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Redesigning the Medieval Book - Personal Carol 1400 - singing breathing score video 2017
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1 S., 21x10,5 cm, signiert, 2 Teile. keine weiteren Angaben vorhanden
Infokarte, rückseitig handschriftlicher Gruß. In Briefumschlag
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A workshop and competition for book artists at the Bodleian Library, Oxford. 01.12.2017-11.03.2018
The exhibition Designing English at the Bodleian Library 2017-18 will illustrate the layout of English literature in handwritten manuscripts and inscriptions across the Middle Ages, from Old English picture books to early Tudor plays and manuals for handling swans. It will trace the different spaces granted to English through the first thousand years, from stray notes scratched into Anglo-Saxon herbals or fragments of lost medieval songs in the margins, to masterpieces placed centre-page and framed by illustration and illuminated borders. it will cover both books and other objects, from grisly tombs to charms written on food.
Text aus dem exhibition summery
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Libri d’arte, passione di una vita
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keine weiteren Angaben vorhanden
Artikel über Reinhard Grüner,
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Reinhard Grüner is a collector from Monaco. His passion is art books, which he collects – and sometimes exhibits – since the 1960s.
His website, www.buchkunst.info is a real “online museum”, where international artist books are catalogued and photographed. Amongst the artists there are Marc Chagall, Anselm Kiefer, Henri Matisse, Pablo Picasso and Andy Warhol. Books, but also works of art made of images and text, created by the artist often in collaboration with a writer and a publisher. For the high artistic quality – original graphics, unique designs, paintings and collages – these works are different from the usual picture books. Their manifestations are multiple: books with graphic effects, objects-book, artist’s books, sometimes printed in offset or illustrated by works of artists.
At the centre of Grüner’s attention there are Eastern German and Eastern European books (mainly Russia, Hungary, Lithuania). many of these works were created in response to specific social, political and cultural issues, with unimaginable insights into the culture of modernity.
Reinhard first came in contact with the art in book form with the English Edition, printed privately, of “A Dissertation Upon Roast Pig”, printed in 1975 by Shoestring Press on paper of the legendary Chiswick Press: from here begins a life of a book maniac among thousands of books. As Grüner states in an essay, the acquisition of artist books is more than a simple purchase: the artist, the life as a collector and thoughts are tied together, they influence each other, and a network of contacts with other collectors begins. With nearly all the books in his collection Grüner forms a symbiotic relationship: each of them describes, explains, and gets to the heart of some chapters of his life.
Download the pdf file with the essay on the collection of Reinhard Grüner (in English)
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OZON International Winter 2012-13 Shelter issue
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29x23 cm, ISBN/ISSN 17923085
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OZON Magazine is an urban fashion magazine that has had a stable and significant reputation as an independent publication since 1996. OZON is a different form of fashion periodical that focuses on urban youth culture, modern fashion, art and music.
The new international issue of OZON is devoted to our personal shelters all over the universe. You will gaze at beautiful pictures and read beautiful minds in search of tranquility and introspection. We discover forgotten places and wonder whether our shelters look alike.
Interviews with: Anders Petersen, George Pitts, Steven Tai, Wes Lang, Martin Stranka, Phoebe English and more. Photography by Alena Jascanka, Yorgos Mavropoulos, Sonia Szóstak, Rita Lino, Nikolas Ventourakis, Hayley Louisa Brown, Sophie Van Der Perre, Winter Vandenbrink.
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144 S., 23x17,2 cm, ISBN/ISSN 16474198
Eingelegt ein gefaltetes Blatt von Luisa Alpalhao (Telling of). Eingeklebt ein Leporello von Tiago Patricio (Twenty fingers on a piano)
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Cine Qua Non is an arts magazine of the University of ULICES built up by movements in written form that freely crisscross reflections, reviews or essays, movements that relate music to visual arts, dance to theatre, cinema to literature. This publication intends to submit its readers to a unique editorial approach that gathers artists, researchers and teaching staff, Portuguese or foreign, proposing texts of different nature about diverse artistic expressions. Cine Qua Non is, since its first printed issue, an entirely bilingual publication (Portuguese/English) that is presented in both versions: an online edition and a printed one.
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The Laughter - Satirical Newspaper
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32 S., 29,7x21,2 cm, Auflage: 100, numeriert, signiert, ISBN/ISSN 9789963748204
Blätter lose ineinander gelegt. Risographie. Beigelegt An Activist Pamphlet 05.2012 auf grünem Papier
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Published as part of The Laughter exhibition at Omikron Gallery, Nicosia. Limited edition prints: 150 Greek and 100 English. All texts and artworks by Peter Eramian and collaborators. Designed by Think Work Observe. English to Greek translation by Philip Philippou. Black soya based ink, risograph printed, Cyclus 115gsm paper, Hato Press, London. Cover illustration by Philippos Vasiliades, based on the cover of The Laughter issue 01, 1 December, 1928
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Reflektor M Digest #12 - Landscape Chart
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[106] S., 21,5x14 cm, keine weiteren Angaben vorhanden
Broschur
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On a full Moon there must be thousands, maybe millions of photos of the night sky being sent by smart phones. The busy Moon moves much faster around the world these day. At the end of 19th century, N (a student of English literature, who would become very well known as an author of many great works), found himself in London. Since the 17th century, the Edo government had prohibited international trade and travel except with China and Holland for over 200 years. It was only when Matthew C. Perry came to Uraga in 1853 and succeeded with his negotiations, what Japan's new history of forgeign affairs began. Gradually the English language was introduced into the intellectual elite, and a few members were sent overseas to learn the language in order to respond to the needs of the new age. N was one of them.
