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artists-book-not.
artists-book-not.
artists-book-not.

Sanders Jeremy / Kugelberg Johan, Hrsg.: ARTISTS’ BOOK NOT ARTISTS’ BOOK, 2012


Kugelberg Johan / Sanders Jeremy, Hrsg.
ARTISTS’ BOOK NOT ARTISTS’ BOOK
New York, NY (Vereinigte Staaten von Amerika): 6 Decades Books, 2012
(Buchobjekt) 17,6x13,8 cm, Auflage: 500, ISBN/ISSN 978-0-9829694-2-7
Techn. Angaben Buch zu einer Ausstellung in der Boo-Hooray Gallery New York, eingesteckt in ein mehrfach gefaltetes A2-Format-Blatt mit den Farbabbildungen der im Buch beschriebenen Bücher
ZusatzInformation "Artists' book" is a troublesome term. There seems to be no single well-understood or generally-accepted working definition. Say "artists' book" in general conversation and you'll likely get a blank look, if not outright confusion. even with a specialized audience of bibliophiles, or art world cognoscenti, it may be necessary to clarify exactly what you mean...
Artists' Book Not Artists' Book is an exhibition co-curated by Johan Kugelberg and Jeremy Sanders. In it are about one hundred books and of course all of them either are, or are not, artists’ books, but whether it is even possible to say which ones fall into which category is a matter that's not entirely clear. And in any case, it's likely no two viewers would draw exactly the same conclusions.
Artists' Book Not Artists' Book.
Von der Webseite des Verlages
Namen Chris Burden / Dara Birnbaum / David Wojnarowicz / Ed Ruscha / Ira Cohen / Jim Shaw / John Baldessari / Michelangelo Pistoletto / Richard Hell / Richard Meltzer / Richard Prince / Sean Landers / Seth Price / Sue Williams / Tina Lhotsky / Tom Sachs / William Gibson
Stichwort Buchobjekt
WEB www.6decadesbooks.com/2012/01/artists-book-not-artists-book.html
TitelNummer
009042253 Einzeltitelanzeige (URI) Änderung

Boivent Marie / Perkins Stephen
Call for Papers - International Symposium: The Territories of Artists’ Periodicals
Green Bay, WI (Vereinigte Staaten von Amerika): University of Wisconsin, 2014
(Text) 3 S., 29,7x21 cm,
Techn. Angaben Schwarz-Weiß-Laserdruck nach Email, zu einem dreitägigen Symposium an der Universität Wisconsin, Lawton Gallery, vom 2.-4.6.2014
ZusatzInformation This symposium seeks to provide a venue for dialogue between researchers, artists, publishers, librarians and others interested in artists’ periodicals in order to bring into focus the many issues and themes that constitute the terrain of these publications. We have chosen the 1950s as the starting date for this symposium as we believe this decade is the crucial moment in which artists’ periodicals develop as a distinct and identifiable medium.
Das Symposium hat folgende Themenschwerpunkte:
- Looking back and looking ahead: Histories
- Temporality/Periodicity of the artists’ periodicals
- Artists’ periodicals: Collective or Individual Practices?
- The Economics of artists’ periodicals
- Artists’ periodicals as Alternatives
- Artists’ periodicals and other Territories
- Exhibiting and Preserving artists’ periodicals
WEB www.uwgb.edu
TitelNummer
011135304 Einzeltitelanzeige (URI) Änderung
abot
abot
abot

Pokorny-Nagel Kathrin, Hrsg.: ABoT - Artists' Books on Tour - Artists' Competition and Mobile Museum, 2011


Pokorny-Nagel Kathrin, Hrsg.
ABoT - Artists' Books on Tour - Artists' Competition and Mobile Museum
Köln (Deutschland): Verlag der Buchhandlung Walther König, 2011
(Buch) 80 S., 26x21 cm, ISBN/ISSN 978-3-86335-085-7
Techn. Angaben Katalog zur Ausstellung im MAK Wien, MGLC Ljubljana und UPM Prag, Klappumschlag
ZusatzInformation Vorwort von Helena Koenigsmarková, Nevenka Sivavec & Christoph Thun-Hohenstein. Beiträge von Jianping He, Martina Kandeler-Fritsch, Kathrin Pokorny-Nagel, Florian Pumhösl, Lucie Vlcková, Lawrence Weiner & Maria White.
Um das vielschichtige Genre des Künstlerbuchs einer breiteren Öffentlichkeit näherzubringen, hat das MAK Wien in Kooperation mit dem UPM Prag und dem MGLC Ljubljana das EU-geförderte Projekt "Artists' Books on Tour. Artist Competition and Mobile Museum" initiiert. Im Rahmen des damit verbundenen europaweiten Wettbewerbs wurden Künstler dazu aufgefordert, sich mit der Thematik des Künstlerbuchs und seinen vielfältigen ästhetischen Ausdrucksformen auseinanderzusetzen. Die vorliegende Publikation stellt die fünf prämierten sowie 45 weitere ausgewählte Projekte vor.
To familiarize a broader public with the multi-faceted genre of artists' books, the MAK - Austrian Museum of Applied Arts / Contemporary Art in Vienna, the UPM - Museum of Decorative Arts based in Prague and Ljubljana's MGLC - International Centre of Graphic Arts have launched the EU-funded project "Artists' Books on Tour. Artist Competition and Mobile Museum". In a pan-European competition, artists were invited to deal with the subject of artists' books and their multiple forms of aesthetic expression. The present catalogue features the five winning projects and 45 other selected works.
TitelNummer
008281259 Einzeltitelanzeige (URI) Änderung
scenes-from-zagreb
scenes-from-zagreb
scenes-from-zagreb

Senior David, Hrsg.: Scenes from Zagreb: Artists' Publications of the New Art Practice, 2012


Senior David, Hrsg.
Scenes from Zagreb: Artists' Publications of the New Art Practice
New York, NY (Vereinigte Staaten von Amerika): MoMA Library, 2012
(Heft) 40 S., 29,7x21 cm,
Techn. Angaben Farbkopien nach PDF, lose ineinander gelegt
ZusatzInformation The New Art Practice was a term created for a generation of artists in the former Yugoslavia active in the late 1960s and throughout the 1970s. These artists shifted their practice to spaces outside the traditional studio, onto city streets, into artist-run spaces, and in multimedia performances and experimental publications. Focusing on artists working in the city of Zagreb, this exhibition documents aspects of this shift and highlights the ability of artists' publications to record these often ephemeral gestures and ideas. While artists such as Goran Trbuljak, Braco Dimitrijević,, Sanja Iveković,, Mladen Stilinović,, and Vlado Martek, among others, worked in a variety of mediums, they shared a common impulse to produce publications. These artists questioned and played with ideas about the place of an artist within this particular political and socioeconomic context. Their work often involved public participation and blurred traditional notions of authorship through collective activities, chance operations, and the appropriation of language and imagery from the state and commercial media. The materials in this installation resonate with other contemporaneous scenes in Eastern and Central Europe and with broader international trends, while also providing an insight into very local networks of experimental artists and writers in Zagreb. All materials are drawn from the collection of the Museum of Modern Art Library.
Text von der Webseite
WEB www.moma.org/visit/calendar/exhibitions/1229
TitelNummer
009240221 Einzeltitelanzeige (URI) Änderung
stathi-art-seen
stathi-art-seen
stathi-art-seen

Stathi Maria, Hrsg.: art seen - contemporary art projects & editions, 2015


Stathi Maria, Hrsg.
art seen - contemporary art projects & editions
Nikosia (Zypern): Art Seen Contemporary Projects, 2015
(Lieferverzeichnis) 2 S., 29,7x21 cm,
Techn. Angaben Lieferprogramm, beidseitig bedruckt
ZusatzInformation Art Seen - Contemporary Art Projects & Editions is an organization operating as a cultural platform of exchange in contemporary art. Its aim is to create bridges and dialogue between Cyprus and the international contemporary art scene. The idea was born from the need of new and creative collaborations that took a fresh look focusing on contemporary artistic approaches and reflecting upon the dynamic and changing art world. Art Seen projects and Art Seen editions are the two pillars of this organisation.
Text von der Website
Stichwort Edition / Galerie / Verlag / zeitgenössische Kunst
WEB www.art-seen.org
TitelNummer
016905610 Einzeltitelanzeige (URI) Änderung
artlife-volume-2-no-9
artlife-volume-2-no-9
artlife-volume-2-no-9

Cardella Joe, Hrsg.: Art/Life Volume 02, Number 09, 1982


Cardella Joe, Hrsg.
Art/Life Volume 02, Number 09
Santa Barbara, CA (Vereinigte Staaten von Amerika): Art/Life, 1982
(Zeitschrift, Magazin) [92] S., 28,3x22 cm, Auflage: 125, signiert,
Techn. Angaben Einzelblätter in Klemmschiene. Originalarbeiten, verschiedene Papiere und Techniken, Blätter signiert, gestempelt bemalt und beklebt
ZusatzInformation Originating as a conceptual exchange among artists, Art/Life Magazine, was one of the longest continually published artists’ periodicals of the 20th century, presenting a diverse array of art during its 25-year history. Art/Life founder Joe Cardella had asked artists to submit and mail original artworks from all over the world to be compiled into limited edition magazines. As a way to increase accessibility to contemporary art practice, Art/Life documented the lives of the artists, their thoughts, emotions, and creative processes through the transition from industrial to digital art practice. The magazine’s legacy can be seen at MoMa, the Guggenheim, Getty, and LACMA, portraying a global consciousness and collaboration between distanced networks of contemporary artists.
Text von der Webseite
Namen John Weber (Cover)
Sprache Englisch
Stichwort 1980er Jahre / Assembling / Collage / Fotografie / Grafik / konkrete Kunst / Lyrik / Malerei / Poesie / Skulptur
WEB http://art-life.com
WEB https://www.printedmatter.org/catalog/43026
TitelNummer
000692489 Einzeltitelanzeige (URI) Änderung

Eröss Nikolett / Juhász Anna / Somogyi Hajnalka / Stepanovic Tijana / Szalai Borbála / Szoboszlai János / Székely Katalin, Hrsg.
OFF-Biennale Budapest - Call for contributions to map artistic/curatorial self-organizations worldwide
Budapest (Ungarn): OFF-BIENNALE, 2015
(Text) 2 S., 29,7x21 cm,
Techn. Angaben Ausdruck einer Email vom 28.2.2015
ZusatzInformation Independent. Contemporary. Art. 24 April – 31 May 2015.
OFF-Biennale Budapest is a series of exhibitions and art events in and beyond the city of Budapest. Its concept is different from traditional biennials as we know them. Not affiliated with any institution, it is a voluntary collaborative initiative of artists, groups of artists, curators, art managers, gallerists and collectors. OFF-Biennale Budapest is a civil initiative, whose aim is to bring a segment of culture, contemporary art, closer to the public at large. OFF proclaims the importance of independent thinking and action, breaking away from clichés and habitual routines. It is meant to demonstrate that contemporary art can foster and catalyse this kind of activity – in other words, that contemporary art is much more than mere luxury and a source of aesthetic pleasure.
Text von der Webseite
WEB www.offbiennale.hu
TitelNummer
012616304 Einzeltitelanzeige (URI) Änderung
whitewalls-13
whitewalls-13
whitewalls-13

