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Gesucht wurde Extreme, Medienart , Sortierung ID, absteigend.
Alle Suchbegriffe sind in allen Ergebnissen enthalten: 12 Treffer

 Hinweis zum Copyright

Verfasser
Titel
  • brand eins Heft 01 2008 Extremosan Mittel gegen akute Schübe von Fanatismus ... Schwerpunkt Extreme
Ort Land
Verlag Jahr
Medium Zeitschrift, Magazin
Techn. Angaben
  • 162 S., 28x21,2 cm, ISBN/ISSN 14389339
    Artdirection Mike Meiré
Stichwort
WEB Link
TitelNummer
005947029
Einzeltitel =

charley-05

Titel
  • Charley 05
Ort Land
Verlag Jahr
Medium Zeitschrift, Magazin
Techn. Angaben
  • 544 S., 24,5x17 cm, ISBN/ISSN 9781933045672
    softcover
ZusatzInfos
  • This volume brings together the stray dogs of contemporary art: Charley 05 features artists that are remained isolated, forgotten, proudly scluded or sightly unnoticied, in spite of their visionary work. Mixing professionals and amateurs, cult figures and unknown, Charley 05 composes a gallery of obsessions. It collects the art of unheard prophets, volontary outcasts, great solitary masters and freaks. Celebrating the extreme subjectivity of nearly 100 artists, Charley 05 questions accepted hierarchies by insinuating new, infective doubts. Charley 05 looks at the periphery, or maybe just sideways, trying to escape from the center.
Weitere Personen
Sprache
Stichwort
TitelNummer
009817340
Einzeltitel =

gimeno hellsinki

Verfasser
Titel
  • Hellsinki
Verlag Jahr
Medium Heft
Techn. Angaben
  • [68] S., 28x18 cm, ISBN/ISSN 9788461393800
    Drahtheftung, Umschlag kleinerformatig geschnitten und auf andersfarbigem Papier, in transparenter Kunststoffhülle
ZusatzInfos
  • This is not Helsinki, but Hellsinki
    Discipline, order, accuracy. These three characters define the Finnish society pretty well. But, because this book has no vocation to be documentary, these features are replaced here by coldness, darkness and loneliness. My aim with the book is to give a portrait, from a subjective point of view, of my experience living in the Finnish capital city for ten months. I guess the extreme climate and the feeling of being in an alien and hermetic surround made me look into the more sordid aspects of this town.
    Text von der Webseite
    Entstanden in Zusammenarbeit mit Michail Adamis und Tanit Plana
TitelNummer
010384356
Einzeltitel =

slanted-19

Verfasser
Titel
  • Slanted #19 – Super-Families
Ort Land
Verlag Jahr
Medium Zeitschrift, Magazin
Techn. Angaben
  • 164 S., 32x24 cm, ISBN/ISSN 18676510
    Klappbroschur, verschiedene Papiere
ZusatzInfos
  • Super-Families veranstaltet ein großes Familienfest. Wir beschäftigen uns in dieser Ausgabe mit den großen Schriftfamilien (je nach Fall auch Schriftsippen genannt), deren Stammbäume eine erstaunliche Variationsvielfalt an den Tag legen. Sie zeichnen sich durch eine Vielzahl von Schnitten aus, die sich bis in die Extreme aufspreizen – ein Spektakel von Hairline bis Ultra Black mit Compressed zu Extended, da ist für jeden etwas dabei. Hinzu kommt, dass direkte Verwandte auch in Sans, Serif, Semi-Serif, Slab, Rounded, etc., vertreten sind.
    Text von der Webseite
Sprache
WEB Link
TitelNummer
011141393
Einzeltitel =