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[224] S., 23x15,2 cm, ISBN/ISSN 978-1-908452610
Paperback mit Klebebindung, Blätter rückseitig in Spiegelschrift bedruckt, so dass sie durch das dünne Papier lesbar sind.
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a non-complete and subjective collection of english weather forecasts- edited out of 28 random newspapers during 4 ifferent London visits betweem october 2012 and september 2013. read in those small excerpts, the english weather appears like poetry. this book is a twin. whereas weather forecast (1) shows the "weather poems" one after another, page by page, black on white, weather forecast (2) uses the book format differently: every "poem" is printed side-inverted on the backside of front page. due to transparency of the paper, the text can be read "through" the page. every "weather poem" also exists as fine hand letterpressed sheet in A4 format.
Text von der Webseite.
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How to Prepare Yourself for the Collapse of the Industrial Publishing System
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[8] S., 21,6x13,9 cm, Auflage: 248, keine weiteren Angaben vorhanden
Drahtheftung, Risodruck
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Das Heft besteht ins Englische übersetzte Essay "How to Prepare Yourself for the Collapse of the Industrial Publishing System" des argentinischen Künstlers Eric Schierloh. Der Text wurde zusammen mit Paul Holzman übersetzt.
This publication is the result of a warm exchange between Public Collectors and Eric Schierloh of the press Barba de Abejas, (Beard of Bees).
In 2020 Eric wrote this essay that he translated into English with an American friend, Paul Paul Holzman, who also lives in Buenos Aires. In December 2021, Eric reached out to me to share his enthusiasm for my text “Towards a Self Sustaining Publishing Model.” Eric proposed making a Spanish translation and publishing my writing as a cheap edition in Argentina. He felt my text had similarities to his own words; the two works share a similar spirit of encouraging publishing experimentation outside of typically limiting market constraints.
Though Eric’s text had already been published in English in World Literature Today magazine and translated into French by the cardboard press La Liebre Dorada, we agreed that it could still be worthwhile to make a US edition that stood alone. So, in a celebration of artist publishing exchanges, Public Collectors is happy to share Eric Schierloh’s inspiring writing. It provides many potential creative paths forward for people with access to any form of printing, and any materials that could be used to make a book.
Text von der Webseite
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A selection of English Books for the Frankfurter Kunstverein
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2 Stück. keine weiteren Angaben vorhanden
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How Is A Cartoonist Learning English
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keine weiteren Angaben vorhanden
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Auflage: 950, keine weiteren Angaben vorhanden
mit eingeklebten farbigen Abbildungen, Brief an Manfred Grossmann
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28 S., 18x11,5 cm, Auflage: 50, numeriert, keine weiteren Angaben vorhanden
Drahtheftung, Risographie auf gelben Karton
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Drawings and text in german and english including an illustrated short story about apes in leather suits.
Willehad EIlers (1981, Peine) lives and works in Amsterdam. He is tirelessly working in all kinds of media including film and sculpture always looking for obscure situations inside incomplete stories. Great Tales of Moral was released accompanying to the exhibition with the same title at
self service open art space stuttgart
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Young, Fresh and Relevant Issue 2
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32 S., 21x14,8 cm, Auflage: 200, keine weiteren Angaben vorhanden
Laserprint, Drahtheftung, material 314
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'Young, Fresh and Relevant' is an ongoing, open submission journal exploring the concept of artist writing. The journal is in English and is partly translated into German
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260 S., 16x11,5 cm, Auflage: 750, ISBN/ISSN 978-2-953934700
Softcover Klappeinband
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Das Buch basiert auf einem Gespräch von Christoph Schifferli, Christophe Daviet-Thery and Jérôme Saint-Loubert Bié über 12 Künstlerbücher.
The same year, in december 2009, Christophe Daviet-Thery asked to Jérôme Saint-Loubert Bié to take care of the catalog even if this book works independently from the exhibition. He invited Jonathan Monk and Yann Sérandour to have a conversation about 12 books: Bruce Nauman, Burning Small Fires, 1968 – Richard Prince, American English, London: Sadie Coles HQ and Cologne: Verlag der Buchhandlung Walther König, 2003 – Wade Guyton, Zeichnungen für ein grosse Bild, Cologne: Verlag der Buchhandlung Walther König, 2010 – Jonathan Monk, Cover Version, London: Book Works, 2004 – Mike Kelley, Reconstructed History, New York: Thea Weistreich and Cologne: Gisela Capitain, 1990 – Allen Ruppersberg, The New Five-Foot Shelf of Books, Brussels: Editions Micheline Szwajcer & Michèle Didier and Ljubljana: International Centre of Graphic Arts, 2003 – Claude Closky, Vacances à Arcachon, Paris: Editions Galerie Jennifer Flay, 2000 – Alejandro Cesarco, Dedications, New York: A.R.T Press, 2003 – Martin Kippenberger, The Happy End of Franz Kafka’s Amerika. Tisch Nr 3, Sankt Georgen: Sammlung Grässling, 1993 – Matt Mullican, Matt Mullican, Valenvia: IVAM Instituto Valenciano de Arte Moderno, 1995 – Batia Suter, Parallel Encyclopedia, Amsterdam: Roma Publications, 2009 – Yann Sérandour, Inside the White Cube: Overprinted Edition, Zurich : JRP Ringier, 2009.