Spector Buzz, Hrsg.: WhiteWalls #13 Drawing in the 80s, 1986


Spector Buzz, Hrsg.
WhiteWalls #13 Drawing in the 80s
Chicago, IL (Vereinigte Staaten von Amerika): White Walls , 1986
(Zeitschrift, Magazin) 96 S., 21,7x14 cm, ISBN/ISSN 0190-9835
Techn. Angaben Broschur
ZusatzInformation A Magazine of Writing by Artists.
Founded in 1978 in Chicago by artist Buzz Spector and writers Reagan and Roberta Upshaw, Whitewalls began as a publication for artists working with language. For the most part Whitewalls is a straight-up sampler of artists' experimental projects for the page: each issue contains from half a dozen to several dozen artists employing text, image, and other notations in various combinations. While Whitewalls featured an international cast of emerging and established artists, it also provided a showcase for the Chicago area's experimental art community, including artists such as Jeane Dunning, Joseph Nechvatal, and Christopher Wool. Text von der Website
Mit Texten u. a. von Richard Artschwager, Andrea Blum, Christo, Mike Kelly, Lawrence Weiner, Mark Staff Brandl, Rosemary Mayer, Paolo Colombo, Joel Hubaut
Namen Andrea Blum / Christo / Christopher Wool / Jeane Dunning / Joel Hubaut / Joseph Nechvatal / Lawrence Weiner / Mark Staff Brandl / Mike Kelly / Paolo Colombo / Richard Artschwager / Rosemary Mayer
Stichwort 1980er Jahre / Literatur
TitelNummer
003535531 Einzeltitelanzeige (URI) Änderung
allen-artists-magazines
allen-artists-magazines
allen-artists-magazines

Allen Gwen: Artists' Magazines - An Alternative Space for Art, 2015


Allen Gwen
Artists' Magazines - An Alternative Space for Art
Cambridge, MA / London (Vereinigte Staaten von Amerika / Großbritannien): the MIT Press, 2015
(Buch) 368 S., 24,8x19 cm, ISBN/ISSN 9780262528412
Techn. Angaben Broschur
ZusatzInformation Originalausgabe von 2011.
During the 1960s and 1970s, magazines became an important new site of artistic practice, functioning as an alternative exhibition space for the dematerialized practices of conceptual art. Artists created works expressly for these mass-produced, hand-editioned pages, using the ephemerality and the materiality of the magazine to challenge the conventions of both artistic medium and gallery. In Artists’ Magazines, Gwen Allen looks at the most important of these magazines in their heyday (the 1960s to the 1980s) and compiles a comprehensive, illustrated directory of hundreds of others.
Among the magazines Allen examines are Aspen (1965–1971), a multimedia magazine in a box—issues included Super-8 films, flexi-disc records, critical writings, artists’ postage stamps, and collectible chapbooks, Avalanche (1970-1976), which expressed the countercultural character of the emerging SoHo art community through its interviews and artist-designed contributions, and Real Life (1979-1994), published by Thomas Lawson and Susan Morgan as a forum for the Pictures generation. These and the other magazines Allen examines expressed their differences from mainstream media in both form and content: they cast their homemade, do-it-yourself quality against the slickness of an Artforum, and they created work that defied the formalist orthodoxy of the day. Artists’ Magazines, featuring abundant color illustrations of magazine covers and content, offers an essential guide to a little-explored medium.
Text von der Webseite
Erwähnt werden neben vorwiegend amerikanischen Magazinen auch europäische Magazine
Namen 4 taxis / Art-Language / Arte Postale! / Aspen / Audio Arts / Ausgabe / Avalanche / AXE / Commonpress / Der Löwe / Doc (k)s / Dé-Coll/age / Ephemera / IAC Info / Interfunktionen / King Kong International / Kunststoff / Lotta Poetica / Neon de Suro / Nervenkritik / Nota / Omnibus News / Ou / Pages / Palazzo / Reaktion / Salon / Sondern / ZG
Sprache Englisch
Stichwort 1960er Jahre / 1970er Jahre / 1980er Jahre / Konzeptkunst / Künstlermagazin / Künstlerzeitschrift / Multimedia / Theorie
WEB www.mitpress.mit.edu/books/artists-magazines
TitelNummer
023614657 Einzeltitelanzeige (URI) Änderung
between-the-lines-1
between-the-lines-1
between-the-lines-1

Brown Diane, Hrsg.: Between the Lines Vol. 1: A Coloring Book of Drawings by Contemporary Artists., 2006


Brown Diane, Hrsg.
Between the Lines Vol. 1: A Coloring Book of Drawings by Contemporary Artists.
New York, NY (Vereinigte Staaten von Amerika): RxArt, 2006
(Buch) 112 S., 27,1x20,5 cm,
Techn. Angaben Malbuch
ZusatzInformation A Coloring Book of Drawings by Contemporary Artists. The coloring book is an integral part of our mission to engage patients through contemporary art. Between the Lines is distributed free of charge to children in RxArt’s participating healthcare facilities and sold to benefit RxArt’s projects. Like the artwork we install, the coloring book is meant to give the children and their families something new and stimulating to think about. It is another tool to take children to an emotionally less stressful place and provides a creative outlet for children confined to the austerity of a hospital room.
Text von der Webseite
Namen Alexander Calder / Alexis Rockman / Andy Warhol / Ann Craven / assume vivid astro focus / Charles Hinman / Chris Astley / Christopher Wool / David Humphrey / David Row / Deborah Grant / Dennis HopperGary Hume / Donald Baechler / Duncan Hannah / Ed Baynard / Geraldine Lau / Grace Hartigan / Graham Parker / Jane Hammond / Jason Middlebrook / Jennifer Steinkamp / Jeremy Blake / Jim Medway / Joel Fisher / John Baldessari / John Lurie / John Newman / John Wesley / Julian Opie / Keith Haring / Kenny Scharf / Lamar Peterson / Lane Twitchell / Laura Owens / Leo Villareal / Libby Black / Mark Grotjahn / Maurizio Pellegrin / Michele Oka Doner / Neil Jenney / R. Crumb / Rita Ackermann / Robert Longo / Robert Mapplethorpe / Ryan McGinness / Sarah Trigg / Siah Armajani / Sol LeWitt / Tom Otterness / Virgil Marti / Vito Acconci / Will Cotton / William Wegman / Willie Cole
Stichwort Nullerjahre
WEB www.rxart.net
TitelNummer
011939427 Einzeltitelanzeige (URI) Änderung
davila-legible-visible-katalog
davila-legible-visible-katalog
davila-legible-visible-katalog

Dávila Mela / Muñoz Maite, Hrsg.: Legible – Visible - Between the Film Frame and the Page, 2018


Dávila Mela / Muñoz Maite, Hrsg.
Legible – Visible - Between the Film Frame and the Page
Barcelona (Spanien): Arts Santa Mònica / Tenov, 2018
(Buch) 92 S., 24x18 cm, ISBN/ISSN 978-84-944234-3-7
Techn. Angaben Broschur
ZusatzInformation Katalog erschienen zur Ausstellung in Arts Santa Mònica, Barcelona, 06.04.-28.05.2017
Legible-Visible. Between the Film Frame and the Page explores the relationship between print publications and audio-visual documents, two of the most important media underpinning the social and cultural landscape of our time which also define the evolution of contemporary art in the 20th and 21st centuries.
The emergence of relatively inexpensive home video technologies in the 1970s brought with it an alternative model for the creation and diffusion of artist publications, and a prolific period of exploration, reflected in the work of Baldessari, Gilbert & George, Boltanski, Carrión, Rucha and Rosler, among others. The popularization of digital media at the beginning of the 21st century sparked a revolution in the systems of production of both audio-visuals and books, exemplified by a new generation of artists, such as McGeorge, Kentridge, Cine Quieto or Van Leijsen.
Mela Dávila proposes a theoretical and historical framework for works that the market long dismissed as secondary on account of their serial nature. This characteristic, together with the particular space of experience they generate, and the linearity and temporality common to both media, have opened up a range of new narrative (or anti-narrative) possibilities which have enabled artists to redefine contemporary art.
Starting from a detailed study of 24 double works, Maite Muñoz looks at how different artists have taken advantage of the permeability between publications and audio-visuals, in which ideas and strategies of narration and editing intrinsic to both mutually infect and enrich one another through the play of opposition, complementarity and dialectics.
Text von der Webseite
Namen Alain Robbe-Grillet / Benet Rossell / Chris Marker / Christian Boltanski / Cine Quieto / Dan Graham / Dominique Hurth / Ed Ruscha / Eline McGeorge / Fortunato Depero / Gilbert & George / Gloria Vilches / Gloria Vilches / Guy Debord / Isidoro Valcárcel Medina / Jef Cornelis / John Baldessari / Julián Barón / Lawrence Weiner / László Moholy-Nagy / Marcel Pey / Martha Rosler / Miralda / Núria Gómez Gabriel / Patrícia Dauder / Raymond Pettibon / Rob van Leijsen / Rose Lowder / RTVE Publications Department / Stan Brakhage / stanley brouwn / Ulises Carrión / Vicente Huidobro / William Kentridge
Sprache Englisch
Geschenk von Mela Davila
Stichwort 1970er Jahre / Aktuelle Kunst / audio visuell / Film / Künstlerbuch / Künstlerpublikation / Medien / Serie
TitelNummer
025751715 Einzeltitelanzeige (URI) Änderung
european-art-net-flyer
european-art-net-flyer
european-art-net-flyer

Neidhöfer Andrea, Hrsg.: European-art.net - your link to the art world, 2018


Neidhöfer Andrea, Hrsg.
European-art.net - your link to the art world
Wien (Österreich): basis wien, 2018
(Flyer, Prospekt) [4] S., 21x14,8 cm, 2 Stück.
Techn. Angaben einmal gefaltet
ZusatzInformation European-art.net connects different art archives and their digital databases. Widely ramified information (basic data, texts, images) on individuals, groups and institutions as well as details about exhibitions and literature can be obtained free of charge by means of a central search engine.
As a meta-database, european-art.net does not itself provide any data on artists and other related subjects but refers to the intrinsic data of its institutional partners. The highly professional profile of the partner institutions stands for the reliability of its contents.
Names, groups and institutions are listed alphabetically. You can either search per letter and get all the listed references to artists, groups and institutions, or you can type in a name (minimum 3 letters) and will get the references to the databases, where you can find more material. If you misspell the name or if the artist is listed with more than one name, you will find different entries.
Text von der Webseite
Namen artlog.net / basis wien / Centre for Artists’ Publications / documenta archiv / Garage Museum of Contemporary Art / Institut für moderne Kunst Nürnberg / Kunst- und Museumsbibliothek der Stadt Köln / Moderna Galerija Ljubljana / National Museum of Contemporary Art / Swiss Institute for Art Research / Zentralarchiv für deutsche und internationale Kunstmarktforschung e.V. ZADIK
Sprache Englisch
WEB http://www.european-art.net
WEB www.basis-wien.at
TitelNummer
026216801 Einzeltitelanzeige (URI) Änderung
Charley 01
Charley 01
Charley 01

Cattelan Maurizio / Gioni Massimiliano / Subotnick Ali, Hrsg.: Charley 01, 2001


Cattelan Maurizio / Gioni Massimiliano / Subotnick Ali, Hrsg.
Charley 01
Dijon (Frankreich): Les Presses du Réel, 2001
(Zeitschrift, Magazin) 192 S., 20x15 cm, ISBN/ISSN 978-1-56466-092-3
Techn. Angaben softcover
ZusatzInformation Charley is a contemporary art publication series edited by Maurizio Cattelan, Massimiliano Gioni and Ali Subotnick. A do-it-yourself magazine, Charley is an inclusive publication relying on assimilation, rather than on selection : Charley is a machine for redistribution, a mechanism for spreading and exploiting information, rumors, and communication. Like most information, it is partial, unstable, and untrustworthy. There are no hierarchies and no favorites in Charley : it flirts equally with celebrity and failure. Charley is a multiform creature, bound to transform with each issue. Charley is a pre-digested combine, with pages assembled from catalogues, brochures, press clips, postcards, and other visuals. But what is Charley really? Charley is a new publication on emerging artists. Prominent curators, writers, artists, and other arts professionals from around the world were asked to suggest up to 10 up-and-coming artists and/or submit materials on the artists for inclusion in Charley. 400 art makers from around the globe responded, and each of them is represented by one page of Charley
Namen Alexandre Perigot / Barthélémy Toguo / Bless / Carsten Nicolai / Christoph Büchel / Fabrice Gygi / Franz Ackermann / Joe Scanlan / Jonathan Meese / Jonathan Monk / Mark Handforth / Martin Boyce / Olaf Breuning / Trisha Donnely / Urs Fischer
Sprache Englisch
Stichwort Nullerjahre
TitelNummer
007072227 Einzeltitelanzeige (URI) Änderung
desjardin book
desjardin book
desjardin book