hale-morris-inside

Verfasser
Titel
  • Getting Inside Simon Morris Head
Ort Land
Medium Buch
Techn. Angaben
  • 324 S., 19,8x12,8 cm, Auflage: 500, ISBN/ISSN 9781907468216
    Softcover, Taschenbuch
ZusatzInfos
  • Getting Inside Simon Morris’ Head is a performative retyping of Simon Morris’ conceptual bookwork Getting Inside Jack Kerouac’s Head. Like Morris’ original performance of retyping the scroll edition of Jack Kerouac’s On the Road, Joe Hale’s project first appeared as a blog. At the rate of one page per day, like Morris retyping Kerouac before him, Hale retyped Morris’ entire book and in doing so re-retraces Kerouac’s famous adventure. Morris gave us all of Kerouac’s pages in reverse order: each blog post presented one page and the default settings of the blog platform organised his posts in reverse order, from the newest to the oldest. Now inverted again, as a double negative, Hale has restored the direction of travel to the story and produced a wholly (un)original new text. This first printed edition takes the imitative gesture to a new extreme. It features an introductory essay by poet Kenneth Goldsmith and reuses Morris’ paratext. From the cover design to the choice of paper, Hale tests the limits of conceptual extension.
    Text von der Webseite
Stichwort
Geschenk von Simon Morris
TitelNummer
012287451
Einzeltitel =

tillmans-the-cars

Verfasser
Titel
  • The Cars
Ort Land
Medium Zeitschrift, Magazin
Techn. Angaben
  • 128 S., 24x16,2 cm, ISBN/ISSN 9783863357528
    Broschur mit Klappumschlag
ZusatzInfos
  • I wanted to show how cars appear in typical street view, which is rarely the subject of photographs. Cars are usually avoided in photography - one waits until a car has exited a view. The ordinary presence of cars is rarely worthy of representation. It's always the special car, or the extreme traffic jam or, of course, the exciting crash that is being pictured. The Cars pays tribute to the shapes and forms we look at every day. How much time we spend with them, sitting inside them, the endless hours we stare at a dashboard. Even if we don't own a car ourselves, their presence is unavoidable. Cars are everywhere. Their sheer number is the most crazy thing about them. They appear in our lives with excessive omnipresence. In their volume cars intrude upon public space, and the way they occupy streets and open areas is rarely challenged.
    Text von der Webseite
TitelNummer
014728493
Einzeltitel =

foerster-shoot-the-lobster-

Verfasser
Titel
  • Shoot the Lobster 2015
Medium Heft / Zine / Sammeltuete, Schachtel, Kassette
Techn. Angaben
  • [8] S., 26,8x20 cm, keine weiteren Angaben vorhanden
    Drahtheftung. Im Set mit acht Heften von Ryan Foerster.
ZusatzInfos
  • From November 25 to December 26, 2014, it was possible to see a sculpture by the New York artist Ryan Foerster hung on a drink vendor's stand on a street in Saigon. In an extreme economy, the cost of this project, US$ 20, is equal to the salary offered to the street vandor to hang the artwork for a one-month period. The event happened without any publicity, leaving the artwork for public view without advertisement and stirring the curiosity of pasersby.
    This experience, an idea of the gallerist José Martos, can be recreated in different contexts, always with the aim of asking questions about the status of the artwork and its autonomy, the exhibition and its form.
    Frédérik Sanchez (Auszug aus dem Vorwort)
Weitere Personen
Sprache
TitelNummer
024998695
Einzeltitel =

from-static-oblivion-grigorescu

Verfasser
Titel
  • From static oblivion
Ort Land
Verlag Jahr
Medium Buch
Techn. Angaben
  • [352] S., 30x16 cm, Auflage: 1.000, ISBN/ISSN 9782954197425
    Broschur, in silberner Kunststoff Schutzhülle mit Aufkleber
ZusatzInfos
  • A reflection about the status of the image as a balance of forces in tension and a paradoxical act of cancellation of the body through its own representation. In Ion Grigorescu’s work, as in the book, the body is continually shown in different ways - from photography to film, from performance to drawing - and yet it remains absent, obscuring its own identity in an attempt to question the collective one. As it is impossible to show his art during the regime, it ends up hiding, disappearing inside the image. Instead of showing, the image conceals, because it is non-documentary and non-transmittable. it is an act of birth, a prove of the artist’s resistance, especially as a human being inside (or against) any geographical or historical background. In the rituals of his gestures and in the symbolism of his performances, Grigorescu finds a way to stay alive, preserving his own intellectual status while also defending the dignity of everyday life. The book traces the progression, both expansive and inclusive, of his work, which inscribes itself into the space of the body and of the world. Grigorescu absorbs elements of the surrounding reality, showing us a continuity between art and life: his act of dissidence is not an outcry of provocation, nor is it extreme. it is an anti-aesthetic operation which uses experimentation and rough techniques to uncover the fiction of art, to denounce the artifice of representation and to affirm images as an instrument of subversive power.
    Text von der Webseite.
Weitere Personen
Sprache
Stichwort
Geschenk von Giuliana Prucca
TitelNummer
026563729
Einzeltitel =