Von der Webseite des Verlegers
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42 S., 22x16,5 cm, keine weiteren Angaben vorhanden
eingelegt eine Rubbelkarte und ein Verzeichnis der Läden, Cover mit geschäumter Farbe
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Agentur: Wieden+Kennedy Amsterdam
Originaly call “Let the bitch out” No more miss nice guy is a 42 pages book capturing the theme of the rebel aspect of women in sports, pictured in a colorful and funny way, it catch the subtil attitude of sometime mad girl practicing sports. The idea of book/catalogue was firts adopte to suit better the fashion aspect of the whole project than normal press ads and created a collectable factor.
The photography playing a big role,in this sens, it was given to star photographer Elaine Constentine.
No More Miss Nice Guy was first made in english and specificaly adapted to the 7 main languages to fit the europeen market.
Text von www.cargocollective.com
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Footprints of Animals Wearing Safety Gear
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21,5x15,7 cm, keine weiteren Angaben vorhanden
gefaltetes Blatt in Umschlag Drahtheftung, Blueprint, Stempeldruck
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Boot Print, Volume 1, Issue 1
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32 S., 41x29 cm, keine weiteren Angaben vorhanden
Blätter lose zusammengelegt, einmal gefaltet
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Boot Print Volume 1/Issue 1 covers the Boots exhibitions and happenings. The inaugural exhibition The Politics of Friendship and Georgia Kotretsos solo show 10 Fingers 88 Teeth looks at five different models of artist-run spaces La Panaderia, Mexico. Kling and Bang, Iceland. PiST, Turkey, and SubCity Projects, in the United States. discusses forms of arts publishing and distribution. features Adelheid Mers insightful diagrammatic chronicle alongside Vilem Flusser’s Crisis of Linearity (1988), the first translation into English. and last, speaks with influencial curatorial voices about their practice sush as Anne-Laure Oberson. Vasif Kortun. Xenia Kalpaktsoglou, Poka-Yio, Augustine Zenakos. Mary Jane Jacob and Shannon Fitzgerald about the local and international art scene, as well as the debutant Destroy Athens Biennial.
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10,3x12,5 cm, keine weiteren Angaben vorhanden
farbiger Linolschnitt auf orangen Karton. Rückseitig handschriftliche Vermerke
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Gurdan Thomas is known for its imaginative music and storytelling. The lyrics are inspired by philosophy and the human condition, delivered in an acoustic folkpop style with a theatrical sprinkling and a good dose of barefoot dancing. The multi-instrumental collective is led by an English composer-songwriter based in Munich and Birmingham.
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NACH BILDENDE KUNST / AFTER FINE ART Works presented in the German Language / Arbeiten vorgestellt im deutschsprachigen Raum
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200 S., 24,1x16,7 cm, ISBN/ISSN 978-3-775729796
Broschur
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Edited by Gabriele Wix, By Gabriele Wix, graphic design by Lawrence Weiner, Anja Lutz.
Most of his oeuvre, which comprises more than a thousand language-related works, has already been presented in the German-speaking world—some of it either translated by Weiner himself or conceived using German as a basis. Featuring over 350 works, this is the first list of the English/German works. The artist assumed responsibility for the typography and cover design, as if the publication were one of his own works. Accompanying text and visual documents shed light on the creative process, in-situ installations, and Weiner’s way to work with text.
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24,5x22,3 cm, Auflage: 250, numeriert, signiert, ISBN/ISSN 978-3-000349515
Virenschutzmaske aus Papier mit Siebdruck, beigelegt ein mehrfach gefaltetes Blatt, Rückseite Plakat, datiert, gestempelt, in verschließbarer transparenter Kunststoffhülle
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H1N1 – Pret à Porter is a pamphlet with photographs of japanese women wearing masks to protect themselves from H1N1 taken in November 2009 in Fukuoka, Japan. The pamphlet contains 24 pages with an introduction by Martina Merten in English and Japanese.
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352 S., 21x15 cm, ISBN/ISSN 9782915859416
Broschur mit Banderole, eingelegt ein Informationsblatt
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Originalausgabe erschienen bei Artists Press, Bern, 1980.
This book is the third and final version of the first artist’s book published in 1960 by herman de vries, who is currently the author of more than one hundred publications.