Desjardin Arnaud, Hrsg.: the book on books on artists books, 2011


Desjardin Arnaud, Hrsg.
the book on books on artists books
London (Großbritannien): The Everyday Press, 2011
(Buch) 230 S., 24x17 cm, ISBN/ISSN 978-0-9561738-4-3
Techn. Angaben erschienen zur Ausstellung at the Bloomberg Space London, eingelegt eine Karte mit handschriftlichem Text
ZusatzInformation The Bloomberg website says of the project:
For Comma 38, artist and publisher Arnaud Desjardin will exhibit new, old, rare, and popular books while running an active printing press in Bloomberg Space. His COMMA commission, part of an ongoing project titled The Book on Books on Artists' Books, is intended to create an active and participatory review of current and historical practice. This exhibition is about both the display of books on artists' books and the production of a book about the books displayed. He intends to print a first edition, a book of books, a critical anthology and source book, alongside which a large range of books on artists' books will be displayed in a series of vitrines.
Artists' books have normally been sold and distributed through small networks of bookshops and galleries that often produce lists of available titles in printed form. The advent of the Internet has meant that information online has changed the nature of this documentary evidence. Desjardin's unique and extraordinary combination of display and production makes an exhibition that actively engages in both the making and disseminating in real time. The books themselves become both vehicles for information and documents that testify for artistic activity in its own right
Sprache Englisch
WEB www.theeverydaypress.net
TitelNummer
007877259 Einzeltitelanzeige (URI) Änderung

Cerezo María / Llensa Emma, Hrsg.
Atem Books
La Bisbal d'Empordà (Spanien): Atem Books, 2010
(Plakat) 48x33 cm, 2 Stück.
Techn. Angaben Plakat, vermutlich beschnitten
ZusatzInformation Atem Books is an independent publishing house based in Catalunya focused on photography & illustration, contemporary drawing and thinking created by emerging artists from around the world. Our aims are: to help emerging artists to get their work more known, create a collection of contemporary works, to gather illustrators, photographers & art lovers. Atem Books has been publishing Carpaccio Magazine since April 2009. Atem Books is a non-profit organization, so all the money earnt is always invested in new publications.
Why ‘Atem’?
‘Atem’ stands for “wind, breath” in german. This word is inspired by an illustrated poetry book published by Paul Celan (poet) and Gisèle Celan (illustrator) called Atemkristall.
Who we are
Atem Books curators are María Cerezo and Emma Llensa. We both do all the works involved with mantaining Atem Books.
What we can do
We’re also offering our services to help you self-publish your book (both digital -pdf, epub, mobipocket-, Ipad and Iphone apps and print). Whether if you need advise on how to start self publishing a book or you need our services as curators, designers, layouters and image retouchers, just ask us what we can do for you.
We’re also offering our services to help you create your own website and, if you need one, how to create an e-commerce to sell your own goods. And, of course, we can give you marketing and self-promotion advises and guidelines.
Atem Books is 100% independent!
We don’t receive any external money. This project survives with the earns we do selling our publications.
Von der Webseite
WEB www.atembooks.com
TitelNummer
009056303 Einzeltitelanzeige (URI) Änderung

Morrison Rachael / Senior David, Hrsg.
Millennium Magazines
New York, NY (Vereinigte Staaten von Amerika): MoMA Library, 2012
(Heft) 78 S., 29,7x21 cm,
Techn. Angaben Farbkopien nach PDF, lose ineinander gelegt, Dokumentation der Ausstellung
ZusatzInformation This survey of experimental art and design magazines published since 2000 explores the various ways in which contemporary artists and designers utilize the magazine format as an experimental space for the presentation of artworks and text. Throughout the 20th century, international avant-garde activities in the visual arts and design were often codified first in the informal context of a magazine or journal. This exhibition, drawn from the holdings of the MoMA Library, follows the practice into the 21st century. The works on view represent a broad array of international titles within this genre, from community-building newspapers to image-only photography magazines to conceptual design projects. The contents illustrate a diverse range of image-making, editing, design, printing, and distribution practices. There are obvious connections to the past lineage of artists’ magazines and little architecture and design magazines of the 20th century, as well as a clear sense of the application of new techniques of image-editing and printing methods. Assembled together, these contemporary magazines provide a first-hand view into these practices and represents the MoMA Library’s sustained effort to document and collect this medium.
Text von der Webseite
WEB www.moma.org/visit/calendar/exhibitions/1244
TitelNummer
009734335 Einzeltitelanzeige (URI) Änderung
hinson-contemporary-artists
hinson-contemporary-artists
hinson-contemporary-artists

Hinson Tom E., Hrsg.: Contemporary Artists, 1981


Hinson Tom E., Hrsg.
Contemporary Artists
Cleveland, OH (Vereinigte Staaten von Amerika): The Cleveland Museum of Art, 1981
(Heft) 28x22 cm,
Techn. Angaben Drahtheftung
ZusatzInformation Heft mit Abbildungen der Werke zur Ausstellung "Contemporary Artists" 21. Oktober - 29.11.1981
Stichwort 1980er Jahre
TitelNummer
012640463 Einzeltitelanzeige (URI) Änderung
nyabf2017
nyabf2017
nyabf2017

Schumann Max, Hrsg.: NY Art Book Fair 2017, 2017


Schumann Max, Hrsg.
NY Art Book Fair 2017
New York, NY (Vereinigte Staaten von Amerika): Printed Matter, 2017
(Buch) 15x10,5 cm,
Techn. Angaben Softcover, Broschur
ZusatzInformation Publikation zur New York Art Book Fair 2017. Printed Matter presents the twelfth annual NY Art Book Fair, from September 22 to 24, 2017, at MoMA PS1, Long Island City, Queens. Free and open to the public, the NY Art Book Fair is the world’s premier event for artists’ books, catalogs, monographs, periodicals, and zines. The 2017 NY Art Book Fair will feature over 370 booksellers, antiquarians, artists, institutions and independent publishers from twenty-eight countries. This year’s NY Art Book Fair will include an ever-growing variety of exhibitors - from zinesters in (XE)ROX & PAPER + SCISSORS and the Small Press Dome representing publishing at its most innovative and affordable, to rare and antiquarian dealers offering out-of-print books and ephemera from art and artist book history, plus the NYABF-classic Friendly Fire, focused on the intersections of art and activism. NYABF17 will host an array of programming and special events, including: The Classroom, a curated engagement of informal conversations, workshops, readings, and other artist-led interventions, for the eighth year running, as well as The Contemporary Artists’ Book Conference (CABC), in its tenth year, featuring two full days of conversation on emerging practices and issues within art-book culture.
Text von der Website.
Namen Christopher Gianunzio (Coordinator) / Garrick Gott (Designer) / Hannah Myall (Administration) / Shannon Michael Cane (Kurator) / Yoshié Hozumi (Assistant Designer)
Sprache Englisch
Geschenk von Marlene Obermayer
Stichwort Antiquariat / Artist Book / Ausstellung / Druck / Künstlerbuch / Lesung / Messe / Pint / Printed Matter / Programm / Publishing / Verlag / Workshop / Xerox / Zine
WEB http://nyartbookfair.com/archive/2017
WEB www.printedmatter.org
TitelNummer
026036719 Einzeltitelanzeige (URI) Änderung
artists-book-yearbook-2016-2017
artists-book-yearbook-2016-2017
artists-book-yearbook-2016-2017

Bodman Sarah, Hrsg.: Artist's Book Yearbook 2016-2017, 2015


Bodman Sarah, Hrsg.
Artist's Book Yearbook 2016-2017
Bristol (Großbritannien): Impact Press, 2015
(Buch) 268 S., 29,6x21 cm, ISBN/ISSN 978-1-906501-10-5
Techn. Angaben Broschur, Softcover, design by Tom Sowden
ZusatzInformation International listings of artists’ books activity includes: collections, courses, dealers, publishers, galleries, centres, bookshops, libraries, artist-led projects, organisations, societies, print studios, fairs, festivals and competitions.
In the Artists’ Books Listings section you can also find 537 examples of new artists’ books, with information about their work sent in by 182 artists in the following countries: Australia, Belgium, Canada, Chile, China, Denmark, France, Germany, India, Ireland, Italy, Japan, Norway, Poland, Russia, South Africa, Spain, Sweden, The Netherlands, the UK and the USA.
Text von der Webseite
Namen Angie Waller / Candace Hicks / Danqing Huang / Ian Andrews / Mark Wingrave / Martha Hellion / Mireille Fauchon / Paul Laidler / Sophie Loss
Sprache Englisch
Geschenk von Sarah Bodman
Stichwort Aufsatz / Bericht / Jahrbuch / Künstlerbücher / Neuerscheinungen / Theorie
WEB www.bookarts.uwe.ac.uk
TitelNummer
015938574 Einzeltitelanzeige (URI) Änderung
klassen-renegade-library
klassen-renegade-library
klassen-renegade-library

Klassen Lois, Hrsg.: Books on Fire - the documentation of the Renegade Library, 1998


Klassen Lois, Hrsg.
Books on Fire - the documentation of the Renegade Library
Brandon, MB (Kanada): Art Gallery of Southwestern Manitoba, 1998
(Heft) 72 S., 13,8x21,5 cm,
Techn. Angaben Drahtheftung, farbiger Einband, Exlibris und braune Papiertüte mit Einstecker eingeklebt
ZusatzInformation Katalog und Lieferverzeichnis zur Ausstellung in der Art Gallery of Southwestern Manitoba, 02.07.-21.08.1998.
Renegade Library was a major mail art project that challenged artists in the networks to collaboratively use postal systems to produce and circulate books, zines, book-objects, artists books, multiples and more. Over 700 artists participated, and over 500 artists books were produced.
Text von der Website
Geschenk von Klaus Groh
Stichwort Künstlerbücher
WEB www.loisklassen.com
TitelNummer
017358634 Einzeltitelanzeige (URI) Änderung
weserburg-kuenstlerbuecher-fuer-alle-pk
weserburg-kuenstlerbuecher-fuer-alle-pk
weserburg-kuenstlerbuecher-fuer-alle-pk

Thurmann-Jajes Anne / Jordan Dörthe / Schyma Frauke, Hrsg.: Künstlerbücher für Alles - Artists' Books for Everything, 2017


