05 - The Phone is the Keyhole - The Penpot, the Heart.
Ort LandMünchen (Deutschland) Medium Plakat / Zine
Techn. Angaben
  • [8] S., 17x29,7 cm, 2 Teile. keine weiteren Angaben vorhanden
    2 handgefaltete Bögen, 65 x 118 cm, A4-Blatt mit eingeprägtem Signet als Umschlag, Spanngummi, Vorderseite Fotos Schreibtisch/Computer, Rückseite Collage aus Texten, Zeichnungen
ZusatzInfos
  • Herausgegeben von Ruine München, die AutorInnen gehören dem Komitee der Transmission Gallery Glasgow 2018 an.
    Erschienen in der Publikations- und Ausstellungsreihe Ruine München, in Verbindung mit Galerie-Austausch various others. 14.09.18: ZINE Release, Königsplatz, München
    On the occasion of Various Others we are glad to announce that Transmission Gallery Glasgow will do the next issue of Ruine München. Transmission Gallery has existed since 1983 and it is managed and programmed by a voluntary committee of six people, each of whom joins successively and may serve for a maximum of two years. For Ruine München the current commitee (Thulani Rachia, Adam Benmakhlouf, Myriam Mouflih, Alberta Whittle, Alaya Ang and Katherine Ka Yi Liu) developed a mapping of their space trying to include all their current changes, reflections and workflows using the principles of painterly abstraction as a means of institutional reflection and critique.
    Text von der Webseite
Weitere Personen
Sprache
TitelNummer
026218709
Einzeltitel =

05_martina_wember (2)
05_martina_wember (2)
05_martina_wember (2)

Wember Martina: Wenn unbestellbar, Meldung, 2017

Verfasser
Titel
  • Wenn unbestellbar, Meldung
Ort LandMünchen (Deutschland) Medium Buch
Techn. Angaben
  • 106 S., 21x14,8 cm, Auflage: Print on Demand, 2 Stück. keine weiteren Angaben vorhanden
    Broschur
ZusatzInfos
  • Schwarz-Weiß-Drucke, Nr.005 aus der Reihe 100for10.
    "Wenn unbestellbar, Meldung” means “if not possible to order, send a message”.
    I collected old rubber stamps with bureaucratic contexts, some with small faults, others are correct but a bit strange. The illustrations mess up the meaning of the short texts and tell their own story. Be free to associate between
    the drawings and the words and imagine your own story. If you need help translating the text on the rubber stamps, please contact me.
Sprache
Geschenk von Melville Brand Design
TitelNummer
026277741
Einzeltitel =

papernews-11-vorne
papernews-11-vorne

Titel
  • Paper News #11 - August, September, Oktober 2018
Ort LandBerlin (Deutschland)
Verlag Jahr
Medium Zeitschrift, Magazin
Techn. Angaben
  • 4 S., 29,7x21 cm, keine weiteren Angaben vorhanden
    Ein Blatt, gefaltet
ZusatzInfos
  • The independent publisher's quarterly by Drucken Heften Laden. Drucken Heften Laden discusses and analyses the conditions and possi­bili­ties for independent publishing in the context of art and city (politics). Drucken Heften Laden derives from an eponymous exhibition, workshop and series of events at neue Gesellschaft für bildende Kunst (nGbK) in Berlin which took place in January 2015. Since then a small group of Berlin-based producers and publishers gathers regularly: “We share experiences and resources, and build a discourse around production methods and values as well as the distribution of books and booklets.Publishing is always set in distinct time and space. Today’s diversity of media fosters hybrid formats between the analogue and the digital. We are interested to negotiate and sharpen our idea of what „independent“ and „self“ publishing means today.Drucken Heften Laden filters and disseminates information, and creates a public platform for exchange and discussion, accessible to everyone interested in such practice.”
    Text von der Website.
Weitere Personen
Sprache
Geschenk von Albert Coers
TitelNummer
026311728
Einzeltitel =