gufler-statue-love
gufler-statue-love
gufler-statue-love

Gufler Philipp: I'm in love with a statue, 2019

Verfasser
Titel
  • I'm in love with a statue
Ort Land
Medium PostKarte
Techn. Angaben
  • [2] S., 10,5x21 cm, keine weiteren Angaben vorhanden
    Postkarte, beidseitig bedruckt
ZusatzInfos
  • Zur Ausstellung 02.-05.-07.06.2019, in der Galerie Francoise Heitsch, München. Einige Tage am Ende des letzten Jahres verbrachte Philipp Gufler mit einem Team an Filmleuten und befreundeten Künstler_innen in der Foundadtion Vasarely in Aix-en-Provence, um sich am Ego und Egozentrismus eines Malers abzuarbeiten, welcher der Op-Art nachhaltig seine DNA einschrieb. Diogo Da Cruz, Johanna Gonschorek, Richard John Jones, Evelyn Taocheng Wang, Louwrien Wijers und Philipp Gufler formulieren die Wirkung der Werke körperlich. Die optischen Effekte der großformatigen Bilder affizieren die Anwesenden, das Sehen löst extreme Reaktionen des Körpers aus. Die Reizüberflutung führt zu Schwindelgefühlen.
    Text von der Website.
Sprache
Geschenk von Francoise Heitsch
TitelNummer
026984306
Einzeltitel =