Jordan Dörthe / Schyma Frauke / Thurmann-Jajes Anne, Hrsg.
Künstlerbücher für Alles - Artists' Books for Everything
Bremen (Deutschland): Weserburg / Zentrum für Künstlerpublikationen, 2017
(PostKarte) 2 S., 16x11,5 cm,
Techn. Angaben Einladungskarte zur Ausstellungseröffnung, beidseitig bedruckt
ZusatzInformation Einladung zur Eröffnung der Ausstellung am 02.06.2017.
Ausstellung des Zentrums für Künstlerpublikationen 03.06.2017-06.08.2017
Die Ausstellung möchte erstmals einen Überblick über die aktuelle Entwicklung und Verbreitung des Künstlerbuches geben und die Vielfältigkeit dieses Genres aufzeigen. Es werden Künstlerbücher gezeigt, die ca. in den letzten fünf Jahren international entstanden sind. Dazu lädt das Zentrum für Künstlerpublikationen mit einen "Call for Artists‘ Books" Künstlerinnen und Künstler aus aller Welt ein, sich mit einem Werk an der Ausstellung zum internationalen Künstlerbuch zu beteiligen. Unter dem Motto "Künstlerbücher für Alles - Artists‘ Books for Everything - Livre d'artiste pour tout" können bis Ende April 2017 Künstlerbücher eingereicht werden, die in einer größeren Auflage, also nicht als Unikate oder in Kleinstauflage, entstanden sind und über den Buchhandel oder Galerien bzw. die Künstlerinnen und Künstler selbst vertrieben werden. ...
Der Titel oder das Motto "Künstlerbücher für Alles" oder "Artists Books for Everything" bezieht sich auf den deutsch-schweizerischen Künstler Dieter Roth und seine "Zeitschrift für Alles", für die er ebenso Künstlerinnen und Künstler eingeladen hatte, sich mit künstlerischen Beiträge zu beteiligen.
Text von der Webseite
Namen (Tim) / Aalrust Endre / Adt Reinhold / Agosta Marco / Almeida Cristina de / Alonso Diana Mercedes / Altmann Paul / Amore Johnny / Anastasio Laura / Andras Butak / Andreasen Søren / André Sassenroth / Andy & Cloud / Appelt Julia / Arend Henning / Armani Rozbeh / Avramidou Lina / Back Seung Woo / Bahlsen Clara / Balamuc / Baracchi Tiziana / Beckmann Matthias / Belinchón Sergio / Below Peter / Bennett Jennifer / Berthold Matthias / Bessarabova Anastasia / Beutler Philip / Bielmeier Felix / Bigland Guy / Bizzoni Jessica / Blaskovic Nikola / Blast / BLEK / Blue Simon / Bodman Sarah / Bonke Regine / Borgsen Anne Doris / Bory Jean-Francois / Boschan Madeleine / Boué Peter / Brandis Birgit / Brandsma Martin / Brandstifter / Bredahl Vibe / Breuer Lars / Breuer Marcia / Brinkmann Thorsten / Bürner Susanne / Cador Armin Brito / Chabalala Nonkululeko / Choi-ahoi Kyun-hwa / Christoffel Claudia / Claudia Piepenbrock / Clement Angela B. / Coneja Marisa / Conrads Martin / Conrady Matthias / Contini Leone / Cremers Sebastian / Cremer Till / Csaba Pál / Cuppens Noelle / D'Agata Antoine / Dadanautik / Dahms Irmgard / Dannecker Maks / Danner Michael / Dansa Salmo / Danysz Inga / Debenedetti Bruno Chiarlone / de la Fuente Gutierrez Nieves / Dellafiora David / Delpino Gianinna / Del Vecchio Naomi / Demuth Karin / Dencker Klaus Peter / Dieckwisch Liza / Dietmann Anja / Diotavelli Marcello / Dobers Veronika / Dornan Linda Rae / Doubrawa Reinhard / Drange Chris / Dreesen Felix / Dworsky Alexis / Ebner Jorn / Eichelmann Volker / Eimermacher Sibylle / Einhoff Friedrich / Einszehn Iven / Eklund Petter / Endrejat Birte / Erbelding Jan / Erikson Carl Johan / Espíndola Mauro / Esswein Andrea / Everaers Johan / Exotikdot / Fabis Jeannette / Fabricius Jesper / Fahima Alexander / Falkenhagen Harald / Faruqee Anoka / Feder Melanie / Feldmann Jenny / Fenner Mariska / Fernandez Sabrina / Fervenza Helio / Feyrer Gundi / Fierens Luc / Fiola Johannes / Foken Gesa / Frei Moritz / Fricker H.R. / Fritsch Sabrina / Froelich Dieter / Fuchs Nora / Förster Manfred / Gabriel Martin / Galeano Andrés / Geiger Thomas / Geister Gilbert / Gil Flood Patricio / Gilje Johanna / Gille Anna / Glas Mathias / Gloria Glitzer / Goosse Bruno / Grahnert Henriette / Grasser Angela / Grath Anna / Green Malcolm / Grigorescu Ion / Grohmann Uli / Groschup Sabine / Gruppo Sinestetico / Gräf Dieter M. / Gufler Philipp / Gunnesch Stefan / Géraud Yann / Göbel Philipp Donald / Hacker Karl-Friedrich / Haenni Michèle / Haffke Tilman / Halbritter Roland / Hamann Matthias / Hehmann Kerstin / Hehn Tanja / Heinemann Ellen / Heinze Manfred / Hempel Simon / Herfeldt Lisa / Hildebrand Sarah / Hilf Almut / Hinze Timo / Hoeft Jan / Hoffmann Anna / Hoffmann Kornelia / Holm Hansen Marianne / Holtfrerich Manfred / Holtmann Christian / Hombach Thomas / Huh Sookyoung / Hönig Nikolas / Ibrahim Bassel / Immigration Office / Jaxy Constantin / Jochum Michael / Jordan Dörthe / Jungesblut Yuki / Jóhannsson Sveinn Fannar / Jørgensen Åse Eg / Kalmus Lucas Jaspar / Kampka Marina / Kampmeier Theresa / Kamrau Katrin / Karo Blau / Karpushina Maria / Kelly Déirdre / Kenschner Gudrun / Kiewert Hartmut / Kiss Ilona / KLANK. MusikAktionEnsemble / Kleimann Anneke / Klein Lennart / Klein Stefan / Klose Franziska / Knaack Monika / Knotek Anatol / Koch Simona / Krauss Ingar / Kreiser Constanze / Kuhlendahl Kilian / Kuppel Edmund / Kwan Lorraine / Küster Sabine / Laidler Paul / Lange Carolin / Lange Gesa / Larsson Björn / Lemke Helmut / Lente Jelte van / Le Ruez Simon / Liefmann Jürgen / Lindau Margarete / Litzenberger Pia / Lloyd Ginny / Lohmann Imke / Loock Isolde / Lothschütz Leon / Lowry Sean / Loytved Axel / Lulay Lilly / Lupu Alina / Löffelholz Jue / Löser Ricarda / Lück Malte / Lühmann Andrea / Mackillop Sara / Maele Francis van / Maggi Ruggero / Mahlknecht Brigitte / Malsy Victor / Maltzan Gudrun von / March Sandra / Margulis & Sagan / Maris Benna G. / Marx Stefan / Masuku Siya / Mattes Hanna / Matysik Reiner Maria / May Eva / Mazières Damien / McLaren Sara / McTernan Elizabeth / Meinert Patrizia / Meinzer Dirk / Meyer Nanne / Middel Almut / Mier Hammann von / Miller Peter / Miralda / Missmahl Steffen / Mitkov Mitko / Miéville Paula / Mohr Beate / Morarescu Patrick / Moulène Jean-Luc / Myong-Hee KI / Möschel Ulrike / Müller Peter / Müller Ute / Nalbantidou Lia / Nast Franziska / Nausikaä Antoinette / Navarrete Carlos / Navarroza Wawi / Neacsu Irina / Neubauer Sebastian / Nixdorff Tabea / Norkeit Lätitia / Nuovia Eva Claudia / Núñez Barez Elia / Oberthaler Nick / Obst Heinrich / Oehmann Felix / Oertel Lucas / Offermann Eva-Maria / Ohlen Ahlrich von / Okazaki Ghaku / Opel Franziska / Palotai Gabor / Pam-Grant Sue / Paul Ulrike / Payer Micha / Paz Maria / Pedraza Paula Andrea / Pellacini Fion / Pellet Christian / Pelling Kate / Persy Daniel Ramon / Peschel Tilman / Peschel Tilman / Petit Rodolphe / Petri Jörg / Petri Nina / Pfahl Jirka / Pfister Burkhard / Pfohl Heidi / Pichler Michalis / Piekarski Thomas / Piller Peter / Pinheiro de Sousa Patricia / Platen Eva von / Plogsties Jochen / Pohl Holger / Premper Tobias / Prill Tania / Pál Csaba / Pötter Jan / Rabascall Joan / Ramaseder Josef / Rath Hannah / Rehnen Antonia / Reinecke Tim / Rein Lisa / Remy Penard / Renner Volker / Renninger Ann Carolin / Reusch Theresa / Rhys Sarah / Ricciardi Angelo / Riechardt Jörg / Rietzschel Tina / Rohde Michael H. / Romine Aaron / Rosenblith Edo / Rosengarth Barbara / Rupp Anna Rosa / Ruthenberg Matthias / Sauter Fritz / Scala Roberto / Schall Martina / Schamp Matthias / Schaper Antje / Schattauer Nora / Scheller Maxi / Schlamann Anja / Schloen Uwe / Schlöpke Anne / Schmid Doris / Schmitz Claudia / Schmuki Salome / Schoen Kim / Schul Natalia / Schulze-Wollgast Petra / Schulze Ani / Schulze Max / Schwalbe Anne / Schäfer Jenny / Sebert Vera / Seck Martin / Seedler Anija / Seidel Elfie / Seitz Maria / Shishkin Dasha / Sierra Gabriel / Sieverding Nina / Simnikiwe Buhlungu / Sinn Angelika / Specker Heidi / Spector Buzz / Sprenger Diana / Spurrier Stephen / Stahl Julius / Stegat Christiane / Steinhauser Gabi / Stiegler Angela / Stigmark Karl-Johan / Stolkin Maxwell / Strau Josef / Streng Ana / Strüver Lisan / Su Bo / Summers Rod / Survival Kit / Systermans Marvin / Søe-Pedersen Myne / Takkides Stephan / Teixeira Amanda / Tekaat Ralf / Terbuyken Tillmann / Terfloth Beate / Teske Anja / Theilkäs Hans-Ulrich / Thierback Stephan / Til Jan van der / Tiller Barbro Maria / Tomicek Timotheus / Torre Claudia de la / Trantel Piet / Tucholski Barbara Camilla / Vagt Anne / Vergnon-d'Alancon Aymeric / Vieceli Alberto / Vincent Frederic / Voigt Julius / Voit Konstantin / Vordermayr Marianne / Weber Eva / Wedel Heidemarie von / Weisser Michael / Welch Corinne / Wenzel Käthe / Wermers Nicole / Westermann Thilo / Wetzel Antonia / Wetzig Janika Naja / Wiersbinski Paul / Wilke Johannes / Williams Euan / Wlodarczak Gosia / Wolf-Rehfeldt Ruth / Yersel Seçil / Zellerhoff Martin / Ziegenbalg Mario / Zoller Rahel / Zombik Maren / Zuber Benjamin / Šalamoun Barbara / Éts. Decoux / Öchsele Tobias
WEB http://www.weserburg.de/index.php?id=933
TitelNummer
023620701 Einzeltitelanzeige (URI) Änderung
annahme-erwuenscht-pc
annahme-erwuenscht-pc
annahme-erwuenscht-pc

Thurmann-Jajes Anne, Hrsg.: Annahme erwünscht! - Die Idee einer offenen Gesellschaft: Künstlerische Netzwerke im Kontext des Archivs Kees Francke. - Acceptance Welcome! - The Idea of an Open Society: Artistic Networks in the Context of the Kees Francke Archive, 2017