The story of this book dates back to 1960. Closely associated with the Zero Group, but also drawn to the buddhist concept of emptiness, herman de vries had just produced a series of white monochromes when he self-published a twenty-page booklet in Arnhem. It had no title, its cover was blank and its pages were unprinted. It contained nothing but a short final poem celebrating, in four languages, the superabundance of white: “wit is overdaad”. In 1962, this manifesto appeared in another version, now entitled wit: two hundred blank pages, four white collages by the artist and an introduction, itself completely blank, by the poet J. C. van Schagen, published in arnhem in only five copies by M. J. Israel. It was followed in 1967 by a second “revised” edition, wit weiss: two hundred and fifty blank pages, pocket-sized, in five hundred copies, published by Hansjörg Mayer in Stuttgart. The only printed elements were the artist’s name, the title and the publisher’s name on the cover, the word “introduction” and the name of its author on the very first page and a colophon on the final page. In 1980 the Artists Press in Berne published the “third revised edition”, in a larger format and with more pages. The original title wit was translated into english and japanese and into sanskrit with a word that means “white” in the sense of bright, pure, immaculate. The title itself does not appear on the book, which remains completely blank. It is printed with the paratext on a broad strip of paper in the form of a detachable publicity strip. The inside flap contains a brief statement initially dating back to the 1962 edition, stating that this book incorporates all aspects of reality. Of the five thousand copies advertised, only a hundred were published. It is this last edition, the most radical, which is republished here, the only addition being the french translation of the statement.
On 1 april 2012, herman de vries wrote of his book, insisting on the importance of the final comma:
white is white
0 = 0
no name
no idea
not even emptiness,
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and . learning english has no use
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[70] S., 33,5x23 cm, Auflage: 300, numeriert, signiert, ISBN/ISSN 978-3-902675675
geklammert, Cover ausklappbar, mit Widmung, verschiedenfarbiges Papier,
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Pandora's Camera - Photogr@phy after Photography
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192 S., 22,8x15 cm, ISBN/ISSN 978-1-910164037
Klappenbroschur,
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16 Essays mit Illustrationen. Herausgegeben von Michael Mack, Izabella Scott, Martyn Oliver.
This book is the first English translation of a renowned collection of essays by Joan Fontcuberta, in which he considers the technological shift that photography has undergone in recent years. The medium finds itself torn between loss and hope, between the disappearance of the silver gelatin photograph and the possibilities of the digital medium. ...
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Cadences - A Journal of Literature and the Arts in Cyprus, Vol. 12 Fall 2016
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112 S., 23,5x16,5 cm, ISBN/ISSN 14501813
Softcover, Broschur
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Candences: A Journal of Literature and the Arts in Cyprus is a multilingual literary magazine, publishing poetry, short fiction, life writing, experimental work, reviews, and other writings in all the languages of the island of Cyprus and of its visitors. Writers in Cyprus think, feel, and express themselves in several languages, with Greek, Turkish, and English being three of the most prominent. Cancences is a bridge between them, a meeting point at which writers of the diverse communities of the island may find each other, and learn from their encounters with difference.
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Vom Untergang des Englischen Gartens - The Decline and Fall of the English Garden
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[16] S., 21x13,8 cm, keine weiteren Angaben vorhanden
Drahtheftung, Digitaldruck
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Illustration und Übersetzung von James Sheridan
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44 S., 39x55 cm, Auflage: 500, numeriert, 2 Stück. keine weiteren Angaben vorhanden
Blätter lose ineinader gelegt, Anschreiben beigelegt
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One would like architecture to be a stable ground, a fixed set. It would be reassuring to feel that the bakery of our childhood is still here, that the building we used to pass by everyday will be standing here forever. But behind the certainty of a brick wall or a concrete slab stands the uncertainty of its use, its life, its inhabitation, its domestication. Impossible to predict, this softness invites us to think architecture as a frame, an open structure, a malleable playground.
Paper is a newspaper focusing on Common places in Beijing. Paper investigates the multiple forms of inhabitation at the smallest scale, as accidents within a given structure. Paper focuses on the non-monuments constitutive of the city of Beijing. It unfolds 43 photographs taken in Dong-Cheng District, and a bilingual text in English and Chinese. Paper was firstly launched on the 27th of October during a solo show exhibition 'Common places' at the Institute for Provocation.
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open wide & say Aaaah! - Jürgen & Rod Consultants
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13x13 cm, Auflage: 20, numeriert, signiert, keine weiteren Angaben vorhanden
CD in einseitig bedrucktem Papierumschlag in PapierHülle in Briefumschlag
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Vec Audio CD 0064. an audio collage collaboration. 2 Tracks (7:23 und 4:45). Soundcollage und Lesung einer Anleitung für Ärzte zu einer LP mit Medical English for German Doctors
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MULTImART - mehr zahlen weniger! - crowdfunding art markets
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66 S., 21x14,8 cm, keine weiteren Angaben vorhanden
Drahtheftung, beigelegt english summary
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Infoheft zum Projekt. Kunstwerke ausgewählter zeitgenössischer KünstlerInnen stehen als MULTImART-Editionen mit einem ungewöhnlichen Preismodell zum Verkauf!
Der Clou: Je mehr KäuferInnen, desto niedriger der Preis pro Kunstwerk!