Malone Anthony (Marafioti Martin): For Everard Vol. 1-11, 2013 ab

marafioti-for-everard-1
marafioti-for-everard-1
marafioti-for-everard-1

Malone Anthony (Marafioti Martin): For Everard Vol. 1-11, 2013 ab

Titel
  • For Everard Vol. 1-11
Verlag Jahr
Medium Zine / Sticker, Button
Techn. Angaben
  • [12-16] S., 20,6x13,5 cm, Auflage: 100, signiert, 12 Teile. keine weiteren Angaben vorhanden
    11 Hefte, Schwarz-Weiß-Laserkopien, Drahtheftung, Aufkleber
ZusatzInfos
  • About the series:
    The For Everard zine series chronicles the 1977 fire at New York's Everard Baths, combining archival research with imagined narratives to re-focus attention to obscured histories. The series explores the media coverage of the subsequent investigation of the fire, and the lives of the nine men who perished. The zines bring together photographic images with primary news sources, as well as personal anecdotes collected from eyewitness testimonials.
    About the individual zines:
    For Everard, Vol. 1, 2013, ed. 100 (nr. 65)
    This zine chronicles the May 25, 1977 fire at New York's Everard Baths and the media coverage of the subsequent investigation.
    For Everard, Vol. 2 (Bloodbrothers), 2013, ed. 100 (Nr. 81)
    In the second volume of his series chronicling the 1977 fire at New York’s Everard Baths, Anthony Malone focuses on Bellevue Hospital’s blood drive for the victims of the great bathhouse tragedy. Malone draws parallels between the 1977 restrictions placed on gay men for donating blood to their “brothers” and current FDA guidelines that indefinitely defer donations from men who have had sex with men since 1977. This black and white photocopied zine (ed 100) juxtaposes archival images, news clippings, and just a touch of fantasy.
    For Everard, Vol. 3 (Remembering Jimmy), 2015, ed. 100 (Nr. 94)
    Volume 3 of the series, For Everard is dedicated to the memory of Jimmy Stuard, who died in the tragic fire at the Everard Baths in 1977. Stuard was a rising star in the disco music scene. He spun records first at Boston’s 1270 Club, and later at New York’s 12 West, where he inspired an entire generation of musical artists and DJs. In this particular volume, Anthony Malone assembles images and archival texts that serve as a tribute to the great Jimmy Stuard.
    For Everard, Vol. 4 (A Lovely Show), 2016, ed. 100 (Nr. 62)
    For Everard, Vol. 4 (A Lovely Show) is a tribute to Kenneth Hill, one of the nine men who died in the devastating fire at the Everard Baths in 1977. Kenn played a vital role in the East Village/Lower East side countercultural movement in the late ‘60s and 1970s. He was a hippie, a bar tender at Phebe’s (a watering hole and salon for the experimental theater community in the 1970s), one of the founders of the Old Reliable Theatre Tavern, House Manager at La Mama Experimental Theatre Club, and a photographer. This zine celebrates Kenneth Hill by collaging archival documents with personal artifacts and pictures of Kenn from meaningful moments in his life.
    For Everard, Vol. 5 (A Dearly Loved Man), 2017, ed. 100 (Nr. 95)
    For Everard, Vol. 5 (A Dearly Loved Man) assembles images and stories from the life of Ira Landau, a gifted and dedicated teacher who died in the tragic fire at the Everard Baths in 1977. Ira left behind a devoted family (his mother, brother, niece, and lover) and is still greatly missed by his loved ones. This zine is a tribute to the life and accomplishments of a remarkable man who served in the Peace Corps and committed himself to educating young minds both abroad (in the Middle East) and at home in the US. It contains family photos and personal images generously contributed by Ira’s niece.
    For Everard, Vol. 6 (Yosef’s Song), 2017, ed. 100 (Nr. 94)
    Volume 6 of the series For Everard celebrates the life of a remarkable musical prodigy, Yosef Synovec. This zine tells the story of a young man with great aspirations who emigrated to the United States from Czechoslovakia to study classical violin. In 1976, Holly Woodlawn overheard Synovec vocalizing as he was painting the bathroom of his East Village apartment, and determined on the spot that she had discovered an emerging star. As a singer, Synovec used his extreme vocal range to imitate the voice and persona of Peruvian diva Yma Sumac. He performed Sumac’s exotic musical numbers at several New York City cabarets and show venues. Sadly, on May 25, 1977, Yosef perished in the tragic fire at the Everard Baths.
    For Everard, Vol. 7 (Tony from the Bronx), 2017, ed. 100 (Nr. 86)
    This zine brings together images and stories from the life of Tony Calarco, one of the nine men who died in the fire at the Everard Baths in 1977. Tony was only 26 when he died. He lived with his parents and siblings in a modest house in the Bronx. He had recently graduated from college and was working as a social worker in New York city at the time of his death. Tony had aspirations to become a lawyer and was scheduled to begin law school in September of 1977. This zine celebrates Tony Calarco’s memory through photos of Tony, artifacts from his high school and college years, and recent photographs of his home and final resting place.
    For Everard, Vol. 8 (Looking for Amado), 2017, ed. 100 (Nr.84)
    Amado Alamo, a young man only 17 years old, lost his life in the fire at the Everard Baths in 1977. In Volume 8 of For Everard, Anthony Malone documents his search for the identity of the youngest victim of the Everard fire. The zine is an abstracted portrait of Alamo that assembles the few extant fragments of his story culled from newspaper articles and documentary sources glued together with the artist’s imagination.
    For Everard, Vol. 9 (Last Call), 2017, ed. 100 (Nr.72)
    Life was difficult for Hillman Wesley Adams. He was born in Jacksonville FL in 1938. His mother died just a few months after his birth, and by the age of nine, he found himself in an orphanage with his older brother. Fast forward 30 years: Hillman moved to NYC, struggled to make ends meet while working on and off as a bartender, and he met his lover, Ralph, with whom he shared a modest apartment in New Jersey. On May 25, 1977, Hillman died in the fire at the Everard Baths. Vol. 9 of For Everard is an assemblage of newspaper articles and vintage photos chronicling the life and untimely death of Hillman Wesley Adams.
    For Everard, Vol. 10 (In Memoriam: Patrick Nott), 2018, ed. 100 (Nr. 64)
    Volume 10 of For Everard memorializes the life of Patrick Nott, one of the nine men who died in the fire at the Everard Baths. Nott, a native of Wales with a passion for theater, literature, and music, pursued a successful career in hairdressing. He fell in love with his pen pal (a young woman from Brooklyn) and after their marriage, they moved to New York City, where Nott worked at the Vidal Sassoon Salon. This zine weaves together elements from his story (shared with the artist by Patrick Nott’s wife), with photographs, newspaper clippings, and artifacts. It acts as a humble tribute, an “In Memoriam” for this greatly loved man.
    For Everard, Vol. 11 (Thunderbird), 2019, ed. 100 (Nr. 79)
    Brian Duffy was an aspiring artist. In 1966 he was accepted to Pratt Institute of Art and although he declined admission to the school, he seized the opportunity to move to NYC and start a new life for himself. In the city, he worked hard at various retail jobs and tried to break into the theater, but everything changed when he met the love of his life, Bradley. The couple moved to a “quieter life” in Boston. They worked in restaurants in the Back Bay area and created a community for themselves amongst their chosen family of friends. Volume 11 of For Everard celebrates the brief life of Brian Duffy, a young man who died in the fire at the Everard Baths in 1977. This zine compiles photographs and stories shared with Malone by Brian’s sister and dear friend.
    The pseudonym "Anthony Malone" comes from a novel by Andrew Holleran (Dancer from the Dance). In this novel, Malone is the protagonist and at the end he disappears. Some of his friends believe that he may have committed suicide, others feel that he may have run away from New York, while some say that they saw him at the Everard Baths on the night of the fire. I imagine that Malone survived the fire and he is now making books and zines telling the story of the tragedy.
Sprache
Geschenk von Martin Marafioti
TitelNummer
027500763
Einzeltitel =