Thurmann-Jajes Anne, Hrsg.
Annahme erwünscht! - Die Idee einer offenen Gesellschaft: Künstlerische Netzwerke im Kontext des Archivs Kees Francke. - Acceptance Welcome! - The Idea of an Open Society: Artistic Networks in the Context of the Kees Francke Archive
Bremen (Deutschland): Weserburg / Zentrum für Künstlerpublikationen, 2017
(PostKarte) 2 S., 16x11,5 cm,
Techn. Angaben Einladungskarte zur Ausstellungseröffnung, beidseitig bedruckt
ZusatzInformation Einladung zur Eröffnung der Ausstellung am 14.09.2017.
Ausstellung 14.09.2017-06.01.2018
The philosopher Karl Popper called in 1945 for an open society “in which one can breathe and think freely, in which each person has a value, and in which the society exerts no unnecessary pressure on the individual”. In the 1960s and 1970s a new generation of artists began to replicate works of art in the form of artists’ books, magazines, newspapers, small multiple objects, postcards, graphic posters or audio cassettes. These were sold for a small fee or exchanged internationally with artist colleagues, disregarding all political frontiers, from Eastern Europe to Latin America. An international network was thus formed via the post, enabling artists to circumvent the censorship of their work. This was the genesis of so-called Mail Art. Everyone could participate, nobody was excluded. there were no juries and no censorship. A societal vision in accordance with that envisaged by Karl Popper was apparent in the dehierarchisation and the democratisation of art. The exhibition shows works from the archive of the Dutch artist Kees Francke, who would have celebrated his 65th birthday this year, supplemented by works from other archives that help to form a picture of the networks though which these artists were interconnected. A cabinet exhibition in the series "On the Gallery"
Text von der Webseite
Sprache Deutsch / Englisch
Stichwort Archiv / Netzwerk / Privatsammlung
WEB http://www.weserburg.de/index.php?id=948&L=1
TitelNummer
024262701 Einzeltitelanzeige (URI) Änderung
contemporary-and-dak-art-2014
contemporary-and-dak-art-2014
contemporary-and-dak-art-2014

Grosse Julia / Mutumba Yvette / Diallo Aicha / Bakhit Bakri, Hrsg.: C& - Contemporary And - Special Print Edition Dak'Art-14, 2014


Bakhit Bakri / Diallo Aicha / Grosse Julia / Mutumba Yvette, Hrsg.
C& - Contemporary And - Special Print Edition Dak'Art-14
Dakar (Senegal): C& - Contemporary And, 2014
(Zeitschrift, Magazin) 20 S., 30.6x23,4 cm,
Techn. Angaben Wendezeitung, Blätter lose zusammengelegt,
ZusatzInformation Katalogzeitung zur Biennale vom 9. Mai zum 8.06.2014 in Dakar.
Contemporary And (C&) ist ein Online-Kunst-Magazin und eine Austauschplattform für zeitgenössische Künstler verschiedener afrikanischer Perspektiven.
Sprache Englisch / Französisch
Geschenk von Jürgen O. Olbrich
Sponsoren ifa
WEB www.contemporaryand.com
TitelNummer
012782466 Einzeltitelanzeige (URI) Änderung
Techno-somatics
Techno-somatics
Techno-somatics

Boscher Johannes, Hrsg.: Techno-somatics and physical experience - Memory on the Internet - Our ears open a whole world to us: about the experiment to program an exhibition on a vinyl record, 2017


Boscher Johannes, Hrsg.
Techno-somatics and physical experience - Memory on the Internet - Our ears open a whole world to us: about the experiment to program an exhibition on a vinyl record
Hamburg (Deutschland): Curated by Weekly, 2017
(Heft) 12 unpag. S., 29,5x21 cm,
Techn. Angaben Drahtheftung
ZusatzInformation ‘Curated by Weekly’ is a digital art project. It aims to raise questions regarding online formats, web-based distribution and the acceleration of digital platforms in contemporary art. The project is made up of a website and a magazine, which will be released in irregular intervals. The latter will include essays and interventions about digital exhibition formats, the experiences of digital curation and the questions about media and matter in the post-analogue space. Every week, an artwork will be “curated” and published on the website. In cooperation with different individuals, institutions and independent projects from the art field, artistic positions and works will be displayed. They can function as pieces of art in the digital sphere as well as be critical about it, or to contrast itself with the functions of the web. The project’s pace and composition orientates itself around the relevant visual environment of the present day.
The format of the website is consciously purely visual, while complementary content will be published in the magazine. This content will consist of essays and contributions around certain questions. For example: How new formats will be established in contemporary art, which technological tools are required or how curation is practiced in a digital space. What should particularly be highlighted is determining which artistic media, surfaces and materialities provide an adequate digital environment.
'Curated by Weekly' aims for an experimental format, which uses the speed and the possibilities of the digital space, but instead of reproductions and documentations we want to show artistic work itself, to address availability in the digital space and to use catchy visual surfaces. At the same time, the discourse and the self-reflection of the format is discussed in the appearing magazines/readers online and offline.
Text von der Webseite
Namen Agnes Gryczkowska (Essay) / Chloe Stead (Essay) / Clara Meister (Essay) / Max Prediger (Design) / Tim Geißler (Editor)
Sprache Englisch
Geschenk von Xenia Fumbarev
Stichwort contemporary art / Essay / Experiment / Internet
WEB www.curatedbyweekly.com
TitelNummer
024057658 Einzeltitelanzeige (URI) Änderung

Turner Julian: Lösungen / Solutions, 2017

turner-solutions
turner-solutions
turner-solutions

Turner Julian: Lösungen / Solutions, 2017


Turner Julian
Lösungen / Solutions
Köln / Wien (Deutschland / Österreich): mumok Museum Moderner Kunst Stiftung Ludwig Wien / Verlag der Buchhandlung Walther König, 2017
(Buch) 116 S., 23,4x16 cm, Auflage: 450, ISBN/ISSN 978-3-96098-269-2
Techn. Angaben Broschur, Cover aus biegsamen gefrästen Flexointegralstäben mit türkiser Deckelpappe. eingelegt Lesezeichen, Schriftentausch mit der mumok-Bibliothek.
ZusatzInformation Katalog zur Ausstellung "Julian Turner. warum nicht" anlässlich der Vergabe des Kapsch Contemporary Art Prize 2017, 10.11.2017 - 11.03.2018 im mumok, Wien.
Der 1985 in Hamburg geborene Künstler Julian Turner ist der zweite Preisträger des Kapsch Contemporary Art Prize, einer Auszeichnung zur Förderung junger Künstler_innen mit Lebensmittelpunkt in Österreich, die erstmals 2016 von der Kapsch Group gemeinsam mit dem mumok ausgelobt wurde. „Geplante Imperfektion“ durchdringt die multimedialen Arbeiten Turners, in denen er Konventionen des Kunstbetriebes zitiert und humorvoll infrage stellt. Mit seiner Bar du Bois – einem Hybrid aus Ausstellungsraum, funktioneller Bar und kollaborativem Kunstprojekt – hat der Künstler ein sich immer weiter entwickelndes Format kreiert, das eine soziale Unterwanderung des Ausstellungsraums unternimmt.
Für seine erste museale Einzelausstellung warum nicht beschäftigt sich Turner mit dem Begriff des Displays, musealen und nicht musealen Präsentationsformen, sowie mit unterschiedlichsten Sammlungsprozessen: Wie sammeln wir, was sammeln wir und warum sammeln wir? Oder warum eigentlich nicht? Wie stellen wir eben jene Sammlungen aus? Oder warum nicht? Die unsichtbare Imperfektion steht im Mittelpunkt. Der Prozess wird zum ausgestellten Objekt.
(Text von der Webseite.)
Namen Annette Südbeck (Text) / Emanuel Mauthe (Gestaltung) / Georg Kapsch (Text) / Karola Kraus (Text) / Klaus Speidel (Text) / Marianne Dobner (Herausgeberin - Kuratorin - Text)
Sprache Deutsch / Englisch
Stichwort 2010er Jahre / Ausstellung als Display / Bar / contemporary art / Design / Humor / Hybrid / Imitation / Imperfektion / Installation / junge Kunst / Kollaboration / Kunstbetrieb / Kunstpreis / Multimedia / Prozess / Sammlung / soziale Unterwanderung / Zitat / Ästhetik / Österreich
WEB https://www.mumok.at/de/events/julian-turner-warum-nicht
TitelNummer
025673709 Einzeltitelanzeige (URI) Änderung
heinecken_retro
heinecken_retro
heinecken_retro

Heinecken Robert: Recto/Verso, 1983


Heinecken Robert
Recto/Verso
Paso Robles, CA (Vereinigte Staaten von Amerika): Nazraeli Press, 1983
(Buch) [44] S., 36x28,5 cm, Auflage: 1000, ISBN/ISSN 1-59005-174-2
Techn. Angaben Hardcover, Fadenheftung, Leineneinband, Titel aufgeprägt. ehem. Bibliotheksexemplar, Loyola Marymount University, siehe Etikett im Vorsatz und Aufdruck auf den Schnitt
ZusatzInformation Recto/Verso is the latest attempt to grasp the magnitude of the monumental archive of photograms that Robert Heinecken created during the past 40 years. In this current sampling, comprised of work from his own archive, Heinecken offers a look back at the decade of the 1980s, where decadence and narcissism inhabit the same space as spirituality and family values. Though the patinas of these color photograms speak of that generation, their revelations are contemporary in their incisiveness. In looking at the history of the photogram, beginning with Henry Fox Talbot’s ‘photogenic drawings’ and Man Ray’s ‘Rayographs’, Heinecken must be viewed as its most rebellious practitioner – unflinching, enigmatic and alert. Robert Heinecken’s work has been widely exhibited in the United States, Europe and Asia, and is included in many major collections, including the Museum of Contemporary Art, Chicago; LA County Museum of Art; and the Center for Creative Photography, Tucson. Recto/Verso is printed in a first edition of 1,000 casebound copies, with an introduction by Rod Slemmons, Director of the Museum of Contemporary Photography, Chicago.
Text von der Webseite
Namen Rod Slemmons (Text)
Sprache Englisch
Stichwort 1980er Jahre / Collage / Fotografie / Magazin / Mode / Postmoderne / Sampling / Werbung / Überblendung
WEB www.nazraeli.com/complete-catalogue/robert-heinecken-recto-verso
TitelNummer
026242721 Einzeltitelanzeige (URI) Änderung
postkarte-mca-zine-fair-2016
postkarte-mca-zine-fair-2016
postkarte-mca-zine-fair-2016

MacGregor Elizabeth Ann, Hrsg. : 2016 MCA Zine Fair, 2016


MacGregor Elizabeth Ann, Hrsg.
2016 MCA Zine Fair
Sydney (Australien): Museum of Contemporary Art Australia, 2016
(PostKarte) 2 S., 15x10 cm,
Techn. Angaben Postkarte,
ZusatzInformation Fyler anlässlich der Zine Fair im Museum of Contemporary Art, Sydney, 11.-12.06.2016. MCA Zine Fair is an annual festival featuring hundreds of zinesters, distros, independent presses, and artists. Showcasing over 100 creators of zines, small press and comics from across the country the festival also includes creative workshops dedicated to making, swapping and selling
Text von der Webseite
Sprache Englisch
Geschenk von Jürgen Wegner
Stichwort DIY / Künstlerbücher / Messe / Zines
WEB www.mca.com.au/events/mca-zine-fair-2016/
TitelNummer
023263630 Einzeltitelanzeige (URI) Änderung
gillick weiner syntax
gillick weiner syntax
gillick weiner syntax

Gillick Liam / Weiner Lawrence: A Syntax of Dependency:, 2011


Gillick Liam / Weiner Lawrence
A Syntax of Dependency:
Mailand (Italien): Mousse Publishing, 2011
(Buch) 56 S., 30,5x21,5 cm, ISBN/ISSN 978-88-965016-1-0
Techn. Angaben mit Kunststoffumschlag, geklammert
ZusatzInformation This publication documents the monumental collaborative work which Liam Gillick and Lawrence Weiner produced for the Antwerp museum of contemporary art MuHKA in the spring of 2011. Tellingly titled A Syntax of Dependency:, the project could be viewed as the outcome of a twenty-year dialogue between artists, artistic practices, generations. This giant floor piece, consisting of an abstract linoleum pattern containing an array of phrases, took up the museum's entire first floor - its site-specifity meaning that the end of the exhibition also entailed the work's irreversible destruction. This photo novella - complete with fragments of a conversation between both artists and a short text by exhibition curator Dieter Roelstraete - captures the work in its unique desolate splendor
TitelNummer
008501220 Einzeltitelanzeige (URI) Änderung
fischli weiss sonne
fischli weiss sonne
fischli weiss sonne