MULTImART @ VIENNAFAIR 20.-23.09.2012 Reed Messe Wien
MULTImART @ VIENNA ART WEEK 05.-25.11.2012
21 Künstler und KünstlerInnen beteiligen sich an dem Kunstmarktexperiment mit ungewöhnlichem Preismodell, und werden im November in den Schaufenstern entlang der Gumpendorfer Straße ausgestellt. Dabei gilt: Je mehr KäuferInnen pro Edition, desto niedriger der Preis pro Kunstwerk. Die bereits nach der VIENNAFAIR gesenkten Preise kann man auf der MULTImART-Webseite nachlesen.
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wordpharmacy - Adjectives - Contens: 238
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18x30 cm, ISBN/ISSN 978-3-943196054
Kartonbox 10x11,5x7,5 cm (HxLxB, auseinandergefaltet 18x30 cm, mit Beipackzettel A4 gefaltet auf 4x7 cm
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Wordpharmacy combines the structure of language with the healing principles of various medicaments. Like pills, language is something to be consumed by the body, and in turn it does not only affect our conceptions of things, but it also comes to designate our very corporal movability in the world. Consequently, words are not only something we consume, they are refractory entities that in turn define and consume us. Wordpharmacy can be seen as a poetical gesture endeavouring to let words work their magic from within the body itself. The Wordpharmacy is written and produced by the danish poet Morten Søndergaard. The Wordpharmacy has be shown in several cities like Paris and London and Berlin and Bangor and Tromsø and Voss. The Wordpharmacy is translated into English by Barbara Haveland and designed by Christian Ramsø and is now available in six languages.
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Fünfzigzwanzig Ausgabe 01/18 März-Mai
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[12] S., 31,2x3,5 cm, keine weiteren Angaben vorhanden
Blätter lose ineinander gelegt
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Die Galerie 5020 versteht sich in all ihren Wirkungsbereichen als Ort der Auseinandersetzung mit zeitgenössischer bildender Kunst und ist ausschließlich der Förderung und Vermittlung zeitgenössischer Kunstdiskurse gewidmet und keinen kommerziellen Interessen verpflichtet. Darüber hinaus ist der Trägerverein in kulturpolitischen Belangen aktiv, ein breites und vernetztes Engagement verfolgt die Stärkung des Stellenwerts zeitgenössischer Kunst und ihrer Diskurse.
Das Ausstellungsprogramm gibt jenen künstlerischen Praxisformen Raum, die sich durchaus kritisch mit künstlerischen und gesellschaftlichen Fragestellungen auseinandersetzen. Es umfasst sowohl jurierte Einzelpräsentationen als auch kuratierte Gruppenausstellungen sowie Kooperationen. Die Produktionsunterstützungen ermöglichen den Kunstschaffenden Projekte zu entwickeln, Ideen zu erproben und Konzepte zu realisieren.
Das Veranstaltungsprogramm versucht aktuelle Themen der Kunst im Zusammenspiel mit anderen Feldern künstlerischer und kultureller Produktion sowie gesellschaftlichen Zusammenhängen aufzugreifen und umfasst Symposien, Diskussionen, Vorträge, Präsentationen ebenso wie Performances, Musikveranstaltungen und Filmlectures.
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[124] S., 18x13,5 cm, ISBN/ISSN 9782954197401
Broschur, Buchrücken aufklappbar, gefaltetes Plakat in eingeklebter Papierhülle, Posterformat 85,4x64cm, in Schutzhülle mit Aufkleber
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A journal written at the third person that seeks to depict Antoine d’Agata’s quest – the inexorable course from void to void.A literary and photographic experiment where words, sometimes descriptive, sometimes poetic, intersect with images in a narrative continuity. An example of the photographer’s existential choice and form of resistance which leads toward the subject’s disappearance and the ego’s negation within the neutral spectrum of the image while insisting on an intimate involvement with its matter and a perfect superposition of art and life. The pictures have been treated and reduced to the simple black and white contrast, following the main axis of this editorial project: shaplessness and the sense of fading-out. This flattening to a drawing effect releases the image as a shadow, a border between a recognizable sign and a blurry, ambiguous one, so that the photograph is both “trace” and “other”. The book, whose main language is English, also foresees a separate and folded poster, including texts in French on one side and, for the first time, in Italian on the other printed on a background colour image. The two languages allow to include texts in their original version, but allude as well to the artist’s double origins. In line with the book, the poster also reflects d’Agata’s search direction towards the interlacing of word and image and it finally refers to the idea of a topographic description of passions. Member of the Magnum agency, Antoine d’Agata (1961) is one of the most influential photographers of his generation. He lives in both Paris and Marseilles and he works around the world. He is represented by the gallery Les Filles du Calvaire, Paris.
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968 S., 24x17 cm, ISBN/ISSN 9788837085667
Hardcover, Titel mit partieller Lackierung
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Erscheint anlässlich der Ausstellung “Joseph Beuys – Difesa della Natura”, 13.05.-14.08.2011, Kunsthaus Zürich, herausgegeben von der Züricher Kunstgesellschaft/ Kunsthaus Zürich. 3 Ausgaben, italienisch, deutsch, englisch.