city-indian
city-indian
city-indian

Claudi / Stefan, Hrsg.: City Indian, 1980-1984

Verfasser
Titel
  • City Indian
Ort Land
Medium Zine
Techn. Angaben
  • 21x14,8 cm, Auflage: 400, 4 Teile. keine weiteren Angaben vorhanden
    Drahtheftung, Schwarz-Weiß Kopien mit farbigen Umschlägen
ZusatzInfos
  • Allgäuer Fanzine mit Konzertbesprechungen und Berichten zu internationalen Bands, Interviews, u.a.
    Heft Nr. 6, Nr. 7, Nr. 8, Nr. 9
Sprache
Geschenk von Olli Nauerz
TitelNummer
029913P02
Einzeltitel =

ishigami-small-images

Verfasser
Titel
  • small images
Ort Land
Verlag Jahr
Medium Buch
Techn. Angaben
  • 162 S., 21x14,9 cm, ISBN/ISSN 9784872751505
    Broschur.
ZusatzInfos
  • Eine Sammlung von Architekturprojekten, präsentiert in 500 Illustrationen und etwa 150 Textblöcken. Die Definitionslinien der jeweiligen Projekte werden dabei mehrdeutig und ein vages, abstraktes Gesamtbild entsteht, das sich neuen Assoziationen und Entdeckungen annimmt. Arbeiten, Projekte, Pläne, Fotografien, Modelle und Forschungen zeigen eine sensible und faszinierende Architektur dieses jungen japanischen Büros.
    Text von der Webseite, übersetzt.
    Auch Katalog zur Ausstellung "Extreme Nature: Landscape of Ambigous Spaces" der 11. Internationalen Architekturausstellung, Biennale di Venezia, 14.09.-23.11.2008.
Weitere Personen
Sprache
TitelNummer
025692711
Einzeltitel =


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