Fischli Peter / Weiss David: Sonne, Mond und Sterne, 2008


Fischli Peter / Weiss David
Sonne, Mond und Sterne
Zürich (Schweiz): JRP Ringier, 2008
(Buch) 800 S., 31,5x25,2x4,5 cm, ISBN/ISSN 978-3-905829-41-9
Techn. Angaben Softcover, Englische Broschur, auf dem Innencover
ZusatzInformation This new artists’ book by the celebrated Swiss artist-duo gathers 800 images taken from worldwide magazine advertisements. Designed by NORM in close collaboration with the artists, the book, stemming from Fischli/Weiss’ contribution to the Ringier AG Annual Report 2007, is a very generous if slightly nauseating collection of photos, slogans, and messages that constitute our contemporary media landscape. Organized in loose categories, they plunge the reader in a flow of images whose commercial dimension recedes to let their (often unplanned) narrative qualities freely develop into an unlikely account of life’s journey.
Text vom Verlag
Sprache Englisch
Stichwort Nullerjahre
TitelNummer
009476000 Einzeltitelanzeige (URI) Änderung
selfpublish happy summer
selfpublish happy summer
selfpublish happy summer

Ceschel Bruno, Hrsg.: Self Publish, Be Happy Summer 2010, 2010


Ceschel Bruno, Hrsg.
Self Publish, Be Happy Summer 2010
London (Großbritannien): Self Publish, Be Happy, 2010
(Buch) 24x18 cm, Auflage: 200,
Techn. Angaben Broschur, Cover mit Prägedruck
ZusatzInformation Self Publish, Be Happy is an organisation founded by Bruno Ceschel in 2010 with the aim of celebrating, studying and promoting self-published photo books through events (such as exhibitions, displays and talks), publications and online exposure. Self Publish, Be Happy also organises workshops that help artists and photographers make and publish their own books.
Self Publish, Be Happy Shop sells a selection of remarkable and rare contemporary books.
Self Publish, Be Happy Blog features daily photography by mostly emerging artists.
Text von der Webseite
Sprache Englisch
Stichwort Photographie
WEB www.selfpublishbehappy.com
TitelNummer
009708334 Einzeltitelanzeige (URI) Änderung
charley-05
charley-05
charley-05

Cattelan Maurizio / Gioni Massimiliano / Subotnick Ali, Hrsg.: Charley 05, 2007


Cattelan Maurizio / Gioni Massimiliano / Subotnick Ali, Hrsg.
Charley 05
Athen (Griechenland): Deste Foundation, 2007
(Zeitschrift, Magazin) 544 S., 24,5x17 cm, ISBN/ISSN 978-1-933045-67-2
Techn. Angaben softcover
ZusatzInformation This volume brings together the stray dogs of contemporary art: Charley 05 features artists that are remained isolated, forgotten, proudly scluded or sightly unnoticied, in spite of their visionary work. Mixing professionals and amateurs, cult figures and unknown, Charley 05 composes a gallery of obsessions. It collects the art of unheard prophets, volontary outcasts, great solitary masters and freaks. Celebrating the extreme subjectivity of nearly 100 artists, Charley 05 questions accepted hierarchies by insinuating new, infective doubts. Charley 05 looks at the periphery, or maybe just sideways, trying to escape from the center.
Namen Alice Aycock / Al Taylor / Anita Steckel / Baby Dee / Barbara T. Smith / Barkley Hendricks / Betty Thompkins / Bill Bollinger / Bill Daniel / Cameron / Charlotte / Charlotte Posenenske / Christopher Knowles / Cleveland Turner / Colin Self / Daan van Golden / Dan Miller / David Medalla / David Novros / Dorothy Iannone / Douglas Blau / Edi Hila / Emilio Prini / Emma Kunz / Emmett Williams / Eugene Von Bruenchenheim / Evgenij Kozlov / Ferdinand Kriwet / Forrest Clemenger Bess / Francisco Sobrino / Franck Gaard / Frederick Hammersley / Gene Beery / Gianfranco Baruchello / Harold Stevenson / Harry Kramer / Heidi Bucher / Helen Lundeberg / Hilma af Klint / Ian Breakwell / Ian Wallace / Ionel Talpazan / Jacqueline Fahey / James "Son" Thomas / James Castle / Jan Groover / Jaroslaw Kozlowski / Jean-Frederic Schnyder / Jeffery Vallance / Jess / Jess Hilliard / Jim Krewson / Jirí Kovanda / Joe Coleman / John Altoon / John Fare / John Patrick McKenzie / Július Koller / Karl Benjamin / Keith Arnatt / Ketty La Rocca / Konrad Klapheck / Leonard Knight / Lorraine O'Grady / Lorser Feitelson / Lowry Burgess / Manfred Kuttner / Manon / Margaret Harrison / Mark Hogancamp / Melvin Way / Michael Bernard Loggins / Michael Schmidt / Miriam Schapiro / Miroslav Tichý / Morton Bartlett / Myron Stout / Niko / Noah Purifoy / OHO / Panos Koutrouboussis / Patrick Keiller / Paul Laffoley / Paul Wunderlich / Peter Dean / Peter Fritz / Pirosmani / Ree Morton / Richard Allen Morris / Robert Arneson / Robert Breer / Robert Marbury / Roland Flexner / Ruth Asawa / Sarina J. Brewer / Scott a. a. Bibus / Sister Mary Corita Kent / Stano Filko / Stan VanDerBeek / Stephen Kaltenbach / Stuart Sherman / Suzy Lake / Sylvia Sleugh / Tetsumi Kudo / The Philadelphia Wireman / Thomas Bayrle / Tina Keane / Will Insley
Sprache Englisch
Stichwort Nullerjahre
TitelNummer
009817340 Einzeltitelanzeige (URI) Änderung
artist music journals 1 9 seripop 2010
artist music journals 1 9 seripop 2010
artist music journals 1 9 seripop 2010

Lum Chloe / Desranleau Yannick: Artist Music Journals Vol. 1 No. 9 - Seripop, 2010


Desranleau Yannick / Lum Chloe
Artist Music Journals Vol. 1 No. 9 - Seripop
Brooklyn, NY (Vereinigte Staaten von Amerika): Soundscreen Design, 2010
(Zeitschrift, Magazin) 24 unpag. S., 26,5x26,5 cm, Auflage: 1000,
Techn. Angaben Drahtheftung, Heft in Pappschuber mit Aufkleber
ZusatzInformation Edition 09 in the ongoing Artist Music Journals series features the work of the Montreal based artists and musicians Chloe Lum and Yannick Desranleau, known as Seripop. Known for their original illustration and design work, as well as their longstanding tenure as founders and members of the musical outfit Aids Wolf, Seripop have a broad following around the globe. For their AMJ, Seripop compiled years of original gig poster work, the first collection of its kind for the studio, which has made thousands of prints over the years.
About Seripop: Yannick Desranleau and Chloe Lum are visual artists and musicians who started collaborating in 2002 under the nom de guerre Seripop. Based in Montreal, Seripop has earned international attention for its stylistically distinct, silkscreened street posters. In 2005, Lum and Desranleau began experimenting with sculptural print installations which merge notions of city politics and visual perception. The duo has been speaking and exhibiting their work at various art institutions including Baltic Centre for Contemporary Art in Gateshead, England, Peacock Visual Arts in Aberdeen, Scotland, and the University of North Texas, Denton, USA. In addition to Seripop, Lum and Desranleau play in AIDS Wolf, a noise-rock band and Hamborghinni, a drums and electronics project.
Text von der Webseite
TitelNummer
010678375 Einzeltitelanzeige (URI) Änderung
the-artists-book_san-diego_1977
the-artists-book_san-diego_1977
the-artists-book_san-diego_1977

McAllister Gerry, Hrsg.: The Artists´s Book, 1977


McAllister Gerry, Hrsg.
The Artists´s Book
San Diego, CA (Vereinigte Staaten von Amerika): Mandeville Art Gallery, 1977
(Heft) 13 unpag. S., 22,7x15,3 cm, ISBN/ISSN 7677-161
Techn. Angaben gefalteter Umschlag, Katalogsblätter oben zusammen geklammert,
ZusatzInformation Ausstellung von Unikat-Künstlerbüchern oder limitierten Ausgabenvon Gegenwartskünstlern, 18.04.-15.05.1977
Geschenk von Klaus Groh
Stichwort contemporary artists
TitelNummer
017169627 Einzeltitelanzeige (URI) Änderung
lippard-six-years
lippard-six-years
lippard-six-years

Lippard Lucy R., Hrsg.: Six years: The dematerialization of the art object from 1966 to 1972 ..., 1997


Lippard Lucy R., Hrsg.
Six years: The dematerialization of the art object from 1966 to 1972 ...
Berkeley, CA / Los Angeles, CA (Vereinigte Staaten von Amerika): University of California Press, 1997
(Buch) 272 S., 21,5x17,5 cm, ISBN/ISSN 9780520210134
Techn. Angaben Hardcover, Exlibris der Pratt Institute Library, mit Ausmusterungsstempeln
ZusatzInformation Titelergänzung: The dematerialization of the art object from 1966 to 1972 : a cross-reference book of information on some esthetic boundaries : consisting of a bibliography into which are inserted a fragmented text, art works, documents, interviews, and symposia, arranged chronologically and focused on so-called conceptual or information or idea art with mentions of such vaguely designated areas as minimal, antiform, systems, earth, or process art, occurring now in the Americas, Europe, England, Australia, and Asia (with occasional political overtones), edited and annotated by Lucy R. Lippard.
In Six Years Lucy R. Lippard documents the chaotic network of ideas that has been labeled conceptual art. The book is arranged as an annotated chronology into which is woven a rich collection of original documents—including texts by and taped discussions among and with the artists involved and by Lippard, who has also provided a new preface for this edition. The result is a book with the character of a lively contemporary forum that offers an invaluable record of the thinking of the artists — a historical survey and essential reference book for the period.
Text von der Webseite
Ursprünglich publiziert 1973 bei Praeger, New York
Sprache Englisch
Stichwort 1970er Jahre / 1980er Jahre / concept art / Fluxus / Konzeptkunst / Künstlerbücher
WEB www.ucpress.edu/book.php?isbn=9780520210134
TitelNummer
023699657 Einzeltitelanzeige (URI) Änderung
Toiletpaper-12
Toiletpaper-12
Toiletpaper-12

Cattelan Maurizio / Ferrari Pierpaolo: Toiletpaper 12, 2016


Cattelan Maurizio / Ferrari Pierpaolo
Toiletpaper 12
Bologna (Italien): Freedman Damiani, 2016
(Zeitschrift, Magazin) 44 S., 28,9x22,4 cm, ISBN/ISSN 978-8862084284
Techn. Angaben Drahtheftung
ZusatzInformation nur Bilder, ohne Text
TOILETPAPER is an artists’ magazine created and produced by Maurizio Cattelan and Pierpaolo Ferrari, born out of a passion or obsession they both cultivate: images. The magazine contains no text. each picture springs from an idea, often simple, and through a complex orchestration of people it becomes the materialization of the artists’ mental outbursts. Since the first issue, in June 2010, TOILETPAPER has created a world that displays ambiguous narratives and a troubling imagination. It combines the vernacular of commercial photography with twisted narrative tableaux and surrealistic imagery. The result is a publication that is itself a work of art, which, through its accessible form as a magazine, and through its wide distribution, challenges the limits of the contemporary art economy. Text von der Webseite
Sprache Englisch
Stichwort absurd / Farbfotografie / Künstlermagazin / Stillleben / Surrealismus
WEB www.toiletpapermagazine.com
TitelNummer
023938626 Einzeltitelanzeige (URI) Änderung
Toiletpaper-09
Toiletpaper-09
Toiletpaper-09