12 May 2011 is the 90th anniversary of the birth of Joseph Beuys (1921-1986), one of the key figures in the artistic scenario of the last century. The Kunsthaus in Zurich is paying tribute to the German master by staging an important international event that forms an integral part of the exhibition entitled “Joseph Beuys – Difesa della Natura” (Joseph Beuys – Defense of Nature), curated by Lucrezia De Domizio Durini and Tobia Bezzola. This book marking the birthday of this German painter and sculptor, who was one of the most authoritative and innovative voices of post-war society, is also being published in English and German. The book, about 1,000 pages long, containing more than 200 illustrations from the historical archive of De Domizio Durini, describes the Living Sculpture which made Beuys famous, together with the historical background that is fundamental to comprehending his thinking and work.
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292 S., 23x17 cm, ISBN/ISSN 978-3-037645048
Broschur, Einband einfarbig rot bedruckt, Schutzumschlag vierfarbig, Vorsatz/Nachsatz blau, Abb. Schwar-Weiß, einzelne Farbseiten. Druck auf Munken Print White 1.5, DZA Druckerei zu Altenburg
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The starting point of this publication—and its eponymous exhibition held in Zurich in Spring 2017—is the conceptual encounter between English Pop art artist Richard Hamilton (1922–2011) and Swiss historian and critic of architecture Sigfried Giedion (1888–1968), famous for his landmark book "Space, Time, and Architecture," an influential history of modern architecture published in 1941.
In 1949 Richard Hamilton—then a member of the London-based Independent Group— realized the “Reaper” print series as a reaction to Giedion’s 1948 book “Mechanization Takes Command” in which he describes the mechanization of everyday life. Reproducing Hamilton’s complete “Reaper” series juxtaposed with selected examples of illustrations created by Giedion alongside many related illustrations, this publication brings together seven essays by renowned international scholars, all of whom question the relationships between visual arts, technology, science, and architecture. Among the many topics discussed are Hamilton’s early works and exhibition installation practice, postwar British biotechnology and architecture, “Hippie Modernism,” and the visual strategy of Giedion’s books.
Published on the occasion of the exhibition "Reaper. Richard Hamilton and Sigfried Giedion" at the Graphische Sammlung ETH Zürich (May 3–June 25 2017), a cooperation between Graphische Sammlung ETH Zürich, gta exhibitions, and gta archive.
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Surfer (EISBACH). A Photographic Sketchbook by Heike Werner with Philosophical Meditations by Peter Kreeft
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112 S., 19,5x26 cm, ISBN/ISSN 978-3-980947169
Broschur, Digitaldruck
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Surfer (Eisbach) ist ein ungewöhnlicher Bildband zum Thema Surfen. Es ist ein fotografisches Skizzenbuch, das mit seinen experimentellen Aufnahmen einen überraschend neuen, geradezu poetischen Blick auf das Surfen zeigt. Begleitet werden die skizzenhaften Bilder der Eisbach-Surfer von den philosophischen Betrachtungen des amerikanischen Autors und „surfanatics“ Peter Kreeft, der über das einmalige Surferglücksgefühl und die mystische Seite des Surfens schreibt. Der Text der vorliegenden Ausgabe ist zweisprachig, auf Englisch und Deutsch.
Surfer (Eisbach) is an unusual collection of pictures on surfing. With its experimental pictures, it is a photographic sketchbook that shows a surprisingly new and refreshingly poetic view of surfing. The sketch-like pictures of the Eisbach surfers are accompanied by philosophical considerations of American author and “surfanatic” Peter Kreeft, who writes about the unique sensation of joy experienced by surfers and the mystic side of surfing. The text of this book is bilingual, appearing in English and German.
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Vergriffen lt. Webseite
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ruine 06 - The Görli From Ipanema (and other texts)
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36 S., 21,6x15,3 cm, Auflage: 90, numeriert, 3 Teile. ISBN/ISSN 978-3-947250196
2 auf farbige Papiere fotokopierte Hefte, Drahtheftung, ineinander gesteckt, zusammen in gefaltetem Blatt A3 mit Prägedrucken
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Zum Release und zur performativen Lesung im Café Bellevue de Monaco in München am 06.12.2018 um 19 Uhr.
Adelaide Ivánova (1982, Recife/Brazil) is a journalist and political activist working with poetry, photography, performance, translation and publishing. Her poems were translated into German, Galician, English, Spanish, Greek and Italian. Her texts and photographic work were printed in publications such as The Huffington Post (USA), Marie Claire (BR), Clinic (UK), alba londres (UK), Lateinamerika Nachrichten (GER), artiCHOKE (GER), modern poetry in translation (UK). Her photo reportage are part of the collection of Kunst Museum Dieselkraftwerk (Germany), L’arthotèque – Museum of Fine Arts (France) and Galeria Murilo Castro (Brazil). She edits the anarco-feminist zine “MAIS PORNÔ, PVFR!” (proudly not online) and is co-founder of RESPEITA!, a coalition of Brazilian female poets and slammers. She lives in Berlin, where she tries earn a living as baby-sitter, life model, waiter and other alienating jobs.