38_maycec
38_maycec
38_maycec

Vonverhille / Maycec / Sayer Damien / Lenox Alizée: 75 g/m², 2017

Titel
  • 75 g/m²
Ort LandMünchen (Deutschland) Medium Buch
Techn. Angaben
  • 106 S., 21x14,8 cm, Auflage: Print on Demand, 2 Stück. keine weiteren Angaben vorhanden
    Broschur
ZusatzInfos
  • Schwarz-Weiß-Drucke, Nr 038 aus der Reihe 100for10.
    75 g/m² started as a black and white photocopy exhibition. The project was initiated by Maycec, a photographer, self-publisher and graphic designer who draws inspiration from alternative culture and her personal life. She is co-founder of Vesselroom Project and Atelier29. The first 75 g/m² exhibition took place in Berlin in 2014 with Maycec alongside Vonverhille and Damien Sayer whom both grew up in the suburbs of Paris. Vonverhille started in the graffiti scene in the 90s. He diversified his means of expression and explored photography and experimental electronic music. He now lives in Berlin where he founded Erratum galerie. Damien Sayer has photographed his family, friends and encounters over the course of five years. His small format pictures remain simple documentary pages, simple facts or portraits recorded on a sheet of paper. Alizee Lenox joined the exhibitions 75 g/m2 part II and part III. She is a poet deeply influenced by Pop Culture mostly because you cannot not be influenced by a soft machine that creates so many idols you can hate and worship at the same time. She is currently working on her first chapbook manuscript.
Sprache
Geschenk von Melville Brand Design
TitelNummer
026330741
Einzeltitel =

83_stijn_jonckheere
83_stijn_jonckheere
83_stijn_jonckheere

Jonckheere Stijn: Nothing Is Ever Finished, 2017

Verfasser
Titel
  • Nothing Is Ever Finished
Ort LandMünchen (Deutschland) Medium Buch
Techn. Angaben
  • 106 S., 21x14,8 cm, Auflage: Print on Demand, keine weiteren Angaben vorhanden
    Broschur
ZusatzInfos
  • Schwarz-Weiß-Drucke
    Stijn Jonckheere (°1989) recieved his MA in explorative architectural development in 2012. While working as an architect his personal work gained traction, sparking his career as a visual artist. Monochrome yet visually tense, his work revolves around the themes of memory and alternative reality. Contrasting their minimalistic composition, his drawings often contain a more complex message, presenting a critical look at social behaviour within our built environment. Exhibited throughout Europe and featured in publications worldwide, Jonckheere subsequently ventured into teaching by means of his digital design masterclass and lectures given across architecture universities. He has lent his creative vision to a wide spectrum of projects, ranging from architecture to advertisement for both start-ups and high-profile clients. Jonckheere currently resides in Munich, where he is Art Director at a leading brand activation agency.
Sprache
Geschenk von Melville Brand Design
TitelNummer
026372741
Einzeltitel =

thiemann-installations
thiemann-installations

Verfasser
Titel
  • Installations
Ort LandMünchen (Deutschland)
Verlag Jahr
Medium Heft
Techn. Angaben
  • [32] S., 29,7x21 cm, keine weiteren Angaben vorhanden
    Drahtheftung
ZusatzInfos
  • I encountered the work of Susanne Thiemann for the first time in a group exhibition of Munich artists at the "Haus der Kunst". Her work fascinated me because Thiemann works on the thin line between the applied arts -handicraft- and sculpture. At the same time she does not shy away from heavy loaded themes such as femininity or domestication, but she does so in a highly personal way. It struck me that I find echos in her work of leading feminist artists such as Eva Hesse, Lygia Clark or even Yayoi Kusama. A deep interest in the viewer's reaction and participation is what Thiemann is after as well. Thiemann strive for a renewal of what it means "to have" a craft and at the same time "to deviate" from it.
    Chris Decron über die Künstlerin, Text aus dem Heft.
Weitere Personen
Sprache
Geschenk von Susanne Thiemann
TitelNummer
027326771
Einzeltitel =

Nauerz Olli / Nauerz Mausi, Hrsg.: Kruzefix Nr. 06, 1998

kruzefix_nr06
kruzefix_nr06
kruzefix_nr06

Nauerz Olli / Nauerz Mausi, Hrsg.: Kruzefix Nr. 06, 1998

Verfasser
Titel
  • Kruzefix Nr. 06
Ort LandMünchen (Deutschland)
Verlag Jahr
Medium Zine
Techn. Angaben
  • 80 S., 29,7x21 cm, Auflage: 1.200, 2 Stück. keine weiteren Angaben vorhanden
    Drahtheftung mit eingelegter Vinyl-Single
ZusatzInfos
  • Zine mit "6-Track-Hit-Single & Miniposter" + Punk in München Story Teil 6
    Das KRUZEFIX-Fanzine ist kein gewerbliches Unternehmen=keine Veröffentlichung im Sinne des Pressegesetzes! Es ist ein Rundbrief an Freunde, Bekannte und Sympatisanten. Verkaufspreis und Anzeigen decken - wenn überhaupt -nur die Unkosten wie Druck, Porto usw. Zensur gibt es bei uns nicht! Wir drucken was uns gefällt, was man uns schickt, oder sonst irgend einen Schmarrn, ohne Kommentar, möglichst ungekürzt und ungeschönt. Wem's nicht passt, kann uns am Arsch lecken.
    Text aus dem Heft
Sprache
Geschenk von Olli Nauerz
TitelNummer
029732P03
Einzeltitel =


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