Cattelan Maurizio / Ferrari Pierpaolo: Toiletpaper 09, 2014


Cattelan Maurizio / Ferrari Pierpaolo
Toiletpaper 09
Bologna (Italien): Freedman Damiani, 2014
(Zeitschrift, Magazin) 44 S., 28,9x22,4 cm, ISBN/ISSN 978-8862082945
Techn. Angaben Drahtheftung
ZusatzInformation nur Bilder, ohne Text
TOILETPAPER is an artists’ magazine created and produced by Maurizio Cattelan and Pierpaolo Ferrari, born out of a passion or obsession they both cultivate: images. The magazine contains no text. each picture springs from an idea, often simple, and through a complex orchestration of people it becomes the materialization of the artists’ mental outbursts. Since the first issue, in June 2010, TOILETPAPER has created a world that displays ambiguous narratives and a troubling imagination. It combines the vernacular of commercial photography with twisted narrative tableaux and surrealistic imagery. The result is a publication that is itself a work of art, which, through its accessible form as a magazine, and through its wide distribution, challenges the limits of the contemporary art economy. Text von der Webseite
Sprache Englisch
Stichwort absurd / Farbfotografie / Künstlermagazin / Stillleben / Surrealismus
WEB www.toiletpapermagazine.com
TitelNummer
023939626 Einzeltitelanzeige (URI) Änderung
Toiletpaper-10
Toiletpaper-10
Toiletpaper-10

Cattelan Maurizio / Ferrari Pierpaolo: Toiletpaper 10, 2014


Cattelan Maurizio / Ferrari Pierpaolo
Toiletpaper 10
Bologna (Italien): Freedman Damiani, 2014
(Zeitschrift, Magazin) 44 S., 28,9x22,4 cm, ISBN/ISSN 978-8862083393
Techn. Angaben Drahtheftung
ZusatzInformation nur Bilder, ohne Text
TOILETPAPER is an artists’ magazine created and produced by Maurizio Cattelan and Pierpaolo Ferrari, born out of a passion or obsession they both cultivate: images. The magazine contains no text. each picture springs from an idea, often simple, and through a complex orchestration of people it becomes the materialization of the artists’ mental outbursts. Since the first issue, in June 2010, TOILETPAPER has created a world that displays ambiguous narratives and a troubling imagination. It combines the vernacular of commercial photography with twisted narrative tableaux and surrealistic imagery. The result is a publication that is itself a work of art, which, through its accessible form as a magazine, and through its wide distribution, challenges the limits of the contemporary art economy. Text von der Webseite
Sprache Englisch
Stichwort absurd / Farbfotografie / Künstlermagazin / Stillleben / Surrealismus
WEB www.toiletpapermagazine.com
TitelNummer
023941626 Einzeltitelanzeige (URI) Änderung
toiletpaper-15
toiletpaper-15
toiletpaper-15

Cattelan Maurizio / Ferrari Pierpaolo: Toiletpaper 15, 2017


Cattelan Maurizio / Ferrari Pierpaolo
Toiletpaper 15
Bologna (Italien): Freedman Damiani, 2017
(Zeitschrift, Magazin) [44] S., 28,8x22,5 cm, ISBN/ISSN 978-886208556-4
Techn. Angaben Drahtheftung
ZusatzInformation nur Bilder, ohne Text
Toiletpaper is an artists’ magazine created and produced by Maurizio Cattelan and Pierpaolo Ferrari, born out of a passion or obsession they both cultivate: images. Number 15, powered by Perrotin. The magazine contains no text. each picture springs from an idea, often simple, and through a complex orchestration of people it becomes the materialization of the artists’ mental outbursts. Since the first issue, in June 2010, ‘Toiletpaper’ has created a world that displays ambiguous narratives and a troubling imagination. It combines the vernacular of commercial photography with twisted narrative tableaux and surrealistic imagery. The result is a publication that is itself a work of art, which, through its accessible form as a magazine, and through its wide distribution, challenges the limits of the contemporary art economy.
Text von der Webseite
Namen Micol Talso (Art Direktor) / Sebastiano Mastroeni (Projekt Direktor)
Sprache Englisch
Stichwort absurd / Farbfotografie / Hund / Katze / Körper / Künstlermagazin / Stillleben / Surrealismus
WEB www.toiletpapermagazine.com
TitelNummer
025101671 Einzeltitelanzeige (URI) Änderung

Cattelan Maurizio / Ferrari Pierpaolo: Toiletpaper 8 - September 1971, 2013

cattelan-toiletpaper-no8
cattelan-toiletpaper-no8
cattelan-toiletpaper-no8

Cattelan Maurizio / Ferrari Pierpaolo: Toiletpaper 8 - September 1971, 2013


Cattelan Maurizio / Ferrari Pierpaolo
Toiletpaper 8 - September 1971
Bologna (Italien): Freedman Damiani, 2013
(Zeitschrift, Magazin) [44] S., 28,8x22,5 cm, ISBN/ISSN 9788862082860
Techn. Angaben Drahtheftung
ZusatzInformation nur Bilder, ohne Text
"Toilet Paper" is an artists' magazine created and produced by Maurizio Cattelan and Pierpaolo Ferrari, born out of a passion or obsession they both cultivate: images. The magazine contains no text - each picture springs from an idea, often simple, and through a complex orchestration of people it becomes the materialization of the artists’ mental outbursts. Since the first issue, in June 2010, "Toilet Paper" has created a world that displays ambiguous narratives and a troubling imagination. It combines the vernacular of commercial photography with twisted narrative tableaux and surrealistic imagery. The result is a publication that is itself a work of art which, through its accessible form as a magazine, and through its wide distribution, challenges the limits of the contemporary art economy". A brand new, pristine example of the eighth issue of this fascinating, irregularly issued artist's project.
Text von der Webseite
Namen Micol Talso (Art Direktor) / Sebastiano Mastroeni (Projekt Direktor)
Sprache Englisch
Stichwort absurd / Amsel / Bohnen / Farbfotografie / Huhn / Insekten / Interieur / Kitsch / Körper / Künstlermagazin / Pop / Popcorn / Popkultur / Salami / Schädel / Spaghetti / Stillleben / Surrealismus
Sponsoren Fondation Beyeler
WEB https://www.abebooks.com/first-edition/TOILETPAPER-SEPTEMBER-1971-ISSUE-8-CATTELAN/22480046789/bd
WEB www.toiletpapermagazine.com
TitelNummer
025613708 Einzeltitelanzeige (URI) Änderung

Bisson-Millet Paule Léon
List 4/13 Artists' Books, and some others, which are not artists books, artists' writings and some new titels from book works
Beilstein (Deutschland): Antiquariat Bisson-Millet, 2013
(Lieferverzeichnis) 12 unpag. S., 29,7x21 cm,
Techn. Angaben Farblaserkopie, Drahtheftung. Buchliste des Antiquariats

TitelNummer
010999381 Einzeltitelanzeige (URI) Änderung

Küng Moritz
Making and Collecting Artists’ Books
Barcelona (Spanien): Arts Libris, 2014
(CD, DVD) 10,3x14 cm,
Techn. Angaben 2 mp4-Filme aus YouTube auf CD gebrannt vom internationalen Symposium während der Buchmesse
ZusatzInformation Arts Libris 2014 - Seminari Making Artists' Books / Arts Libris 2014 - Seminari Collecting Artists' Books
Bei den Podiumsgesprächen dabei Victoria Browne, Christophe Daviet Thery, Elizabeth James, Guy Schraenen, Ignasi Aballí, Alex Gifreu, Fran­cesc Ruiz, Helena Tatay
WEB www.artistbooks.de/blog/podiumsgesprach-in-barcelona
TitelNummer
011658417 Einzeltitelanzeige (URI) Änderung
Andreasen-copy-construct
Andreasen-copy-construct
Andreasen-copy-construct

Andreasen Kasper, Hrsg.: copy construct, 2017


Andreasen Kasper, Hrsg.
copy construct
Mechelen (Niederlande): Cultuurcentrum Mechelen, 2017
(Heft) 64 S., 29,7x21 cm,
Techn. Angaben Drahtheftung, unbeschnitten, beigelegt der Ausstellungsplan und handschriftliches Anschreiben
ZusatzInformation The exhibition Copy Construct departs from different artistic practices and specific works by artists that are based on reproduction or copy. The selected works are inherent to the production of printed matter or artist’s books. This implies that different artistic media such as painting, drawing, photography, video, sculpture, and graphic design can manifest themselves through graphical problematics and their meanings. Alongside the 25 works of the artists, a little less than 300 books from the KASK collection (School of Arts, Ghent) and private collections from Belgium and England are displayed in the exhibition. The exhibition architecture is designed by Kris Kimpe and Koenraad Dedobbeleer and is accompanied by a publication, designed by Joris Dockx, which includes a bibliography of the exhibited books, different contributions by the artists, an interview with a book collector, etc.
Pressetext
Namen Aglaia Konrad / Alon Levin / Anne-Mie Van Kerckhoven / Club Moral / Frans Oosterhof / Gregorio Magnani / Guy Rombouts / Henri Jacobs / Jan Kempenaers / Jan Op de Beeck / Kasper Andreasen / Koenraad Dedobbeleer / Kris Kimpe / Marc Nagtzaam / Mitja Tušek / Peter Downsbrough / Ria Pacquée / Sara MacKillop / Simon Popper / Stephanie Kiwitt / the KASK Collectionet / Vincent Geyskens / Willem Oorebeek
Sprache Englisch
Geschenk von Kasper Andreasen
Stichwort Drucksachen / Konstruktion / Kopie / Künstlerbücher / Medien
WEB www.cultuurcentrummechelen.be/tentoonstellingen/20162017/copy-construct
WEB www.kasperandreasen.com
TitelNummer
023548633 Einzeltitelanzeige (URI) Änderung
tonnard-abc-reviews
tonnard-abc-reviews
tonnard-abc-reviews

Tonnard Elisabeth: ABC REVIEWS, 2011


Tonnard Elisabeth
ABC REVIEWS
Leerdam (Niederlande): Selbstverlag, 2011
(Buch) 68 unpag. S., 20,5x12,7 cm,
Techn. Angaben Broschur
ZusatzInformation Established in 2009, ABC Artists’ Books Cooperative is an international distribution network created by and for artists who self-publish artists’ books. This book, made from found online reviews, shows the immense impact of ABC in the world.
Text von der Website
Sprache Englisch
Stichwort Appropriation Art / artist books / artist publications / Cooperative / Internet / Künstlerbücher
WEB www.elisabethtonnard.com/works/abc-reviews/
TitelNummer
024725673 Einzeltitelanzeige (URI) Änderung
andreasen-copy-cat-blau
andreasen-copy-cat-blau
andreasen-copy-cat-blau

Andreasen Kasper, Hrsg.: copy construct, 2017


Andreasen Kasper, Hrsg.
copy construct
Mechelen (Niederlande): Roma Publications, 2017
(Heft) 66 S., 27,3x20 cm, Auflage: 500, ISBN/ISSN 9789491843945
Techn. Angaben Drahtheftung, beigelegt der Ausstellungsplan und handschriftliches Anschreiben
ZusatzInformation The exhibition Copy Construct departs from different artistic practices and specific works by artists that are based on reproduction or copy. The selected works are inherent to the production of printed matter or artist’s books. This implies that different artistic media such as painting, drawing, photography, video, sculpture, and graphic design can manifest themselves through graphical problematics and their meanings. Alongside the 25 works of the artists, a little less than 300 books from the KASK collection (School of Arts, Ghent) and private collections from Belgium and England are displayed in the exhibition. The exhibition architecture is designed by Kris Kimpe and Koenraad Dedobbeleer and is accompanied by a publication, designed by Joris Dockx, which includes a bibliography of the exhibited books, different contributions by the artists, an interview with a book collector, etc.
Pressetext
Namen Aglaia Konrad / Alon Levin / Anne-Mie Van Kerckhoven / Club Moral / Frans Oosterhof / Gregorio Magnani / Guy Rombouts / Henri Jacobs / Jan Kempenaers / Jan Op de Beeck / Joris Dockx (Design) / Kasper Andreasen / Koenraad Dedobbeleer / Kris Kimpe / Marc Nagtzaam / Mitja Tušek / Peter Downsbrough / Ria Pacquée / Sara MacKillop / Simon Popper / Stephanie Kiwitt / the KASK Collectionet / Vincent Geyskens / Willem Oorebeek
Sprache Englisch
Geschenk von Kasper Andreasen
Stichwort Drucksachen / Konstruktion / Kopie / Künstlerbücher / Medien
WEB www.cultuurcentrummechelen.be/tentoonstellingen/20162017/copy-construct
WEB www.kasperandreasen.com
TitelNummer
025306633 Einzeltitelanzeige (URI) Änderung