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ruine 03 – You see I've Always Wanted Things To Be Beautiful
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84 S., 18,3x13 cm, Auflage: 70, numeriert, 3 Teile. ISBN/ISSN 978-3-947250103
Broschur, Schwarz-Weiß-Digitaldruck, beigelegt ein gefalteter Flyer, zusammen in gefaltetem Blatt A3 mit Prägedrucken
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Zum Release und zur performativen Lesung in der Lothringer 13 florida in München am 01.03.2018 um 20 Uhr.
Ruine München is happy to presents Max Grau's first artist book ever. In his words: "I’m really happy with how the book turned out. It looks and feels pretty. It has 84 pages and contains 53.260 characters (incl. spaces). There’s 25 images spread out over six chapters (which have names of varying length). The whole thing is titled after a line from a Frank O’Hara poem that I really like (although I’m not quite sure if I »get« it). There’s footnotes and page numbers and even a topic (optimism. Sort of). The text is written in English and the book is covered in a beautiful sleeve, designed by Maria (I think). It (the sleeve) contains a very flattering text (in German) about… uhm… me, written by the whole RUINE gang. Every issue is numbered and since there wasn’t a ton of money (why is there never an actual ton of money?), we only printed an edition of 70."
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wordpharmacy - Nouns - Contents: 431
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18x40,5 cm, ISBN/ISSN 978-3-943196054
Kartonbox 10,5x11,8x7,5 cm (HxLxB, auseinandergefaltet 18x40,5 cm, mit Beipackzettel A4 gefaltet auf 7x7,7 cm
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Wordpharmacy combines the structure of language with the healing principles of various medicaments. Like pills, language is something to be consumed by the body, and in turn it does not only affect our conceptions of things, but it also comes to designate our very corporal movability in the world. Consequently, words are not only something we consume, they are refractory entities that in turn define and consume us. Wordpharmacy can be seen as a poetical gesture endeavouring to let words work their magic from within the body itself. The Wordpharmacy is written and produced by the danish poet Morten Søndergaard. The Wordpharmacy has be shown in several cities like Paris and London and Berlin and Bangor and Tromsø and Voss. The Wordpharmacy is translated into English by Barbara Haveland and designed by Christian Ramsø and is now available in six languages.
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Reflections on Art. A source book of writings by artists, critics, & philosophers
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364 S., 20x13,3 cm, keine weiteren Angaben vorhanden
Broschur, ehem. Bibliotheksexemplar, Aufkleber am Rücken
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1. Auflage 1958, Johns Hopkins Press;
"The purpose of this book is to bring together some of the many significant essays on art that have appeared within the last five or six decades, in widely scattered publications, and make them available to readers of English, especially readers who have no great library at their disposal. This is not an anthology intended to give students a survey of trends and schools in aesthetics; it does not offer representative statements of current views. It is a source book to serve independent study on the part of scholars and fairly advanced students in philosophy of art, and those excellent teachers of the arts -- of painting and sculpture, music, dance, literature, or whatever else -- who do their own thinking about basic principles." (Introduction)
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12,4x23,5 cm, 2 Stück. keine weiteren Angaben vorhanden
Einladungskarte
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Zur Ausstellung 17.01.-22.02.2020 und zum Abendalk am 06.02.2020 mit Bernhart Schwenk
The frescoes of the Villa di Livia, the wife of Emperor Augustus, which can be seen in the Museo Palazzo Massimo in Rome, form the basic motif for the video PASSING THE GARDEN. These approximately two thousand years old frescoes show an illusionistic garden space, a "hortus conclusus" with representations of plants, trees and birds.
Photographs, videos and drawings of the frescoes are intertwined with photographs and videos of intact and destroyed nature. What seems natural at first glance turns out to be artificially generated. Slowly, the images change their state, moving between reality and fiction.
Experimental, meditative music accompanies the transformation process.
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DIE SCHLANTZ, DIE KURED, DIE KON
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19x19 cm, Auflage: 200, ISBN/ISSN 978-3-948200022
Schallplatte (7 inch) in Hülle mit Umschlag und Beiheft, geklammert, in Klarsichthülle. Mit beigelegten Zetteln mit aufgedrucktem Downloadlink
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”Hhhh Minne, off you go, she’s coming! The deadline is in 5 minuties. If the Mayonnage hears that I’m only just starting. Woah my heart is catching fire. Close the curtain, yes.“ As the mayonnage approaches, the excitement grows. Without ever taking on a tangible form, her presence in Verena Buttmann‘s audio piece „Die Schlantz, die Kured, die Kon” (The Slutch, The Khored, The Quee) lies above everyday events. The mayonnage is many things: the object of fear, the last salvation, the state of oppression, the bridge to a remote world or a dreamlike projection. On her record, the artist Verena Buttmann creates a social cosmos between theatre-like staging and private space. A dialogical poem and a scenic piece of music reveal a narrative that follows a peculiar temporal dimension and linguistic logic. Verena Buttmann takes language to the edge of meaning, where its musical quality unfolds. The publication contains a 7‘ inch vinyl record, a brochure with the original text in German and the English translation, as well as a download link.