Neaderland Louise, Hrsg.: The I.S.C.A. Quarterly Volume 14 Number 4 - 11th annual bookworks issue, 1996

neaderland-isca-vol14-nr-4
neaderland-isca-vol14-nr-4
neaderland-isca-vol14-nr-4

Neaderland Louise, Hrsg.: The I.S.C.A. Quarterly Volume 14 Number 4 - 11th annual bookworks issue, 1996


Neaderland Louise, Hrsg.
The I.S.C.A. Quarterly Volume 14 Number 4 - 11th annual bookworks issue
Brooklyn, NY (Vereinigte Staaten von Amerika): International Society of Copier Artists, 1996
(Sammeltuete, Schachtel, Kassette / Heft / Zine / Stamp, Briefmarke / Zeitschrift, Magazin) 21,8x24,8x6 cm, Auflage: 100, signiert, 86 Teile.
Techn. Angaben Konvolut mit 17 Heften (Drahtheftung, geklammert, Fadenheftung, genäht), ein Bogen mit 42 Künstlerbiefmarken mit unterschiedlichen Motiven, 8 Einzelblätter, ein Papiertütchen mit Karten, 8 Leporellos/selbstgemachte Zines. Zwei eigene Konvolute: 8 Miniheften in transparenter Plastiktüte und Leporello in Papiertüte, mit Plastikklammern verschlossen und beklebt. Alles nummeriert und meist signiert, teils beklebt, bestempelt, mit angeheftete Objekten o.a. Alles in beklebtem Karton.
ZusatzInformation The International Society of Copier Artists (I.S.C.A) was a non-profit group founded by Louise Neaderland in 1981, intended to promote the work of copier artists and to advocate for the recognition of copier art as a legitimate form. The group is best known for producing The I.S.C.A Quarterly as well as for coordinating exhibitions of xerographic artwork, and the distribution of "The I.S.C.A Newsletter". Women made up the majority of society's membership.
The I.S.C.A. Quarterly was published from 1982-2003. Typically, issues were produced in limited editions of 200 copies, with an average of 45 pages of original copier art supplied by I.S.C.A. members. Over the years the form of the Quarterly mutated from a collection of unbound pages to a spiral bound journal with an Annual Bookworks Edition composed of a box of books made by I.S.C.A. members. The work produced for the Quarterly ranged widely in focus from social and political issues to personal and emotional themes. The final issue (Volume 21, #4) was published in June 2003.
Text von Wikipedia
Namen Barbara Hilmer-Schröer / Bernd J. Finley / Bill Ward / C.F. Pomerantz / C Freid / Claudia Pütz / D. Vollmer / DEDE Mottek / Egone Scoz / Elichi Matsuhashi / Hendrik Liersch / Janet Janet / J Padgett / Ken Barkee / Kiki & Rene / Litsa Spathi / Luise Neaderland / Maria Eta Castellanos / Mascha Grüne / Mitzi Humphrey / Owen F. Smith / Pamela Zwehl-Burke / Patricia Collins / Patrick Merill / Ralf Schröer / Ray Johnson / Reid Wood / Rene / Rick Macklin / Robert J. Hastings / S. Denker / Susanne Cohn / Yve Morse
Sprache Deutsch / Englisch
Stichwort 1990er Jahre / Collage / Comic / Copy Art / Gedicht / Humor / Journey / Künstlerbriefmarke / Lyrik / Mail Art / Map / Poesie / Stamp Art / Zeichnung / Zine
WEB https://en.wikipedia.org/wiki/International_Society_of_Copier_Artists
TitelNummer
025828719 Einzeltitelanzeige (URI) Änderung
outsiders-shedden
outsiders-shedden
outsiders-shedden

Hackett Sophie / Shedden Jim, Hrsg.: Outsiders - American Photography and Film 1950-1980s, 2016


Hackett Sophie / Shedden Jim, Hrsg.
Outsiders - American Photography and Film 1950-1980s
Toronto (Kanada): Art Gallery of Ontario, 2016
(Buch) 194 S., ISBN/ISSN 978-0-8478-4955-0
Techn. Angaben Hardcover, fadengeheftet
ZusatzInformation Outsiders, a special exhibition of unforgettable images opening at the AGO March 2016, highlights photographers and filmmakers working in the United States from the late 1950s to the mid-1980s in a time of intense political and cultural turmoil. It's no accident that artists at the time turned to photography and film - mass media then largely "outside" the realm of mainstream art and its focus on painting and sculpture- to express a broader range of human experience. Photographs by some of the greatest artists of the period depict musicians, cross-dressers, biker gangs, protests, press conferences, and even animals, bringing to light the complex social realities and the yearning for greater collective and individual equality. As part of the exhibition, the AGO will be presenting films by artists Kenneth Anger, Marie Menken, Robert Frank, Shirley Clarke, and others.
Text von der Website.
Namen Alfred Leslie / Casa Susanna / Danny Lyon / Diane Arbus / Garry Winogrand / Gordon Parks / Kenneth Anger / Marie Menken / Nan Goldin / Robert Frank / Robert Frank / Shirley Clarke
Sprache Englisch
Stichwort 1950er Jahre / 1960er Jahre / 1970er Jahre / 1980er Jahre / Armut / Ausstellung / Film / Fotografie / Gang / Gewalt / Heroin / Motorad / Outsider / Politik / Portrait / Rassismus / Szene
WEB https://shop.ago.ca/62029/Outsiders.-Exhibition-Catalogue/
TitelNummer
026079722 Einzeltitelanzeige (URI) Änderung

London Barbara, Hrsg.: Artists' Bookworks to be shown in Museum Exhibition, 1977

london-bookworks1
london-bookworks1
london-bookworks1

London Barbara, Hrsg.: Artists' Bookworks to be shown in Museum Exhibition, 1977


London Barbara, Hrsg.
Artists' Bookworks to be shown in Museum Exhibition
New York, NY (Vereinigte Staaten von Amerika): The Museum of Modern Art, 1977
(Presse, Artikel) [4] S., 28x21,7 cm, 2 Stück.
Techn. Angaben Zwei Blätter, geklammert
ZusatzInformation Pressrelease. Between March 17 and May 31, 1977 in The Museum of Modern Art's Paul J. Sachs Galleries there will be in an exhibition of more that 200 artists' "bookworks" from the Museum's growing collection of this new and innovative genre. Focusing on the mass-produced, under-$25 book conceived and designed entirely by artists in the last fifteen years.
Text vom Schreiben
Namen Dick Higgins / Dieter Rot / Gilbert & George / Hanne Darboven / John Baldessari / Lawrence Weiner / Marcel Broodthaers / Ray Johnson / Telfer Stokes / Vito Acconi
Sprache Englisch
Geschenk von Erich Gantzert-Castrillo
Stichwort 1970er Jahre / Artist Book / Ausstellung / Künstlerbuch / Museum / Print
WEB https://www.moma.org/calendar/exhibitions/2393
TitelNummer
026117735 Einzeltitelanzeige (URI) Änderung
london-masterlist-bookworks
london-masterlist-bookworks
london-masterlist-bookworks

London Barbara, Hrsg.: Artists' Bookworks to be shown in Museum Exhibition, 1977


London Barbara, Hrsg.
Artists' Bookworks to be shown in Museum Exhibition
New York, NY (Vereinigte Staaten von Amerika): The Museum of Modern Art, 1977
(Ephemera, div. Papiere) [18] S., 28x21,7 cm,
Techn. Angaben Neun Blätter, geklammert, eins lose
ZusatzInformation Master Checklist. Between March 17 and May 31, 1977 in The Museum of Modern Art's Paul J. Sachs Galleries there will be in an exhibition of more that 200 artists' "bookworks" from the Museum's growing collection of this new and innovative genre. Focusing on the mass-produced, under-$25 book conceived and designed entirely by artists in the last fifteen years.
Text vom Schreiben
Namen A.R. Penck / Andy Warhol / Bruce Nauman / Carl Andre / Christian Boltanski / Christo / Claes Oldenburg / Claus Boehmler / Daniel Buren / Daniel Spoerri / Dick Higgins / Dieter Rot / Gilbert & George / Hanne Darboven / Hanne Darboven / Harry Andersol / John Baldessari / Jörg Immendorff / Lawrence Weiner / Marcel Broodthaers / Mario Merz / Michele Zaza / Panamarenko / Poppy Johnson / Ray Johnson / Rebecca Horn / Richard Long / Robert Filliou / Susan Hiller / Susan Weil / Sylvia Whitman / Telfer Stokes / Vito Acconi
Sprache Englisch
Geschenk von Erich Gantzert-Castrillo
Stichwort 1970er Jahre / Artist Book / Ausstellung / Künstlerbuch / Museum / Print
WEB https://www.moma.org/calendar/exhibitions/2393
TitelNummer
026119735 Einzeltitelanzeige (URI) Änderung
the-archive-of-digital-art-pk
the-archive-of-digital-art-pk
the-archive-of-digital-art-pk

Grau Oliver, Hrsg.: The Archive of Digital Art ADA - The Archive of Digital Arts goes Web 2.0!, 2018


Grau Oliver, Hrsg.
The Archive of Digital Art ADA - The Archive of Digital Arts goes Web 2.0!
Krems (Österreich): The ARCHIVE OF DIGITAL ART, 2018
(PostKarte) 8,8x21 cm,
Techn. Angaben Infokarte
ZusatzInformation As a pioneer in the field of Media Arts research, the ARCHIVE OF DIGITAL ART (ADA) documents the rapidly evolving field of digital installation art for more than a decade now. This complex, research-oriented overview of works at the intersection of art, science, and technology has been developed in cooperation with international media artists, researchers and institutions, as a collective project.
Since todays digital artworks are processual, ephemeral, interactive, multimedia-based, and fundamentally context dependent, because of their different structure, they require a modified, we called it an ‚expanded concept of documentation‘. ADA represents the scientific selection of 500 international artists of approx. 5.000 evaluated artists. We ascribe high importance to artistic inventions like innovative interfaces, displays or software.
Text von der Webseite
Sprache Englisch
Stichwort Archiv / Digital / Display / Dokumentation / Forschung / Interface / Multimedia / Research / Software / Video
WEB http://digitalartarchive.at/nc/home.html
TitelNummer
026217801 Einzeltitelanzeige (URI) Änderung
thirty-three-canberra
thirty-three-canberra
thirty-three-canberra

Armanious Hany / Cerkez Mutlo / Dashper Julian / Gordon Douglas: 33 1/3 - Thirty three and a third, 1996


Armanious Hany / Cerkez Mutlo / Dashper Julian / Gordon Douglas
33 1/3 - Thirty three and a third
Canberra (Australien): Canberra Contemporary Art Space, 1996
(Heft) 23 S., 14,8X14,8 cm, ISBN/ISSN 1-875526-34-X
Techn. Angaben Drahtheftung
ZusatzInformation Curator Trevor Smith. Catalogue of exhibition held at Canberra Contemporary Art Space, 31 August - 22 September 1996
Stichwort 1990er Jahre
TitelNummer
012082411 Einzeltitelanzeige (URI) Änderung



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