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The BöhmKobayashi Encyclopedia Band Eins
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288 S., 15x11 cm, Auflage: 150, keine weiteren Angaben vorhanden
Broschur, Klappumschlag
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“Böhmkobayashi Encyclopedia” is an almanac covering the A to Z of Boehm/Kobayashi, from the projects they’ve done, places they’ve been, artists they’re connected to, books they’ve read and more. Entries appear in German or in the language in which they originated, including English, Japanese and French.
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Finerats #5 - Lowbrow Illustration
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54 S., 21x14,9 cm, keine weiteren Angaben vorhanden
Klebebindung. Die letzten zwei Seiten sind auf Selbstklebepapier gedruckt.
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Fünfte Ausgabe des Heftes mit Illustrationen diverser Künstler*innen.
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108 S., 35,5x26,5 cm, Auflage: 500, numeriert, signiert, 2 Stück. keine weiteren Angaben vorhanden
Drahtheftung
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... The photo 'contact' sheets, their excerpts and other material collected in this book are the responses to a request list circulated via a postal network of 'contacts' between many people on a global scale ...
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20seconds Issue 06 - 20(PARA)SECONDS
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210 S., 23,5x16,5 cm, Auflage: 500, 2 Stück. keine weiteren Angaben vorhanden
Broschur, Softcover
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Wir sind PARA und dies ist unsere para-sitische und para-zeitliche Kohabitation mit dem 20 Seconds Magazine: 20 PARA-Sekunden. Wir verlagern diesen spezifischen Organismus für seine sechste Ausgabe mit einer dynamischen Herangehensweise an das Publizieren als eine Passage der Transgression. Mit "Non-Present Tense" wollen wir diesen Organismus aus der Linearität und dem Fortschritt herauslösen und diese Ausgabe zu einer großen Störung erklären. Das Kuratorenteam mit Jakob Braito, Anja Lekavski und Kalas Liebfried
Ab Seite 87 Fotoessay über twenty-six mountains for viewing the sunset from dick higgins, 1981. Fotografie Mathias Reitz Zausinger, Performer Beni Brachtel, Art Director Kalas Liebfried.
Ab Seite 171 Visual Essay über Zines aus der Punk Sammlung des AAP Archive Artist Publications.
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60 S., 21,5x14 cm, keine weiteren Angaben vorhanden
Drahtheftung, farbig bedruckt
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Die PublicAccess Zines enthalten neben einem kurzen Essay 43 Projekte aus dem Bereich der öffentlichen Medien, die mit den PublicAccess-Tools erstellt wurden. Jedes Werk in der Broschüre wurde ausgewählt, um die Vielfalt der Techniken und Botschaften zu zeigen, die PublicAccess-Teilnehmer*innen im Laufe der Jahre eingesetzt haben. Von zutiefst politischen Inhalten bis hin zu einfacher Farbgebung und Design; mit jeder Intervention schaffen und bekräftigen die PublicAccess-Teilnehmer ihr Recht, einen demokratischen Bürgermedienraum zu schaffen.
Text von der Webseite, übersetzt mithilfe von DeepL.
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FAILING SYSTEM - The End of Patriarchy? - Site Plan English
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4 S., 21x29,7 cm, 2 Stück. keine weiteren Angaben vorhanden
Raumplan, geklammert
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Zur Ausstellung 14.04.-09.06.2024. Raumplan, rückseiting mit Abbildungen und erklärenden Texten zu den Arbeiten
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Fragile Peace Breeds More War
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2 S., 21x14,8 cm, keine weiteren Angaben vorhanden
Beidseitig bedrucktes Papier
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Der Flyer wurde am 24.02.2024 bei der Solidaritätskundgebung für die Ukraine anlässlich des zweiten Jahrestags des russischen Einmarsch verteilt.
Anarchists against Imperialism ist ein Zusammenschluss ukrainischer und belarussischer Anarchisten und Anarchistinnen und setzt sich gegen einen Frieden mit dem Putin-Regime ein.
Zu den mitwirkenden Gruppen gehören Solidarity Collectives (Ukraine), Resistance Committee (Ukraine), Good Night Imperial Pride (Ukraine) und Pramen (Belarus).
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07. RischArt_Projekt - Tafelrunden
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[16] S., 26,8x20,7 cm, Auflage: 500, 2 Stück. ISBN/ISSN 3-93309669-3
Mappe aus Karton, mit sieben Heften (Drahtheftung, 17x13)
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Katalog zum 07. RischArt_Projekt, das vom 12.-23.09.2001 im Maximiliansforum in München stattfand. Präsentiert wurden "7 Aktionen rund ums Essen":
1. Carl Emanuel Wolff - "Was sollen wir denn heute kochen..."
2. Sonja Alhäuser - "Blätterteiggesellschaften"
3. Richard Annely - "English Breakfast"
4. Benjamin Bergmann - "Speisung der Zehntausend"
5. Die Bairishe Geisha - "Mein Gastmahl"
6. Chelin - "Bansankai"
7. Angela Dorrer - "Promicookies"
Dabei sollte das Thema Essen aus ästhetischen, kulturellen und gesellschaftlichen Perspektiven beleuchtet werden, wobei der Fokus auf dem kommunikativen Akt des Essens und der Auseinandersetzung mit diesem alltäglichen Ritual lag.
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